The History of Emotions: An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns

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Jan Plamper

The History of Emotions:

An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns

[a stampa in "History and Theory”, 49 (May 2010), pp. 237-265 @ dell’ autore, distribuito in formato digitale

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THE HISTORY OF EMOTIONS: AN INTERVIEW WITH WILLIAM REDDY, BARBARA ROSENWEIN, AND PETER STEARNS

JAN PLAMPER1

ABSTRACT

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MD@# ?,# +)# 7$"=6# &!"# -(5!$&"5&/("# '*# The Navigation of Feeling follows two 5'+>2"+",&-()#>($,5$>2"%@#[I\#3$-2"5&$5-2#-,3#[f\#$,#&!"#7"$,#'*#3"3/5&$7"#%'5$-2# %5$",5":#[I\#e$-2"5&$5-2@#1(%&#&!"("#$%#&!"#/,$7"(%-2$%&#&!"%$%#[5!->&"(#I6#9<,%="(%# *('+#R'0,$&$7"#D%)5!'2'0);\6#&!",#&!"#5',%&(/5&$',$%&#-,&$&!"%$%#[5!->&"(#f6#9<,-%="(%# *('+#<,&!('>'2'0);\6# =!$5!# $%# &!",# aufgehoben# $,# -# !$%&'($5-2# %),&!"%$%# '*#&!"#"+'&$',%#[5!->&"(%#fXh6#9]+'&$',-2#]O>("%%$',#-%#-# )>"#'*#E>""5!#<5&;# -,3#9]+'&$',-2#N$."(&);\:#[f\#e"3/5&$7"#%'5$-2#%5$",5"@#>-(&#?#[9A!-&#<("#]+'-&$',%Y;\#2-)%#'/&#&!"#&!"'()6#=!$5!#$%#&!",#->>2$"3#&'#9!$%&'($5-2#3-&-;#$,#>-(&#??# [9]+'&$',%# $,# V$%&'()@# W(-,5"6# IKLLXI`dL;\:#<,'&!"(# $,3$5-&$',# '*# &!"# .''8F%# %'5$-2G%5$",5"# 9*""2;# $%# $&%# +'3"# '*# "O>'%$&$',6# =!$5!# $%# 2/5$36# b-(0',G*(""6# -,3# ."("*&#'*#$(',)#'(#>'%&+'3"(,#2-,0/-0"#0-+"%:#e'#)'/#-0(""#=$&!#&!$%#3"%5($>&$',# '*#)'/(#.''8F%#-(5!$&"5&/("Y AB@#?#-0(""#=$&!#)'/(#5!-(-5&"($H-&$',#'*#&!"#='(8#-%#93$-2"5&$5-26;#=$&!#&!"# >('7$%'#&!-&#&!"#%),&!"%$%#'*#5($&$5-2#("-3$,0%#'*#.'&!#>%)5!'2'0$5-2#-,3#-,&!('>'- 2'0$5-2#("%"-(5!#2$"%#,'&#$,#!$%&'($5-2#/,3"(%&-,3$,06#./&#$,#&!"#5',5">&#'*#9"+'-&$7"%6;#=!$5!#+-8"%#-#!$%&'()#'*#"+'&$',%#&!$,8-.2":#?#3'#,'&#5',%$3"(#&!"#+"&!'3#

Ia:# W'(# -# ("2-&"3# "O-+>2"6# 5*:# V-(7")# A!$&"!'/%"6# 9B$&"%# '*# "(('(@# ]+'&$',6# Z"&->!'(# -,3# Memory in Melanesian Initiation Cults,” Journal of the Royal Anthropological Institute 2 (1996), 703-715.

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Id:# ?,# -# %$+$2-(# 7"$,6# &!"# -,&!('>'2'0$%&# E$0,"# V'="22# =('&"# $,# -# ("-5&$',# >$"5"# &'# )'/(# -(&$52"# 9V'="7"(6#-%#$&#%&-,3%6#&!"#-(0/+",&#o'*#9"+'&$7"%;4MDp#$%#%/00"%&$7"#(-&!"(#&!-,#5',7$,5$,0:#:#:#:# Q2&$+-&"2)6#&!"#-,&!('>'2'0$5-2#5',&($./&$',#&'#&!"#%&/3)#'*#5'0,$&$',#-,3#"+'&$',#+/%&#."#*'/,3"3#$,# "+>$($5-2#*$"23='(8:;#E$0,"#V'="22#',#A$22$-+#Z:#B"33)6#9<0-$,%&#R',%&(/5&$',$%+@# !"#V$%&'($5-2# ]&!,'0(->!)#'*#]+'&$',%6;#Current Anthropology 38, no. 2 (1997), 342-343.

IS:#B"33)6#The Navigation of Feeling, 311-312.

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248

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18. Barbara H. Rosenwein, Emotional Communities in the Early Middle Ages#[?&!-5-6#_P@#R'(,"22# Q,$7"(%$&)#D("%%6#fLLS\g#_$5'2"#]/%&-5"6#Passion Is the Gale: Emotion, Power, and the Coming of the

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249 >'="(:# !$%#$%#&!"#5'("#$%%/":#<,36#-%#)'/(#^/"%&$',%#$,#&!$%#$,&"(7$"=#$,3$5-&"6#-# 0("-&#3"-2#,""3%#&'#."#%>"5$1"3#+'("#52"-(2)#$,#&!$%#-("-:#C'&!#&!"'("&$5-2#("c"5-&$',#-,3#("%"-(5!#=$22#!"2>: MD@#?,#=!$5!#3$("5&$',#%!'/23#&!"#*/&/("#!$%&'()#'*#"+'&$',%#+'7"Y AB@#?#!'>"#!$%&'($-,%#=$22#,'&#&("-&#&!"#!$%&'()#'*#"+'&$',%#-%#-#%>"5$-2#%/.1"23# $,#&!"#%&/3)#'*#="22G3'5/+",&"3#-($%&'5(-&$5#"2$&"%#'(#"3/5-&"3#"2$&"%:#R"(&-$,2)6# ="# ,""3# &'# %&/3)# 2"&&"(%# -,3# b'/(,-2%6# +-(($-0"# +-,/-2%6# =$22%6# 5($+$,-2# 5'/(&# ("5'(3%:#C/&#&!"("#$%#+/5!#+'("#&'#&!"#!$%&'()#'*#"+'&$',%:#?,#&!"#5-%"#%&/3)#'*# 5$7$2#2$&$0-&$',#&!-&#?#5-(($"3#'/&#',#"-(2)#,$,"&"",&!G5",&/()#W(-,5"6#?#&''8#-#.('-3# %=-&!#'*#+-&"($-2%#&!-&#!-3#,'&!$,0#&'#3'#=$&!#&!"#9%/.b"5&$7";#("-2+#'(#9>"(%',-2# 2$*";#-%#&!"%"#-("#5',7",&$',-22)#/,3"(%&''3:#?#*'/,3#%'+"#7"()#%/(>($%$,0#/%"%#'*# "+'&$',-2#7'5-./2-()#-,3#"O>("%%$7"#+'3"%#&!-&#>'$,&"3#&'=-(3#'&!"(=$%"#$,7$%- $.2"#$%%/"%4%/5!#-%#&!"#5->-5$&)#'*#2-=)"(%#&'#"O>"($",5"#"+'&$',%#*'(#&!"$(#52$-",&%6#'(#&!"#97"%&$0"%;#'*#%",&$+",&-2$%+#$,#&!"#=-)#>"'>2"#'*#&!"#I`fL%#-,3#I`hL%# &!'/0!&#-.'/&#0","('%$&)#'(#2'7":# !"#!$%&'()#'*#"+'&$',%#$%#-#=-)#'*#3'$,0#>'2$&$-5-26#%'5$-26#-,3#5/2&/(-2#!$%&'()6#,'&#%'+"&!$,0#&'#."#-33"3#&'#"O$%&$,0#1"23%:

II. BARBARA H. ROSENWEIN

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{#Z)#%"5',3#-(&$52"6#5'G}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tapu (taboo).22 IJ:#C-(.-(-#V:#B'%",="$,6#9W"/3-2#A-(#-,3#Z',-%&$5#D"-5"@#R2/,$-5#N$&/(0)#-%#B$&/-2#<00("%G sion,” Viator 2 (1971), 129-157. fL:#C-(.-(-#V:#B'%",="$,#-,3#N"%&"(#U:#N$&&2"6#9E'5$-2#Z"-,$,0#$,#&!"#Z',-%&$5#-,3#Z",3$5-,&# E>$($&/-2$&$"%6;#Past and Present, no. 63 (1974), 4-32.

21. Barbara H. Rosenwein, Rhinoceros Bound: Cluny in the Tenth Century# [D!$2-3"2>!$-@# Q,$7"(%$&)#'*#D",,%)27-,$-#D("%%6#IJ`f\g#idem, To Be the Neighbor of St. Peter: The Social Meaning

of Cluny’s Property, 909–1049#[?&!-5-6#_P@#R'(,"22#Q,$7"(%$&)#D("%%6#IJ`J\:#

22. Barbara H. Rosenwein, Negotiating Space: Power, Restraint, and Privileges of Immunity in