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Conference announcement: Plutarch lived in the multicultural yet increas- increas-ingly interconnected world of the Roman empire: a world in which diverse local,

Book Reviews

Part 5: Enlightenment and the Mo- Mo-dern Age

P. Volpe Cacciatore, «Plutarch and the Com mentary on the Phaenomena of

4) Conference announcement: Plutarch lived in the multicultural yet increas- increas-ingly interconnected world of the Roman empire: a world in which diverse local,

linguistic, religious, and political identities were combined with a common educa-tion and culture as well as shared everyday experiences. This sense of interconnect-edness is apparent in Plutarch’s works in a number of ways, such as in the inclusion of speakers from various backgrounds in dialogues and the exploration of Roman history and culture alongside that of Greece. There is an abundance of parallels be-tween Plutarch and other imperial-period writers with backgrounds that differed from his, reflecting their shared cultural participation. This conference seeks to discuss Plutarch’s works within the broader context of imperial-period literature and to ex-plore overlaps and points of intersection between Plutarch and other ancient authors of the 1st and 2nd c. CE, including Greek and Roman as well as pagan and Chris-tian writers (including, for instance, Dio Chrysostom, Arrian, and Lucian; Seneca, Quintilian, the two Plinies; Christian apologists and the early Church Fathers).

We welcome contributions of a comparative nature investigating convergences and variations, parallels and modifications in themes, formats, and literary techniques in Plutarch and other authors of the early empire. We also invite submissions reflecting on the value and potential of such a perspective: does it allow us to identify the cultural and literary background Plutarch and other authors shared and distinguish it from their indi-vidualizing modifications, agendas, and preoccupations? To what extent does it allow us to define distinctive features of the Plutarchan corpus and thought? And, more generally, how does a comparative approach contribute to our understanding of the literary and intellectual culture of the early imperial period?

5) Topics of interest include, but are not limited to, the following: philosoph-ical and religious concepts and ideas; use of literary motifs, topoi, and exempla; use of genres, literary formats, rhetorical and narrative strategies; stylistic and linguistic characteristics and tendencies; attitudes towards Rome and Roman domination; atti-tudes towards the Greek past and its cultural heritage.

6) Submissions Paper proposals of ca. 300 words are to be sent to plutarch2020@

gmail.com before the deadline of December 1, 2019. The participants will be notified of the acceptance of their proposals by March 1st 2020. Membership of the International Plutarch Society is not required.

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Guidelines for Ploutarchos n.s.

1. Languages. Manuscripts may be written in any of the official languages of the IPS: English, French, German, Italian, Latin, Modern Greek, Portuguese, and Spanish.

2. Abstracts & Key-Words: Articles will be sent together with key-words and two abstracts (one in English and other in another official language) not longer than seven lines.

3. Format: Manuscripts must be typed double-spaced on Times-New Roman 11. The length of manu-scripts must not exceed 15000 words without previous agreement with the editors. Manumanu-scripts must be sent in electronic version (PC Microsoft Word Windows) as an attached file to an e-mail message.

4. Bibliography: The text of the paper should be followed by a list of references, including at least those works cited more than twice in the notes.

5. Quotations in notes: Names of ancient authors should not be capitalized, names of modern authors should be written in versalitas only when in notes or in the bibliography: K. Ziegler (note), but K.

Ziegler (main text).

A) Frequent quotations (more than twice): Refer to bibliography, citing by author’s name, year of edition, and pages: e.g. K. Ziegler, 1951, col. 800.

B) Single quotations: Either follow the procedure indicated in 5 A) or incorporate the entire reference in the notes, according to the following conventions, which are the same as for the bibliography (with the single exception that in the bibliography the surname should precede the initial, e.g. Ziegler, K.,

“Plutarchos von Chaironeia”, RE XXI (1951), cols. 636-962.

a) Books: Author (in the case of joint authorship, separated by a comma, with the final name pre-ceded by &), comma, title of work in italics, comma, volume in Roman numerals (where applicable), comma, place of publication, comma, year (with superscript number of editions if not the first, and year of the first edition in parenthesis), comma, and quoted pages:

- D. A. Russell, Plutarch, London, 1973, pp. 3-5.

b) Articles: Author, comma, title in quotation marks, comma, name of the journal (for the abbrevia-tions of journals follow the convenabbrevia-tions of L’Année Philologique), comma, volume number in Arabic numerals, year in parenthesis, and pages (without abbreviation if they correspond to the entire article):

- C. P. Jones, “Towards a Chronology of Plutarch’s Works”, JRS, 56 (1966) 61-74.

- C. P. Jones, “Towards a Chronology of Plutarch’s Works”, JRS, 56 (1966), p. 65.

c) Works in collaborative volumes: Cite as with articles, followed by the quotation of the collab-orative work (if cited several times, according to the same conventions as under 5A above): e.g.: F. E.

Brenk, “Tempo come struttura nel dialogo Sul Daimonion di Socrate di Plutarco”, in G. D’Iippolito

& I. Gallo (eds.), Strutture formali dei Moralia di Plutarco. Atti del III Convegno plutarcheo, Pal-ermo, 3-5 maggio 1989, Napoli, 1991, pp. 69-82.

6. Quotations from ancient authors: Author, comma, work, book (Arabic numerals), full stop, chapter (Arabic numerals), comma, paragraph (Arabic numerals), or: Author, comma, book (Roman num-bers), chapter or verse (Arabic numerals), full stop, paragraph (Arabic numerals).

a) Abbreviations of Greek works and authors: for preference, cite according to conventions of the Liddell & Scott or of the DGE edited by F. R. Adrados & others.

b) Abbreviations of Latin works and authors: follow the Thesaurus Linguae Latinae.

c) Examples:

- Authors cited with title of work: X., Mem. 4.5,2-3; Plu., Arist. 5.1; Hom., Od. 10.203.

- Authors cited without title of work: B., I 35; Paus., V 23.5; D. S., XXXI 8.2.

7. Notes references: References (in Arabic numbers) to the footnotes must precede always the signs of punctuation, e.g.: “…correspondait à l’harmonie psychique1. Dans le Timée2 et la République3, ...”

8. Greek & non-Latin Fonts: For Greek and other non-Latin texts, use Unicode fonts.