Bibliografia
Testi primari:
Brenton H., Plays: Two, London, Metheun Drama, 1996. Greig D., Dunsinane, London, Faber, 2009.
Marowitz C., The Marowitz Shakespeare, London & New York, Marion Boyars, 1978.
Shakespeare W., Macbeth, ed. by Kenneth Muir, based on the edition of Henry Cunningham, London, Methuen, 1953.
Shakespeare W., Macbeth, Milano, Garzanti, 1989.
Stoppard T., Dogg’s Hamlet, Cahoot’s Macbeth, London, Faber & Faber, 1980. Testori G., Macbetto, Milano, Rizzoli, 1974.
Testi secondari:
Artaud A., Il teatro e il suo doppio,Torino, Einaudi, 1978.
Bennet S., At the End of The Great Radical Tradition?: Recent plays by Howard Brenton, Modern Drama, Volume 33, Number 3, Fall 1990, pp. 400-420.
Billigham P., At the Sharp End: Uncovering the Work of Five Contemporary Dramatists, London, Metheun, 2007.
Billington M., State of the Nation: British Theatre since 1945, London, Faber 2007. Boon R., Retreating to the Future: Brenton in the Eighties, Modern Drama, Volume 33, Number 1, Spring 1990, pp. 30-41.
Boon R., Brenton. The Playwright, London, Metheun, 1991.
Bradley A. C., Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth, London, New York, Macmillan, 1952, 1964.
Brassell T., Tom Stoppard. An Assessment, London, Macmillan, 1985.
Brenton H., Hot Irons. Diaries, Essays, Journalism, London, Nick Herm Books, 1995.
Brenton H., intervista con Ali Tariq in On Iranian Nights, Indipendent Magazine, 36, 13 may 1989, pp. 14-15.
Campbell L. B., Shakespeare’s Tragic Heroes: Slaves of Passion, London, Methuen, 1962, 1978.
Cappello G., Giovanni Testori, Firenze, La nuova Italia, 1983.
Cascetta A., Invito alla lettura di Giovanni Testori, Milano, Mursia, 1983. Cavecchi M., Shakespeare mostro contemporaneo, Milano, Unicopli, 1998. Clemen W., Shakespeare’s Soliloquies, London, Metheun, 1987.
Derrida J., La scrittura e la differenza, Torino, Einaudi, 1971.
Derrida J., The Other Heading: Reflections on Today’s Europe, trans. Pascale-Anne Brault and Michael B. Nass, Bloomington and Indianapolis, Indiana University Press, 1992.
Desmet C., Sawyer R. (ed.), Shakespeare and Appropriation, London and New York, Routledge, 1999.
Eatough G. e Rebellato D. (eds), The Suspect Culture, London, Oberon, 2013.
Fisher M., David Greig Interview (Monster in the Hall), Theatre Scotland, 14 September 2011.
Gianakaris C. J., Stoppard’s Adaptations of Shakespeare: Dogg’s Hamlet, Cahoot’s Macbeth. Comparative Drama, Volume 18, Number 3, 1984, pp. 222-240.
Greig D., Interview with Caridad Svich, 2007.
Hawkes T., Meaning by Shakespeare, London and New York, Routledge, 1992. Hayman R., First interview with Tom Stoppard. 12 June 1974.
Huang A., Rivlin E. (ed.), Shakespeare and the Ethics of Appropriation, New York, Palgrave Macmillan, 2014.
Hutcheon L., A Theory of Adaptation, New York, Routledge, 2013.
Jorgens J. J., Shakespeare on Film, Bloomington & London, Indiana UP, 1977. Kernan A., The Death of Literature, Yale University Press, 1990.
King R. and. Franssen Paul J.C.M. (ed.), Shakespeare and War, Basingstoke, Palgrave Macmillan, 2008.
Lombardo A., Lettura del Macbeth, Venezia, N. Pozza, 1969, 1983.
Marowitz C., Notes on the Theatre of Cruelty, Tulane Drama Review, Volume 11, Number 2, Winter 1966, pp. 40-52.
Marowitz C., Recycling Shakespeare, London, Macmillan, 1991.
Marowitz C., Shakespeare Recycled, Shakespeare Quarterly, Volume 38, Number 4, Winter 1987.
Marowitz C., The Marowitz Macbeth, Theatre Quarterly, Volume 1, Number 3, July-September 1971, pp. 48-50.
Mitchell T., File on Brenton, London, Metheun, 1987.
Mitchell T., The Red Theatre under the Bed, New Theatre Quarterly, Volume 3, 11 agosto 1987, pp. 190-200.
Pratt M. L., Arts of the Contact Zone. Profession 91, New York, MLA, 1991.
Righetti D., Testori: L’artista non fa politica, intervista con G. Testori, Il Giorno 4.10.1973, 3.
Rodosthenous G., I Let the Language Lead the Dance: Politics, Musicality, and Voyeurism, Interview with David Greig. New Theatre Quarterly, Volume 27, Number 1, 2011.
Santini G. (a cura di), Giovanni Testori nel ventre del teatro, Urbino, Quattro Venti, 1996.
Shields Hardin N., An Interview with Tom Stoppard. Contemporary Literature, Volume 22, Number 2, 1981.
Sinfield, A. (a cura di), Macbeth. Contemporary Critical Essays, London, Macmillan, 1992.
Sinfield A., Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism, London, New York, Routledge 2006.
Spies W., Max Ernst. Collages. The invention of the Surrealist Universe, New York, Harry N. Abrams, 1991.
Testori G., Il ventre del teatro, Paragone, giugno 1968, pp. 90-100.
Toppen W. H., Conscience in Shakespeare’s Macbeth, Groningen, J. B. Wolters, 1962.
Traversi D. A, Approach to Shakespeare, New York, Doubleday, Anchor Books, 1956.
Wallace C., The Theatre of David Greig, London, Bloomsbury, 2013.
West W. J. (a cura di), Orwell. The War Broadcast, London, Duckworth/British Broadcasting Corporation, 1985.
Whitaker T., Tom Stoppard, New York, Grove Press, 1983.
Whitney H., The Arts Desk Q & A: Playwright David Greig, The Arts Desk, 6 February 2010.
Wittgenstein L., Philosophische Untersuchungen, Oxford, Basil Blackwell, 1953. Woodward I., A Three-Headed Macbeth, “The Times”, 15 May 1969.
Wu D., Six Contemporary Dramatists: Bennett, Potter, Gray, Brenton, Hare, Ayckbourn, Houndmills and London, Macmillan, 1996.
