From: Forensic Psychiatry: Influences of Evil Edited by: T. Mason © Humana Press Inc., Totowa, NJ
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Chapter 8
Destruction As a Constructive Choice
David A. Winter
B ACKGOUND
This chapter presents a personal construct theory view of serial killing and other acts of homicide and extreme violence. Such acts may be consid- ered, as any others, a reflection of the individual’s attempts to anticipate his or her world and are therefore, from the perpetrator’s perspective, construc- tive choices. A personal construct theory taxonomy of these acts is illustrated by the narratives of serial killers and other violent offenders, as well as by case material and research findings. Particular attention is given to the writ- ings of serial killer, Ian Brady. There is also a discussion of the construct of evil and of whether the personal construct theory perspective implies a posi- tion of moral relativism.
I NTRODUCTION
Why do some individuals choose to engage in acts that are so destruc-
tive that they may be viewed as evil? When this label is applied to an act or its
perpetrator, it is often also stated that the act is incomprehensible: “beyond
belief,” as Williams (1) entitled his book on the “Moors Murderers.” In this
chapter, it is argued that such acts may be comprehended if they are viewed
from the perspective of those who commit them, and that one way in which
this may be achieved is by the use of George Kelly’s (2) personal construct
theory. A brief introduction to the theory will be followed by an outline of
how it may be applied in understanding acts of extreme destructiveness, and
in particular homicide. Two contrasting examples of people who have com- mitted homicide are discussed, and the chapter concludes with a reconsidera- tion of the notion of evil.
A N I NTRODUCTION TO P ERSONAL C ONSTRUCT T HEORY
Personal construct theory, like other constructivist approaches, views people as concerned with making sense of, and anticipating, their worlds. In Kelly’s metaphor of the person as a scientist, this process was portrayed as one of constantly formulating hypotheses about, or constructions of, the world and if necessary reformulating these depending on whether they are validated or invalidated. Its building blocks are personal constructs, the bipolar distinc- tions each of us makes to discriminate between and predict events in our world, and that are structured in a hierarchical system in which some constructs are superordinate to others. In selecting courses of action, we choose those options that appear to offer greater opportunities for extending or defining our con- struct systems, and therefore for predicting our worlds.
However, for at least some of the time, most of us are imperfect scien- tists. Indeed, at times we may cling to a construction and use it repeatedly despite its consistent invalidation, this being Kelly’s view of a disorder. We may also use various strategies in an attempt to avoid the risk of invalidation, which is involved in putting our constructions of the world to the test. For example, as in people who receive a diagnosis of schizophrenic thought dis- order, we may loosen our construing, making predictions that are so vague that they are relatively invulnerable to invalidation; or, as in many people diagnosed with anxiety disorders or depression, construing may be tightened, so that predictions are very precise (3). We may dilate our perceptual field, experimenting widely with new experiences in an attempt to develop new constructs that may allow better anticipation of the world; or, as in agorapho- bia, we may constrict, delimiting our world to those events that we are able to predict. We may also attempt to make the world conform to our constructions of it rather than vice versa, this being what Kelly regarded as hostility. For example, people who have always seen themselves as rejected by others but who find themselves in relationships in which they are accepted, and even loved, may behave in such a way that ensures they are rejected again, thus validating their original construction.
Hostility is one of several emotional terms that Kelly defined in a rather
unusual way. He differentiated it from aggression, which he viewed as involv-
ing the active elaboration of the person’s construct system. Another emo-
tional term that is central to personal construct theory is anxiety, associated
by Kelly with awareness that one does not have the constructs that would
enable one to predict particular events. Our attempts to give meaning to our world are therefore essentially aimed at the reduction of anxiety. Another emotion we generally try to avoid is threat, defined by Kelly as awareness of an imminent comprehensive change in core structures, those superordinate constructs that are central to one’s identity. Guilt, for Kelly, is the awareness of dislodgement from one’s core role, or in other words finding oneself acting in a way which is inconsistent with how one has always seen oneself. McCoy (4), extending Kelly’s classification of emotions, distinguished between guilt and shame, in which one is aware of dislodgement from other people’s view of one’s core role.
From the personal construct theory perspective, every individual’s con- struct system is unique, and to engage in an intimate relationship with another person one must see the world, in a sense, through their eyes, or show social- ity. This credulous approach, in which the other person’s views are taken at face value, is at the heart of the relationship between a psychotherapist and their client. As indicated in personal construct analyses of suicide and self- harm (5,6), it may allow even the most apparently self-destructive behavior to be understood as the person’s best available means of anticipating their world at that time. Elsewhere, I have explored the extent to which, in a simi- lar manner, it is possible to adopt a credulous approach with the person who has committed offences of extreme destructiveness towards others (7), and we now continue this exploration.
A P ERSONAL C ONSTRUCT T HEORY
A NALYSIS OF V IOLENCE AND H OMICIDE
Acts of violence and homicide, like any other, may be regarded from a personal construct theory perspective as choices directed toward the better anticipation of the person’s world. As has been suggested by the distinction between instrumental and reactive violent acts (8), some of these choices are considered whereas others are more impulsive.
Homicide As a Considered Choice H
OMICIDEA
S AD
EDICATEDA
CTIn his taxonomy of suicide, Kelly (5) indicated that this may be a dedi-
cated act, which is “designed to validate one’s life, to extend its essential
meaning rather than to terminate it.” Destruction of others may similarly be
regarded as a dedicated act for some individuals, and in some cases may be
combined with self-destruction. Such acts are clearly considered choices. For
example, Pierre Riviere, who killed his mother, sister, and brother because of
the way in which his mother treated his father, but then did not go through with his original intention of killing himself, described how “I thought that an opportunity had come for me to raise myself, that my name would make some noise in the world, that by my death I should cover myself with glory, and that in time to come my ideas would be adopted and I should be vindicated”
(9). Riviere’s actions may be viewed as exemplifying what Katz (10) terms
“righteous slaughter,” other examples of which may be observed in the kill- ing of potentially unfaithful partners. As Katz (10) describes such a killing,
From within the assailant’s perspective, killing a deserting lover makes sense as a way of preserving a relationship that otherwise would end. If he leaves her or she leaves him, the relationship they had may well become, in both their romantic biographies, a relatively unremarkable chapter in a series of failed relationships. By killing her mate, Ruth made their relation- ship last forever; in the most existentially unarguable sense, she made it the most profound relationship either had ever had. …Killing him was her means of honouring and protecting the transcendent significance of their relationship.
Suicide bombers also provide examples of destruction of others, as well as the self, as a dedicated act. As described by one such individual:
I know I cannot stand in front of a tank that would wipe me out within seconds, so I will use myself as a weapon. They call it terrorism. I say it is self-defense. When I embark on my mission I will be carrying out two obli- gations: one to my God and the other to defend myself and my country. …At the moment of executing my mission, it will not be purely to kill Israelis.
The killing is not my ultimate goal though it is part of the equation. My act will carry a message beyond to those responsible and the world at large that the ugliest thing is for a human being to be forced to live without free- dom.
A similar message is provided by the last will and testament of one of the pilots who flew into the World Trade Center: “The time of humiliation and subjugation is over. It’s time to kill Americans in their heartland. Lord I regard myself as a martyr for you to accept me as such.” Such views are not restricted to those who have been construed as terrorists, as indicated by the following quote from a US marine in Iraq:
“The Iraqis are sick people and we are the chemotherapy. Wait till I get
hold of a friggin’ Iraqi. No, I won’t get hold of one. I’ll just kill him.” It is of
interest that a very similar justification was provided by James Vlassakis, one
of a group of the most prolific serial killers in Australian history, for their
murders of homosexuals, pedophiles, people with learning difficulties, and
even fat people: “They were the disease and we were the cure” (11).
Others who approach killing as a dedicated act by claiming to be doing the will of God may be considered to be deluded. For example, Peter Sutcliffe, the “Yorkshire Ripper,” described how “The mission I’d been given was to kill all prostitutes. I was under God’s protection” (12). As is often the case in people who are labeled paranoid, dilation of the perceptual field occurred in that eventually “a woman only had to look like a prostitute in order to qualify as a victim” (12). Responsibility for the murders was also transferred by Sutcliffe from God to the Devil.
H
OMICIDEA
SE
SCAPEF
ROMC
HAOSAnother of Kelly’s (5) categories of suicide indicated that this may occur in conditions of chaos, when “everything seems so unpredictable that the only definite thing one can do is to abandon the scene altogether.” Such a course of action was eloquently described by Antonin Artaud in his statement that “If I commit suicide, it will not be to destroy myself but to put myself back together again. … By suicide, I reintroduce my design in nature” (13).
Ian Brady (12), the notorious “Moors Murderer,” indicated that murder may serve a similar purpose in his analysis of serial killing, which is based on interviews with several such killers. For example, discussing Graham Young, the “St. Albans Poisoner,” whose ambition was to be “the greatest poisoner of all time,” he stated that “The serial killer, essentially conceiving life as meaningless and death as nothingness, is consequently not afraid to die or kill in a final vainglorious attempt to introduce some degree of design.”
Such an analysis may be applied to Dennis Nilsen, who murdered 15 young men, many of whom were homeless, and then kept their bodies, care- fully washed and dried, “for company” for several days after killing them.
Some of these murders appear to have allowed him to create a beauty and meaning in death out of people whose lives were chaotic. Thus, describing one of the bodies, he wrote that “He looked really beautiful like one of those Michelangelo sculptures. It seemed that for the first time in his life he was really feeling and looking the best he ever did in his whole life.…I just lay there and a great peace came over me. I felt that this was it, the meaning of life, death, everything” (14).
The use of murder as part of a scheme of imposing meaning and order is
most strikingly exemplified by “medical killers.” Dr. Harold Shipman, who
matched Nilsen in the number of murders for which he was convicted, but
was suspected of being responsible for as many as 1000 more, was described
by the coroner who investigated his case as someone who “enjoyed power
and control” (15). He is but one in a long line of health professionals who, to
use one of Kelly’s terms, has “slot rattled” from being a life saver to the
opposite pole of this construct, a killer. His suicide in prison may be regarded as a final act of power and control.
The chaos from which the perpetrator of homicide is attempting to escape may in some cases result from deficiencies in anticipating other people’s con- struing and behavior. Such deficiencies have been found to characterize men- tally disordered offenders diagnosed as psychopaths (16) and have also been considered typical of spouse batterers (17).
H
OMICIDEA
S AW
AY OFL
IFEDrawing on Kelly’s view of psychological symptoms, Fransella (18) has indicated that these may provide the individual with a way of life that is chosen because it offers more structure, meaning, and possibilities of anticipating the world than do the available alternatives. For some individuals, such as those with careers in organized crime, violence may provide such a way of life, which may occasionally be expressed in homicide. This was so, for example, in the case of Reg Kray, whose last autobiographical account was entitled “A Way of Life” (19), and for whom violence had been his profession (20). As his wife described, “The past for Reg was a place of violence. As a young man he moved in unremittingly violent circles and answered like with like. It was a brutal way of life” (18).
The more a particular violent identity is elaborated, as by the increas- ing media attention being given to the phenomenon of serial killing, the more attractive a choice it may become for the individual who has no other well- elaborated identity. Thus, for Paul Knowles, serial killing allowed him to become “the only successful member of my family” (21). For Rudolf Pleil, who killed some 50 women, “Every man has his passion. Some prefer whist.
I prefer killing people” (21). In such individuals, killing may also develop an addictive quality (12,15,22), perhaps similar to the combat addiction observed in some people who have had careers in legitimized violence, such as war- fare, particularly if this has involved participation in atrocities (23–25).
A similar analysis in terms of way of life is to view the killer as con- structing a new narrative for himself or herself. Thus, Katz (10), considering
“senseless murders,” views the perpetrators as having “reconstructed within the fatal scene a version of their lives. Essential to the motivation of these cold-blooded, “senseless” killers was a creative resolution of one of the many narrative possibilities they had been developing.” For one of the men con- cerned, Gary Gilmore, this included exploiting his death “to make himself the moral tale of the year.” Katz emphasizes the “edge” and “transcendent power”
that deviance, expressed in a senseless killing, provides for such individuals,
in contrast to the “moral dangers” of conformity. He views their acts in terms
of a “project of primordial evil that makes ‘senseless killings’ compellingly sensible to their killers.” Similar points are made by Nowinski (26), who writes that “People may, and sometimes do, willingly embrace an identity and choose a pathway that, when viewed from the outside, is dark and destructive. We need to understand the process by which individuals opt for a dark vision if we hope to prevent such choices and their consequences.” In his view, which he illustrates by such cases as the Columbine High School killers, this pro- cess is one in which the dark vision may arise as a resolution to inner chaos and uncertainty.
V
IOLENCEA
S AS
HAREDC
ONSTRUCTIONViolence may be a particularly elaborated way of life in those individu- als who, like Reg Kray and his brothers, were raised in a subculture of vio- lence (27), in which socially shared constructions produce a climate permissive of, and conducive to, violent acts. At a more micro level, families or couples may be regarded as having shared construct systems (28), which in some cases may lead to acts of violence committed as a joint enterprise. This is so in those murders that have been viewed, somewhat inaccurately, as manifesta- tions of “folie a deux,” for example, those committed by Ian Brady and Myra Hindley, and Fred and Rosemary West. The Wests, who were responsible for at least 10 sadistic murders, have been regarded as “a perfect textbook example”
of this phenomenon (21).
H
OMICIDEA
SC
ONSTRICTIONKelly (2) viewed suicide as the ultimate constriction, the narrowing of the person’s perceptual field to avoid inconsistencies in construing. Homi- cide may similarly be regarded as a constrictive act if it removes a person who causes one to experience such inconsistencies from the perceptual field.
Jean-Claude Romand was known by his family as an eminent medical researcher, who for years drove from his home in France every day to his office in the World Health Organization in Geneva. In fact, on most days he drove no further than the local forest, but made the occasional trip to the World Health Organization to pick up free pamphlets, which he scattered around the house. Eventually, as his web of lies began to unravel, he killed his wife, children, and parents rather than allowing them to discover his deceit. He now considers that “I have never been so free; life has never been so beautiful. I am a murderer, I’m seen as the lowest possible thing in soci- ety, but that’s easier to bear than the twenty years of lies that came before”
(29). His story may be considered to illustrate a switch from dilation to
constriction.
E
MOTIONS ANDC
ONSIDEREDH
OMICIDEIn most of the prior examples, homicide may be viewed as reducing anxiety by increasing the perpetrator’s ability to anticipate their world. How- ever, other Kellian emotions may also be relevant to an individual’s decision to kill. For example, homicide may serve to remove a person who is a source of threat in that he or she poses a major challenge to the killer’s core con- structs. As we shall see, the legalized killing of the death penalty may serve a similar purpose, as may less severe punishments.
More apparently paradoxical is that in some cases homicide may be a means of absolving oneself from guilt. In traditional psychiatry, psychopathy has been associated with an inability to experience guilt. However, from a personal construct theory perspective the individual who is labeled psycho- pathic is no less able to experience guilt than anyone else. It may be, how- ever, that in such a person their core role involves, for example, being a sadist and the experience of acting humanely will therefore provoke role dislodge- ment and guilt, which may be reduced by further sadistic acts, including homi- cide. Kelly (30) indicates how a delinquent youngster may feel guilty when tricked into being good; whereas Pollock and Kear-Colwell (31) present two case examples of women who had stabbed their boy friends, and who both had histories of repeated abuse but perceived themselves as abusers, experienc- ing guilt when dislodged from this core role by, for example, therapists trying to persuade them that they were victims. The stabbings may have allowed them to revert to their core roles.
Homicide may also serve to reduce shame by making one appear more consonant with another person’s construing of one’s role. Although it can also be viewed in terms of constriction, Reg Kray’s murder of Jack “The Hat”
McVitie, a criminal associate of the Kray brothers, can be seen in terms of Kray reasserting his role as the gang leader who would brook no disobedi- ence or disrespect. Freddie Foreman, who helped dispose of McVitie’s body, explained why he “had to go” thus
there was so many things that he was doing wrong he was embarrassing them, cos he wouldn’t take no notice of what they said. I mean, they’ve got to have a bit of respect. The man’s got to do as he’s told. But he disre- garded everything they said. He was undermining them, he was making a fucking laughing stock, so they had to act, and the only way to hold cred- ibility was to fucking do him. (32)
It may seem tautological to state that homicide may at times involve
hostility or aggression, but, as indicated above, these terms were defined in
distinctive ways by Kelly. Thus, homicide involves hostility if, and only if, it
is an attempt to make the social world fit with constructions that have previ-
ously failed. As Kelly (33) put it, “A man may commit murder to discredit what has proved him wrong.” Doster (34) provides a similar explanation for episodes of marital violence, in which partners attempt to impose on each other constructs that have already been invalidated.
Similarly, homicide involves aggression, as Kelly defined this term if, and only if, it is an adventurous act associated with the elaboration of one’s construct system. Ian Brady (12) described it thus, “sometimes it’s a most stimulating experience to do something you don’t want to do, don’t approve of, and are legally proscribed from experiencing—just to discover new aspects of yourself and others.”
Homicide As an Impulsive Act
H
OMICIDEA
S ANO
UTCOME OFT
IGHTC
ONSTRUINGThere is some research evidence that people who construe in a tight, one-dimensional manner may be more likely to commit violent offences (35–
37). This may reflect the restricted options open to such individuals, who have been found to be characterized by various interpersonal difficulties, including deficiencies in anticipating the construing of other people, integrating con- flicting information about others, and communicational ability (3). People who construe tightly may also be particularly threatened by invalidation of their construing because their construct systems are brittle and vulnerable to structural collapse (38). As Hallschmid et al. (17) described in discuss- ing marital violence, they may therefore resort to violence, sometimes in an impulsive manner, to attempt to remove the threat posed by an invalidating person.
H
OMICIDEA
SS
LOTR
ATTLINGPeople who construe tightly may be particularly prone to slot rattling
(39), a process in which the self, some other person, or an event is reconstrued
at the opposite pole of a construct to that which was previously applied to
them or it. Slot rattling may be associated with lopsided construing, in which
people or events are not evenly assigned to the poles of constructs, and which
has been found to characterize individuals diagnosed as primary psychopaths
(16). A similar pattern involving a positivity bias in the construing of others,
and particularly their victims, has been demonstrated by Howells (40) in “one-
off” violent offenders, whose offenses were characterized by extreme vio-
lence, often resulting in the death of the victim. These offences, typically
committed by people who are generally overcontrolled (41,42), may have
been associated with temporary slot rattling in the offender’s construction of
the victim as a response to a major invalidation.
Homicide may also be a manifestation of slot rattling, sometimes accom- panied by sexual arousal, from a view of the self as weak and impotent to one of the self as omnipotent. Such an analysis can be applied to the numerous examples of murderers with histories of sexual humiliation. For example, when interviewed on death row, Andrei Chikatilo described how “impotence has hounded me all my life” (43) and how “All my life, I’ve felt humiliated.” His slot rattling from this position involved killing and mutilating over 50 people.
H
OMICIDEA
SF
ORESHORTENINGOF THE