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Wittgenstein on Aesthetics / Aesthetics on Wittgenstein

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  rivista  on-­‐line  del  Seminario  Permanente  di  Estetica    

anno  VI,  numero  1  

pag.  3  

©  Firenze  University  Press  •  Aisthesis  •  1/2013  •  www.fupress.com/aisthesis  •  ISSN  2035-­‐8466  

Foreword  

Jean-­‐Pierre  Cometti  and  Fabrizio  Desideri  

Until  very  recently  aesthetics  has  not  been  considered  a  main  access  route  to  the  under-­‐ standing  of  Wittgenstein’s  philosophy,  of  the  challenges  and  issues  that  Wittgenstein’s   work  brings  up,  from  the  Tractatus  on.  At  best,  aesthetic  problems  have  been  regarded   as  a  significant,  although  secondary,  aspect  of  the  core  of  Wittgenstein’s  philosophy.  An   aspect  related  to  his  Viennese  education  within  his  "very  musical"  family  and  linked  with   his  pessimistic  critique  of  European  Civilization.  Aesthetics,  then,  has  mostly  been  seen   as   one   of   the   many   areas   where   philosophical   work   was   required,   where   philosophy,   understood   as   a   form   of   therapy,   could   help   release   one   from   metaphysical   enchant-­‐ ments   and   linguistic   misunderstandings.   This,   however,   prevented   interpreters   from   considering  whether  and  in  how  far  Wittgenstein’s  philosophy  could  contribute  to  a  rad-­‐ ical   redefinition   of   the   conceptual   field   of   aesthetics,   in   relation   both   to   ethics   and   to   language.   Even   recent   and   very   influential   interpretations   of   Wittgenstein’s   thought   have  mostly  focused  on  ethics  rather  than  on  aesthetics.  

In  tune  with  the  renewed  international  panorama  of  studies  and  conferences  devot-­‐ ed  to  the  Viennese  philosopher,  in  this  issue  of  Aisthesis  we  assume  that  the  relationship   between  Wittgenstein  and  aesthetics  is  conclusive  and  central,  both  to  an  understand-­‐ ing  of  Wittgenstein’s  philosophy  and  in  order  to  promote  a  radical  re-­‐conception  of  aes-­‐ thetics.  Hence,  the  title  chosen  for  the  current  issue:  Wittgenstein  on  Aesthetics  /  Aes-­‐

thetics  on  Wittgenstein.  Our  aim  is  not  only  to  understand  whether  and  in  how  far  the  

problem  of  aesthetics  is  determinant  and  central  for  Wittgenstein,  but  also  to  see  how   aesthetics   itself   can   be   radically   reshaped   through   the   subtle   and   articulated   filter   of-­‐ fered  by  Wittgenstein’s  thought.  

The   essays   collected   in   this   issue   all   stem   from   talks   delivered   at   the   International   Conference,  Aesthetic  preferences,  language  games  and  forms  of  life:  from  Ludwig  Witt-­‐

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Jean-­‐Pierre  Cometti  &  Fabrizio  Desideri,  Foreword  

pag.  4  

©  Firenze  University  Press  •  Aisthesis  •  1/2013  •  www.fupress.com/aisthesis  •  ISSN  2035-­‐8466   ucation  at  the  University   of   Florence.  It   has   been  a  memorable   Conference,  thanks   to   the  generous  participation  of  many  eminent  foreign  scholars.  It  certainly  has  been  the   first  Italian  conference  devoted  in  its  entirety  to  the  relationship  between  Wittgenstein   and  aesthetics.  

Contributions  are  here  published  in  the  same  order  they  were  presented  at  the  Con-­‐ ference.  With  fruitful  variety  of  approach,  the  entire  thematic  spectrum  of  the  relation-­‐ ship  between  Wittgenstein  and  aesthetics  is  covered:  1)  the  question  of    the  presence  of   specific   aesthetic   issues   in   Wittgenstein’s   works:   from   aesthetic   judgment   to   the   con-­‐ cept  of  the  beautiful  (J.-­‐P.  Cometti,  G.  Tomasi,  G.  Matteucci);  2)  the  question  of  the  aes-­‐ thetic  paradigm  as  the  key  to  understanding  Wittgenstein’s  philosophical  research  as  a   whole  as  well  as  the  philosopher’s  unmistakable  style  (F.  Desideri,  S.  Säätelä,  S.  Borutti,   F.  Valagussa);  3)  the  issue  concerning  the  crucial  difference  between  showing  and  saying   and   the   thin   boundaries   between   sense   and   nonsense   (V.   Sanfélix,   L.   Distaso,   M.   De   Iaco);  4)  the  peculiar,  but  extremely  relevant,  question  concerning  the  relationship  be-­‐ tween  music  and  language  (J.  Schulte,  A.  Arbo);  5)  the  question  of  the  expressive  charac-­‐ ter   of   the   work   of   art   and   of   the   linguistic   nature   of   poetry,   considered   as   a   vantage   point  for  the  pursuit  of  the  analysis  of  linguistic  facts,  as  well  as  the  issue  of  the  literary   form  of  Wittgenstein’s  later  philosophy,  with  its  deeply  romantic  character  (M.W.  Rowe,   G.  Di  Giacomo);  6)  the  controversial  issue  of  "seeing-­‐as"  and  of  its  role  within  theories  of   depiction  and  pictoriality  (K.  Stock,  A.  Voltolini,  E.  Caldarola,  E.  Terrone).  

This  issue  of  Aisthesis,  entirely  devoted  to  Wittgenstein  and  aesthetics,  is  programmati-­‐ cally  inserted  in  the  Research  Project  (coordinated  by  Fabrizio  Desideri)  Estetica  e  natu-­‐

ralismo.  Genesi  dell'atteggiamento  estetico  e  origini  antropologiche  dell'arte  /  Aesthetics   and  naturalism.  Genesis  of  the  aesthetic  attitude  and  anthropological  origins  of    art,  lo-­‐

cal  Unit  Research  of  PRIN  Project  2009  Al  di  là  dell'arte.  Crisi  del  concetto  di  arte  e  nuovi  

modelli  di  esperienza  estetica  /  Beyond  the  Art.  The  Crisis  of  the  Concept  of  Art  and  the   new  Models  of  aesthetic  Experience  (coordinated  by  Luigi  Russo).  

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