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Lomborghini Auto
Shongho
i
2011
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OZ
froOe
Foir
Stond
CeBIT
2OO7
. Honnover
Sorrrno
Trode
Foir
Stond, World
of
Consumér Electronics
IFA 2009, Berlin
Dossiers
Qr'
est
ce qu'un
corps
So
roo,
soto
Exhibition
of
too
Projects
by
SO
Architecture
Axolotl
Exhibition
Woterscopes,
Woter
Works,
Woterwoys'
tr
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lerro
Tirn"
ond the
Worlds
of
Messel
StonO Comex
2O1O
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Gollery,
History
of
Switzerlond
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-
,
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Solone
lnternozionole del
Mobile
2011
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Room"
ond
Suites
in
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roppy
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Archoeolooicol
Section
of
the
Sont'Agostin"o
Museum
Lirbon Archllecture
Triennole
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obout
Houses:
Between
North
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South
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Design
/Fascinating
Exhibition
space
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Design Compony: Fobio Coponni Workhop, Stefono Lombordi
Locotion: Vio Ricosoli 3ì, Montolcino (Sieno)
Photos: Christion Richters, Fobio Coponni
In a land consolidated by hislory, as is Tuscany,
if you want to express originality that isn t trivial
or, worse
still,
elegantly empty, it's better tosurrender immediately and identify past themes
thal can accompany us inlo the
future
FabioCapanni Workshop has been pursuing this path
for some time
The redesign of the basement of the old convent
of Sant'Agostino has been the chance to have a
direct confrontation with history
In the redesign of the archaeoogical section at
the Civic and Diocesan Museum of Sacred Art in
Montalcino, carried oul with Stefano Lambardi,
onyx plays an unexpected
role
Thin sheets ofonyx are used to line the entrance door to the
halls and also to give shape to the rectangular
platforms of
the
exhibition cases, arrangedin an osleological form
remembering
anarchaeological skeleton Further a lÌght placed
inside the cabinets highlights the material's
translucence and crystalline
form
This useevokes a past when, in the absence of glass,
alabaster panels were used to fill smal openìngs
as in the ancient Sant'Antimo's Basilica, located
in the neighbourhoods of Montalcino
The luminosity and
the
lightness
of
onyxcombines with the opacity and the heaviness
of bronze, using especìally moulded sheets to
clad the treads of the staircase and the r-so
floor, transformed in a sort of archaeolog
:a
find of
huge dimensions, in accord with:-e
character of the museum Meanwhiie, with a < ^d
of raised plinth, lhe boundary belween the
-:n,
intervention and the existing building is mar<eC,
suspending the new floor in an atmosphere 3fi
abstraction The bronze plinth thal delimits
:.e
perimeter of the exhibition rooms ìs illumina,e.d
from below with a blade of continuous light
:-d
rises up to the ceiling
to
reveal the irreg- ailrpattern of the masonry, along with the prese-:e