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Corso di Laurea in Ingegneria Edile-Architettura a.a. 2013-14

Corso di Storia dell’Architettura contemporanea e Laboratorio di ricerca Prof. arch. Francesco Moschini

LUOGHI, CITTÀ, PAESAGGI, TERRITORI:

Introduzione. Le Nature Altre

Lorenzo Pietropaolo

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From Natural to artificial: transforming

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Venice is a fish… actual satellite view of Venice Lagoon; the native landscape: amphibious islands (Barene)

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Venice is a fish… actual satellite view of Venice Lagoon; the metaporphic process: from amphibious islands (Barene) to cultivated lands and settlement (Burano)

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Venice is a fish… actual satellite view of Venice (Italy); main islands agglomeration: the city core

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Marc Antoine Laugier, Essai sur l’Architecture (Essay on Architecture), detail of the cover, 1755: Native architecture as a rational metamorphosis of 4 trees

The Other Nature: City and Country Sides, Towards New Landscapes From Natural to artificial: transforming

Antonio Labalestra

Bari

09 Marzo 2009

ARCHITETTURA E NATURA

MARC ANTOINE LAUGIER, PARTICOLARE FRONTESPIZIO ESSAI SUR L’ARCHITECTURE II EDIZIONE 1755

Architettura e natura

LEZIONE N°1

“ Cominciarono dunque a desumere i fondamenti dell’architettura, come di tutte le altre arti, dal seno stesso

della natura, …”

Leon Battista Alberti, De Re Aedificatoria, Libro VI, cap. III, 1450.

“…they started to deduce the basis of Architecture – as of all other Arts – from the bosom of Nature…” Leon Battista Alberti,

De Re Aedificatoria

(On what will have to be built), 1450

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Arduino Cantafora, Città Analoga (Analogous City), 1973

A. Cantafora, Città come collezione (City as a Collection), 1990 A. Cantafora, Città come casa (City as a House), 1990

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From Natural to artificial

perceiving

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Leonardo da Vinci, La Gioconda (Monna Lisa), oil color on wood, 1503-14

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Urbino, Italy: The Renaissance Relationship between City and Landscape

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Piero della Francesca, Portrait of the Duke and the Duchesse of Urbino, 1465-1472

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Le Corbusier (from above left and clockwise): The Pecile Wall at Villa Adriana (Tivoli, Rome, Italy); Open air Room at the Lakeshore Little House, 1923

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Alvaro Siza Vieira: Camargo Foundation, Porto Alegre, Brazil, 2007-09

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Alvaro Siza Vieira: Camargo Foundation, Porto Alegre, Brazil, 2007-09

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Alvaro Siza Vieira: Camargo Foundation, Porto Alegre, Brazil, 2007-09

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From Natural to artificial

Coexisting?

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Rome, Italy: Protection Plan of the historical Countryside penetrating the City

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Rome, Italy: General Master Plan, 2000

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Rome, Italy: Forms of the historical, anthropic landscape of the Countryside. The Ancient Appia Road Park

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Rome, Italy: Forms of the native, natural landscape. The Carstic Canyons (“Forre”)

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Paolo Portoghesi and Vittorio Gigliotti, Project for “Roma interrotta” (Rome interrupted), 1977

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Paolo Portoghesi and Vittorio Gigliotti, Project for “Roma interrotta” (Rome interrupted), 1977

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Alberto Burri, Grande Cretto di Gibellina (Great Crack in Gibellina, Sicily, Italy), 1985

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From Natural to artificial: coexisting

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From Natural to artificial

Coexisting?

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Urban Systems diffusion and consistence in a night-time satellite view at the beginning of the XXI Century

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Urban Sprawl: Cities as an overcoming cancer? The Widespread City in Milan metropolitan area (left) and in Veneto (right)

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Left: Metropolitan Areas in Italy; Right: Urban Growth in last 3 decades; the case of the Metropolitan Area of Bari, Apulia Region, South East Italy

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Alberto Magnaghi and others, Landscape Territorial Plan for Apulia Region: Map of Landscapes (Laudatio Imaginis Apuliae), crayon on paper, 2007-2011

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Alberto Magnaghi and others, Landscape Territorial Plan for Apulia Region: Map of Landscapes (Laudatio Imaginis Apuliae), detail, 2007-2011

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From Natural to artificial

Coexisting?

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Città ideale (ideal City) XV sec.

Canaletto, Capriccio 1730

G. B. Piranesi, Il Campo Marzio dell Antica Roma, 1765

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A Great House with no Roof: Architecture as an Urban Scenography; the Piazza

The city as an urban stage: main axes of baroque urban arrangement

Tra retorica pedagogica e sensualità spaziale, l’evoluzione barocca: la città come scena

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The city as an urban stage: the Trident of Piazza del Popolo (People’s Piazza), Rome, Italy

Tra retorica pedagogica e sensualità spaziale, l’evoluzione barocca: la città come scena

Vista ortofotografica attuale del tridente di Piazza del Popolo

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Louis I. Kahn, First travel to Europe, 1929: Assisi and Positano (Italy), Armenian cities

The Architect’s travel

“Drawing is a way to represent. It makes no difference

if a watercolor is dense, weak or imprecise. If it reveals an intention, the watercolor has a value,

and the more we catch that intention, the more our watercolor will gain value.” Louis I. Kahn, Value and purposes

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Louis I. Kahn, Second travel to Europe, 1951: Siena, Italy, Piazza del Campo and Baptistry

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Acropolis, Athens, Greece, VII-V sec. BC: general plan;

Views towards Propyleia and from the valley below Louis I. Kahn, Second Travel to Europe: Athens Acropolis, charcoal and crayon, 1951

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Mario Sironi, Periferia (Outskirts), oil on canvas, 1922

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Giovan Battista Piranesi, Campo Marzio of Ancient Rome, 1762, detail

Franco Purini, Classifications of spatial situations by sections, 1966

Franco Purini, Arrangement of the Roman Harbour in Testaccio, 1988

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Aldo Rossi, Città analoga, 1976 Into the Architect’s Mind

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Into the Architect’s Mind

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Into the Architect’s Mind

Superstudio (Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris, Alessandro Poli):

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1966 1966 Interpreting the site

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Carlo Aymonino, Studies on the City of Pesaro, 1980

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Foreseeing Architecture

Aldo Rossi, (from above left and clockwise): Project for a Piazza with Civic Center, 1976; Studies for the Cemetery, Modena, Italy, 1971;

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Foreseeing Architecture

Carlo Aymonino, (from above left and clockwise): Extension of the Musei capitolini, Rome (Italy) 2000;

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From Natural to artificial

Coexisting?

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Politecnico di Bari, marzo 2010

Adalberto Libera, House for the writer Curzio Malaparte, Capri (Naples, Italy), 1938-43

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Foreseeing Architecture

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Francesco Venezia: Studies on Malaparte House in Capri (Naples, Italy).

The House was built in 1938 for the writer Curzio Malaparte by the Italian architect Adalberto Libera

Interpreting the site

“It is the Project that founds the Site and tells us about its sense.

I have recently seen a photograph of the site before construction and I can assure that it was insignificant and distressing. That Site, without that House, it does not exist.” Francesco Venezia

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Renzo Piano, Paul Klee Center, Bern (Suisse), 2002-05

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Renzo Piano, Paul Klee Center, Bern (Suisse), 2002-05

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Renzo Piano, Paul Klee Center, Bern (Suisse), 2002-05

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Renzo Piano, Paul Klee Center, Bern (Suisse), 2002-05

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Atelier Jean Nouvel, Brembo – Technology Campus and Research Center “Kilometro Rosso” (Red Kilometer), Bergamo (Italy), 2001-07

From Natural to artificial: coexisting

Ateliers Jean Nouvel, Brembo - Parco Scientifico Tecnologico “Kilometro rosso”, Bergamo, 2001-07 Paesaggi dell’architettura contemporanea.

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Mario Cucinella, Low cost dream-House: 100 mq for 100.000 € at Zero Co2 emission, concept for a precast and sustainable modular building system, 2005

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Mario Cucinella, Low cost dream-House: 100 mq for 100.000 € at Zero Co2 emission, concept for a precast and sustainable modular building system, 2005

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Mario Cucinella, Low cost dream-House: 100 mq for 100.000 € at Zero Co2 emission, concept for a precast and sustainable modular building system, 2005

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