• Non ci sono risultati.

A preliminary assessment of the amphipod collections in Naturalistic Museums in Italy

N/A
N/A
Protected

Academic year: 2021

Condividi "A preliminary assessment of the amphipod collections in Naturalistic Museums in Italy"

Copied!
2
0
0

Testo completo

(1)

Biodiversity Journal, 2017, 8 (2): 513–514

A preliminary assessment of the amphipod collections in

Naturalistic Museums in Italy

Gianna Innocenti

Museo di Storia Naturale, Sezione di Zoologia “La Specola”, Università degli Studi di Firenze, via Romana 17, 50125 Firenze, Italy; email: gianna.innocenti@unifi.it

ABSTRACT

Received 30.04.2017; accepted 31.05.2017; printed 30.06.2017

Proceedings of the 17thInternational Colloquium on Amphipoda (17th ICA), September 4th-7th2017, Trapani (Italy) A first assessment on the presence of Amphipoda collections in Italian Natural History Museums is given.

INTRODUCTION

With the exception of the Museo Civico di Storia Naturale in Verona, where the precious and huge collection of Amphipoda studied and preser-ved by Sandro Ruffo is present (Ruffo & Krapp, 2005), few information are available regarding the presence of specimens belonging to this order in Italian Museums of Natural History.

For instance, a year ago, just by chance, it was possible to ascertain the presence of Clelia Cec-chini’s amphipod type specimens in the Museo di Storia Naturale, Università di Firenze (Lo Brutto, 2017).

Thus, a first survey on the presence of amphi-pods among the Arthropoda Crustacea collections has been carried out, with the aid of the Asso-ciazione Nazionale Musei Scientifici (ANMS; www.anms.it) database, in order to give a prelimi-nary evaluation to the researchers in the field. RESULTS AND CONCLUSIONS

Thirty-eight Museums, belonging to different Institutions (Municipality, University or other) were

contacted by e-mail. Museums confirming the presence of amphipods were later on contacted in order to have as much information as possible, regarding the consistence of the collection, the ori-gin, the researchers who studied them and if type specimens were among the material. Only 13 Mu-seums confirmed to held Amphipoda among the Crustacean collections, 3 declared that the collec-tions were present, but their status could not be as-sessed, while 2 Museums never answered (Table 1).

Among the above-mentioned 13 Museums, only five (Bergamo, Ferrara, Firenze, Genova and Udine) detain conspicuous collections, that is to say, more than 100 specimens, comprising type speci-mens, from both freshwater and marine habitats, mostly from Italian rivers, caves, lagoons and seas. Indeed the majority of the amphipods held in the Italian Museums are from freshwater habitats (Fig. 1), with the collection in Udine Museum reaching more than 47,000 specimens (P. Glerean, pers. comm.) collected from the Friuli region.

Prof. Sandro Ruffo and Dr Fabio Stoch have identified most of them. Historical and recent new species were studied by Clelia Cecchini (Firenze), Teresita Maccagno (Genova) and Cristina Munari (Ferrara).

KEY WORDS Amphipoda; Natural History Museum collections; Italy.

(2)

GIANNAINNOCENTI

relevant quantity of Amphipoda, mostly from Ital-ian localities, many of them available for study to interested researchers.

ACKNOWLEDGEMENTS

The author is grateful to Dr Sabrina Lo Brutto (University of Palermo, Italy) for spurring the prep-aration of this note; many thanks are due to all the Museum curators that answered this survey. REFERENCES

Lo Brutto S., 2017. A finding at the Natural History Mu-seum of Florence affords the holotype designation of Orchestia stephenseni Cecchini, 1928 (Crustacea: Amphipoda: Talitridae). Zootaxa, 4231: 569–572. Ruffo S. & Krapp T., 2005. Catalogue of the amphipod

collection in the Museo Civico di Storia Naturale Verona (Crustacea, Malacostraca). Museo Civico di Storia Naturale di Verona, Serie Cataloghi, 3: 1–98. 514

However, all the Museums are preserving many specimens, from several Italian localities, still to be studied and identified.

This preliminary assessment on the Italian Na-tural History Museum collections gives a first glance on the presence of this group. Italian Mu-seums, as archives of biodiversity, are preserving a

Figure 1. Data on the origin habitat of the Amphipoda col-lections in Italian Museums (orange: marine or brackish; blue: freshwater).

Table 1. Lists of the contacted Italian Museums holding Amphipoda, with unavailable collections or without information.

Museums holding Amphipoda collections City Type specimens present

Museo Civico di Scienze Naturali "E. Caffi" Bergamo

Museo Civico di Storia Naturale Carmagnola (Torino)

Museo Civico di Storia Naturale Ferrara x

Museo di Storia Naturale, Università di Firenze Firenze x

Museo Civico di Storia Naturale "G. Doria" Genova x

Stazione Zoologica Anton Dohrn Napoli

Museo di Storia naturale, Università di Parma Parma

Accademia dei Fisiocritici Siena

Museo delle Scienze di Trento Trento

Musei Civici di Storia Naturale di Trieste Trieste

Museo Friulano di Storia Naturale Udine

Sistema museale di ateneo, Università di Pavia Pavia NAV

Museo Regionale di Scienze naturali Torino NAV

Museo Civico di Storia Naturale Venezia NAV

Civici musei e gallerie Reggio Emilia NA

Museo di Storia naturale dello stretto di Messina e del

Mediterraneo Villa San Giovanni(Reggio Calabria) NA

Riferimenti

Documenti correlati

Thus, while social categorisation like gender, generation and cultural capital certainly act as constraints and contribute to defining the specific social location of middle-

MSNM i12999 is rather similar to Stoppani’s description of Coelostylina striatopunctata, but it does not have the dimensions of the specimen de- scribed by Stoppani and does

Nella collezione del conte Ettore Arrigoni degli Oddi, presso il Museo Civico di Zoologia di Roma (MCZR), sono conservati 66 esemplari di averla maggiore di origi-

Le scelte degli autori dei testi analizzati sono diverse: alcuni (per esempio Eyal Sivan in Uno specialista) usano materiale d’archivio co- me fotografie e filmati, altri invece

Here, to make up for the relative sparseness of weather and hydrological data, or malfunctioning at the highest altitudes, we complemented ground data using series of remote sensing

Alcuni mesi orsono –e precisamente il 7 maggio 2010– è mancato il professor Sandro Ruffo, figura di spicco del panorama scientifico italiano e sostenitore della prim’ora del CISBA

Starting from these considerations, we have decided to ask people about their museums- and scientific museum-going in particular. We also wished to inquire about their opinion on

Infatti chi ha visitato museo scientifici all’estero presenta una bassa flessione delle percentuali tra chi risponde che servano a imparare e