NTTS 2009 – New Techniques and Technologies for Statistics/Eurostat
Brussels, 18-20 February 2009
Presenting and communicating statistics: principles,
components and approaches for their quality assessment: A
proposal
Filomena Maggino – Marco Trapani
[email protected]
–
[email protected]
Presentation designer: [email protected]Università degli Studi di Firenze
Communication
Communication
Communication
Communication in
in
in
in statistics
statistics
statistics:
statistics
:
:
:
components
components
components
components
T
T
T
T
R
R
R
R
C C C C O O O O D D D D E E E E C CC C O OO O D DD D E E E E Message Channel Context - setting FEEDBACK FEEDBACK FEEDBACK FEEDBACK NoiseCommunication
Communication
Communication
Communication in
in
in
in statistics
statistics
statistics:
statistics
:
:
:
Integral
Integral
Integral
Integral component
component
component
component of
of
of statistical
of
statistical
statistical
statistical work
work
work
work
VAS= N*[(QSA*MF)*RS*TS*NL]
Giovannini, 2008
This detailed formula, including many relevant aspects like the role ofmedia and users’ numeracy, can be reconsidered by including also aspects concerning “quality” e “incisiveness” of the message:
VAS= N*[(QSA*MF)*RS*TS*NL]*QIP
additional component
VAS value added of official statisticsN size of the audience QSA statistical information produced MF role of media
RS relevance of the statistical information TS trust in official statistics NL users’ “numeracy” QIP quality and incisiveness of presentation
Communication
Communication
Communication
Communication in
in
in
in statistics
statistics
statistics
statistics:
:
:
:
From
From
From
From DATA
DATA
DATA
DATA to
to
to
to MESSAGE
MESSAGE
MESSAGE
MESSAGE
message information PRESENTATION information data DATA ANALYSIS, RESULTS AND INTERPRETATION aseptic data transformed in objective observation DATA PRODUCTION message information PRESENTATION information data DATA ANALYSIS, RESULTS AND INTERPRETATION aseptic data transformed in objective observation DATA PRODUCTION
Communication
Communication
Communication
Communication in
in
in statistics
in
statistics
statistics
statistics::::
Fundamental
Fundamental
Fundamental
Fundamental aspects
aspects
aspects
aspects
Theory of
presentation
Rhetoric
Persuasion
Aesthetics
Appeal
Ethics
Content
Corresponding
discipline
Aspects of
statistical
presentations
Theory of
presentation
Rhetoric
Persuasion
Aesthetics
Appeal
Ethics
Content
Corresponding
discipline
Aspects of
statistical
presentations
-Other effects -Colours -Characters (fonts) -Text arrangement3.
CLOTHS
Pictograms Graphs Tables2.
TOOLS
1.4 Execution 1.3 Expression 1.2 Layout 1.1 Invention1.
OUTLINE
(iii) context (ii) channel (i) audience (iii) context (ii) channel (i) audience (iii) context (ii) channel (i) audiencewith reference to
(C) CLARITY
(B) CORRECTNESS
(A) SUITABILITY
EVALUATING CRITERIA
ASSESSMENT
TABLE
-Other effects -Colours -Characters (fonts) -Text arrangement3.
CLOTHS
Pictograms Graphs Tables2.
TOOLS
1.4 Execution 1.3 Expression 1.2 Layout 1.1 Invention1.
OUTLINE
(iii) context (ii) channel (i) audience (iii) context (ii) channel (i) audience (iii) context (ii) channel (i) audiencewith reference to
(C) CLARITY
(B) CORRECTNESS
(A) SUITABILITY
EVALUATING CRITERIA
ASSESSMENT
TABLE
D
im
e
n
s
io
n
s
to
e
v
a
lu
a
te
T
ra
n
s
m
it
te
r’
s
c
o
d
e
1.4 Actio
Actio
Actio ((((execution
Actio
execution
execution))))
execution
Stages
a. Introduction
b. Development
c. Comments
d. Time/space use
e. Ending
f. Receivers’ feedback (Q&A)
I N V E N T I O D I S P O S I T I O E L O C U T I O A C T I O S T A R T1.
1.
1.
1. Outline
Outline
Outline
Outline
telling
telling
telling
telling statistics
statistics
statistics
statistics
1.1 Inventio
Inventio
Inventio ((((invention
Inventio
invention
invention
invention))))
•Who
the subject of telling
•What
the fact
•When
the time location
•Where
the field location
•Why
the causes
Premise General Principles Developing arguments Pratical consequences/examples
Deductive approach
Case / specific situation Reflection Concepts Consequences / other cases
Inductive approach
Once upon a time… Why something changed Yesterday… Today… Tomorrow
Time progression approach
Meaningful questions Why in important to talk about…
Solutions (and concepts) Conclusions and consequences
Problems approach Subject Advantages-disadvantages approach Disadvantages Advantage Point to be evaluat edAdvantageDisadvantages Point to be evaluat ed
Subject
From point of view approach
Pontof view1 …values …def ects P ontof view4 …values…defects P ontof view3 …values …d efects Pont of view2…valu es…d efects
Top-down approach
General ReflectionsConcepts Consequences… Particular ReflectionsConcepts Consequences… Specific ReflectionsConcepts Consequences… Detail ReflectionsConcepts Consequences… Micro ReflectionsConcepts Consequences… Premise ReflectionsConcepts Consequences…
1.2 Dispositio
Dispositio
Dispositio (layout)
Dispositio
(layout)
(layout)
(layout)
1.3 Elocutio
Elocutio
Elocutio
Elocutio ((((expression
expression
expression
expression))))
phonic effects
Rhythm
change in words’ order inside a sentence
Construction
choice of the most suitable or convenient words
Elocution
change in words’ shape
Diction
change in words’ meaning
Meaning (or tropes)
change in words’ or propositions’ invention and imaginative shape
Thinking
Definition
Figures of
phonic effects
Rhythm
change in words’ order inside a sentence
Construction
choice of the most suitable or convenient words
Elocution
change in words’ shape
Diction
change in words’ meaning
Meaning (or tropes)
change in words’ or propositions’ invention and imaginative shape
Thinking
Definition
Figures of
3.
3.
3.
3. Cloths
Cloths
Cloths
Cloths
Dressing
Dressing
Dressing
Dressing Statistics
Statistics
Statistics
Statistics
Different aspect:
Text arrangement
Characters and fonts
Colours
Other aspect
With reference to:
Balance Harmony Proportion Elegance Style- occasions (seminars, conferences, meetings, press conferences, …) - settings (rooms, tables, …)
(iii)
Context
- auditory channel (“listening”, requiring oral explanation)
- visual channel (“looking”, requiring explicative slides) - kinetic channel (“doing”, requiring practical exercises)
(ii)
Channel
- experts - politicians and policy makers - students - statistical data users - not specialized
(i)
Audience
- occasions (seminars, conferences, meetings, press conferences, …) - settings (rooms, tables, …)
(iii)
Context
- auditory channel (“listening”, requiring oral explanation)
- visual channel (“looking”, requiring explicative slides) - kinetic channel (“doing”, requiring practical exercises)
(ii)
Channel
- experts - politicians and policy makers - students - statistical data users - not specialized
(i)
Audience
2.Tools
2.Tools
2.Tools
2.Tools
Depicting
Depicting
Depicting
Depicting statistics
statistics
statistics
statistics
function
function
function
function
Supporting motivation Supporting transfer of learning
Building mental models Minimizing cognitive load Activating and building prior knowledge
Supporting attention
Supporting motivation Supporting transfer of learning
Building mental models Minimizing cognitive load Activating and building prior knowledge
Supporting attention
2.Tools
2.Tools
2.Tools
2.Tools
Depicting
Depicting
Depicting statistics
Depicting
statistics
statistics
statistics
(b)
(b)
(b)
(b) Preparing
Preparing
Preparing
Preparing a
a
a
a graph
graph
graph
graph
few elements as possible. Wise use of legends and captions Legibility
dynamic perspective should reflect a dynamic phenomenon Dynamics
presentation
rounding up and down through standard criteria
Rounding off values
using colours consistently with statistical information
Colours as statistical codes
reducing dimensionality as much as possible by showing few variables for each graph using no meaningless axis Dimensionality
correctly defining and showing scale/s Scale definition
few elements as possible. Wise use of legends and captions Legibility
dynamic perspective should reflect a dynamic phenomenon Dynamics
presentation
rounding up and down through standard criteria
Rounding off values
using colours consistently with statistical information
Colours as statistical codes
reducing dimensionality as much as possible by showing few variables for each graph using no meaningless axis Dimensionality
correctly defining and showing scale/s Scale definition
2.Tools
2.Tools
2.Tools
2.Tools
Depicting
Depicting
Depicting statistics
Depicting
statistics
statistics
statistics
(a)
(a)
(a)
(a) Choosing
Choosing
Choosing
Choosing a
a
a graph
a
graph
graph
graph
A. How many variables are involved?What is nature of data? What kind of information has to be represented?
B.
a simple graph with reference to the audience a clear graph instead of an attractive one
a correct graph with reference to data
What kind of graph…
2.Tools
2.Tools
2.Tools
2.Tools
Depicting
Depicting
Depicting
Depicting statistics
statistics
statistics
statistics
Perception
Perception
Perception
Perception of
of
of
of statistical
statistical
statistical
statistical Graph
Graph
Graph
Graph
Recognize the code
Recognize regularities
Carry out comparisons and identify
differences
2.Tools
2.Tools
2.Tools
2.Tools
Depicting
Depicting
Depicting
Depicting statistics
statistics
statistics
statistics
Graph
Graph
Graph
Graph Principles
Principles
Principles
Principles
Capacity limitations Information changes Compatibility Presentation should be easy to follow, digest, and remember. Promote understanding and memory Perceptual organization Discriminability Salience Presentation should lead the audience to pay attention to what is important. Direct and hold attention
Appropriate knowledge Relevance Message should connect with the goals and interests of your audience. Connect with the
audience Principles Categories Capacity limitations Information changes Compatibility Presentation should be easy to follow, digest, and remember. Promote understanding and memory Perceptual organization Discriminability Salience Presentation should lead the audience to pay attention to what is important. Direct and hold attention
Appropriate knowledge Relevance Message should connect with the goals and interests of your audience. Connect with the
audience Principles Categories