, C., Anthills of the Savannah, New York, Anchor, 1987.

B IBLIOGRAFIA

TESTI PRIMARI

A

CHEBE

, C., Anthills of the Savannah, New York, Anchor, 1987.

B

ERGAMINO

, G., P

ONZANO

, G. (a cura di), I l Rāmāyana, Genova, Fratelli Melita Editori, 1988, 3 voll.

C

HANDRA

, V., Red Earth and Pouring Rain, London, Faber and Faber, 2007.

N

ARAYAN

, R.K., The Mahabharata, New Delhi, Vision Books, 1987.

P

ISANI

, V. (a cura di), Mahābhārata. Episodi scelti, Torino, Unione tipografico-editrice torinese, 1954.

R

USHDIE

, S., Haroun and the Sea of Stories, London, Puffin Books, 1993.

R

USHDIE

, S., Midnight’s Children, London, Vintage Books, 2006.

T

HAROOR

, S., The Great Indian Novel, New York, Arcade Publishing, 1993.

TESTI SECONDARI

A

DVANI

, R., “Novelists in Residence”, in A. Bhattacharjea, L. Chatterjee (ed.), The Fiction of St. Stephen’s , New Delhi, Ravi Dayal Publisher, 2000, pgg.8-18.

A

FZAL

-

KHAN

, F., “Myth De-Bunked: Genre and Ideology in Rushdie’s Midnight Children and Shame”, in Journal of Indian Writing in English, 14/1: 49-60 (1986).

A

IJAZ

, A., In Theory: Classes, Nations, Literatures, London & New York, Verso, 1992.

A

LBERTAZZI

, S., “Contenere il mondo. A confronto con Vikram Chandra”, in Linea d’ombra, 131 (2008): 72-5.

A

LBERTAZZI

, S., "La letteratura indoinglese", in A. Lombardi (a cura di), Verso gli Antipodi. Le nuove letterature di lingua inglese. India, Australia, Nuova Zelanda, Roma, La Nuova Italia Scientifica, 1995, pgg.15-57.

A

LBERTAZZI

, S., Lo sguardo dell’altro, Roma, Carocci Editore, 2007.

A

LBERTAZZI

, S., "'To Tell a Story is to affirm life': Death and Storytelling in Vikram Chandra's Red Earth and Pouring Rain", in S. Shukla, C. Rollason, A. Shukla (ed.

by), Entwining Narratives. Critical Explorations into Vikram Chandra's Fiction, New Delhi, Sarup Book Publishers, 2010, pgg.12-31.

A

MORE

, R.C., S

HINN

, L.D., Lustful Maidens & Ascetic Kings, New York/Oxford/Toronto, Oxford University Press, 1981.

A

SHCROFT

, B., G

RIFFITHS

, G., T

IFFIN

, H., Post-Colonial Studies: The Key Concepts, London & New York, Routledge, 2009.

J.L. A

USTIN

, How To Do Things With Words, London, Oxford University Press, 1963.

A

YYAPPA

P

ANIKER

, K., “The Asian Narrative Tradition”, in Journal of Literature and Aesthetics, 7/2 (1999), pgg.30-4.

A

YYAPPA

P

ANIKER

, K., “The Oral Narrative Tradition in Malayalam”, in The Literary Criterion, 21/1-2 (1986).

B

ARNABY

, E., “Airbrushed History: Photography, Realism, and Rushdie’s Midnight’s Children”, Mosaic 38/1 (March 2005):1-16.

B

ATTY

, N.E., “The Art of Suspense: Rushdie’s 1001 (Mid-)Nights”, in Ariel 18/3 (1987):49-65.

B

ÄUMER

, B., "Vāc as Saṃvāda: Dialogue in the Context of Advaita Śaivāgamas", in C.

Conio (a cura di), La parola creatrice in India e nel Medio Oriente. Atti del Seminario della Facoltà di Lettere dell'Università di Pisa, 29-31 maggio 1991, Pisa, Giardini, 1994, pgg.79-89.

B

ELLINGER

, G.J., Enciclopedia delle Religioni, Milano, Garzanti, 1989.

B

ENJAMIN

, W., “Il narratore. Considerazioni sull’opera di Nicola Leskov”, in Angelus Novus. Saggi e frammenti, Einaudi, Torino 1976, pgg.235-260.

B

ERTINETTI

, P., Le mille voci dell’India, Napoli, Liguori, 2002.

B

HABHA

, H., Nation and Narration, London & New York, Routledge, 1990.

B

IARDEAU

, M., L’Induismo, Milano, Arnoldo Mondadori Editore, 1985.

B

OCCALI

, G., "La letteratura classica", in G. Boccali, S. Piano, S. Sani, Le letterature dell'India: la civiltà letteraria indiana dai Veda a oggi. Principi, metodologie, storia, Torino, UTET libreria, 2000, pgg.383-552.

B

OEHMER

, E., Colonial & Postcolonìal Literature, Oxford/New York, Oxford University Press, 1995.

B

RENNAN

, T., Salman Rushdie and the Third World, London, Macmillan, 1989.

C

HAMBERS

, R., Story and Situation: Narrative Seduction and the Power of Fiction, Minneapolis, University of Minnesota Press, 1984.

C

HANDRA

, S., Encyclopaedia of Hindu Gods and Goddesses, New Dehli, Sarup & Sons, 1998.

C

HANDRA

, V., "Frequent Flyer", in M. Baraldi, M.C. Gnocchi (a cura di), Scrivere=Incontrare. Migrazione, multiculturalità, scrittura., Macerata, Quodlibet, 2001, pgg.81-6.

C

HANDRA

, V., “The Cult of Authenticity: India’s Cultural Commissars Worship

‘Indianness’ Instead of Art”, in Miscelánea: A Journal of English and American Studies 22 (2000): 175-200.

C

HAUDHURI

, U., “Imaginative Maps: Excerpts from a Conversation with Salman Rushdie”,

in P.S. Chauhan (ed.), Salman Rushdie Interviews. A Sourcebook of His Ideas,

Westport, Greenwood Press, 2001

C

HOWDHURY

, K., “Revisioning History: Shashi Tharoor’s Great Indian Novel”, in World Literature Today, 69/1 (1995): 41-8.

D

ALAL

, R., Hinduism: An Alphabetical Guide, New Delhi, Penguin Books India, 2010.

D

AYAN

D., K

ATZ

E., “Defining Media Events: High Holidays of Mass Communication”, (ed.by) H. Newcomb, in Television: The Critical View, New York & Oxford, OUP, 2000: 401-20.

D

ERRIDA

, J., La voce e il fenomeno, Milano, Jaca Book, 1997.

D

ESAI

, A., “La narrativa indiana contemporanea”, in A. Nandy (et al.), Cultura e società in India, Torino, Edizioni della Fondazione Giovanni Agnelli, 1991, pgg.181-209.

D

HAR

, T.N., History-Fiction Interface in Indian English Novel, London, Sangam, 1999.

D

HARKER

, R., “An Interview with Salman Rushdie”, in P.S. Chauhan (ed.), Salman Rushdie Interviews. A Sourcebook of His Ideas, Westport, Greenwood Press, 2001.

D

RAGA

A

LEXANDRU

, M.S., "Alternatives to the Novel Form: Oral Storytelling and Internet Patterns in Vikram Chandra's Red Earth and Pouring Rain", in Journal of Commonwealth Literature, 43/3 (2008): 43-58.

D

RAGA

A

LEXANDRU

, M.S., "Performance, Performativity, and Nomadism in Vikram Chandra's Red Earth and Pouring Rain", in Comparative Literature Studies, 45/1 (2008): 23-39.

D

RAGA

A

LEXANDRU

, M.S., "Virtual Reality on Infinite Bandwidth: Vikram Chandra interviewed by Maria-Sabina Alexandru", in Journal of Commonwealth Literature 40/2 (2005): 5-21.

D

UBE

, R., “Interview: Salman Rushdie”, in P.S. Chauhan (ed.), Salman Rushdie Interviews.

A Sourcebook of his ideas, Westport, Greenwood Press, 2001.

D

URIX

, J.P., “Interview with Salman Rushdie”, in Kunapipi 4/2: 17-26, 1982.

F

ANON

, F., I dannati della terra, Torino, Einaudi, 1962.

F

LOOD

, G., An Introduction to Hinduism, Cambridge, Cambridge University Press, 1996.

G

ANAPATHY

-D

ORE

, G., “The Story-Teller’s Voice in Vikram Chandra’s Red Earth and Pouring Rain”, in Commonwealth Essays and studies, 19 (Autumn 1996):102-15.

G

LISSANT

, É., Poétique de la relation, Gallimard, Paris 1990.

G

URNAH

, A., “Themes and Structures in Midnight’s Children”, in A. Gurnah (ed.), The Cambridge Companion to Salman Rushdie, Cambridge, Cambridge University Press, 2007, pgg.91-108.

H

OWE

, I., Politics and the Novel, New York, Meridan Books Ltd., 1957.

J

USSAWALLA

, F., “Beyond Indianness: the Stylistic Concerns of Midnight’s Children”, in The Journal of Indian Writing in English 12.2 (1984): 26-47.

K

AUR

, C., “Red Earth and Pouring Rain: a Study in Dislocation and Assimilation”, in V.

Kirpal (ed), The Postmodern Indian English Novel, Bombay, Allied Publishers Ltd,

1996, pgg.215-22.

K

IRPAL

, V., The Third World Novel of Expatriation, New Delhi, Sterling Publishers Private Limited,1989.

M

ALAMOUD

, C., "La déesse parole dans le Veda", in C. Conio (a cura di), La parola creatrice in India e nel Medio Oriente. Atti del Seminario della Facoltà di Lettere dell'Università di Pisa, 29-31 maggio 1991, Pisa, Giardini, 1994, pgg.35-42.

M

ANNUR

, A., “‘Back’ Translation in a Postcolonial Indian Context: Language Construction in the Works of Shashi Tharoor and Salman Rushdie”, in World Literature Written in English, 37/1-2 (1998): 80-92

M

ERIVIRTA

-C

HAKRABARTI

, R., “Reclaiming India’s History – Myth, History and Historiography in Shashi Tharoor’s The Great Indian Novel”, in Ennen ja Nyt . Historian tietosanomat, 1(2007): 1-26.

M

ITCHELL

, W.T.J., Picture Theory: Essays on Verbal and Visual Representation, Chicago, University of Chicaco Press, 1994.

N

ANDY

, A., The Intimate Enemy: Loss and Recovery of Self under Colonialism, Delhi, OUP, 1983.

N

ARAYAN

, R.K., "English in India", in R.K. Narayan, A Story-teller's World, New Delhi, Penguin India, 1989, pgg.20-3.

N

ARAYAN

, R.K., "The Problem of the Indian Writer", in R.K. Narayan, A Story-teller's World, New Delhi, Penguin India, 1989, pgg.14-9.

N

ORRICK

, N.R., “Conversational Storytelling”, in D. Herman (ed.), Cambridge Companion to Narrative, Cambridge, Cambridge University Press, 2007, pgg.127-41.

O

LINDER

, B., Breaking Circles, Sydney, Dangaroo Press, 1991.

O

NG

, W.J., Oralità e Scrittura. Le tecnologie della parola, Bologna, Il Mulino, 1986.

P

ADOUX

, A., Vāc. The Concept of the Word in Selected Hindu Tantras, Albany, State University of New York Press, 1990.

P

ETIT

, L., “On Pickles, Pictures, and Words. Pick-torial Preservation and Verbal Self- Regeneration in Salman Rushdie’s Midnight Children”, in M. Meyer (ed.), Word and Image in Colonial and Postcolonial Literatures and Cultures, Amsterdam &

New York, Rodopi, 2009, pgg.205-18.

P

IANO

, S., "La tradizione, la nuova rivelazione e la letteratura scientifica", in G. Boccali, S. Piano, S. Sani, Le letterature dell'India: la civiltà letteraria indiana dai Veda a oggi. Principi, metodologie, storia, Torino, UTET libreria, 2000, pgg.123-381.

PELLOWSKI, A., The World of Storytelling, New York & London, R.R. Bowker Company, 1977.

P

LOTZ

, J., “Rushdie’s Pickle and the New Indian Historical Novel: Sealy, Singh, Tharoor, and National Metaphor”, in World Literature Written in English, 35/2 (1996): 28- 48.

R

AMANUJAN

, A.K., "Raccontar fiabe", in A. Nandy (et al), Cultura e società in India,

Torino, Edizioni della Fondazione Giovanni Agnelli, 1991, pgg.217-37.

R

AO

, A.S., Myth and History in Contemporary Indian Novel in English, New Delhi, Atlantic Publishers and Distributors, 2000.

R

EYNOLDS

, D., "A Thousand and One Nights: A History of the Text and its Reception" in R. Alien, D.S. Richards, The Cambridge History of Arabic Literature, Vol 6., Cambridge University Press, 2006, pgg.270-91.

R

OTHERMUND

, D., Storia dell’India, Bologna, Il Mulino, 2007.

R

USHDIE

, S., “Imaginary Homelands” in S. Rushdie, Imaginary Homelands. Essays and Criticism 1981-1991, London Review of Books, London, Granta Books, in association with Penguin Books, 1991, pgg.9-21.

R

USHDIE

, S., “Midnight’s Children and Shame”, in Kunapipi 7/1: 1-19 (1985)

S

AID

, E., “Figurations, Configurations, Transfigurations”, in Race and Class, 32/1 (1990):

1-16.

S

ALES

S

ALVADOR

, D., “Listening to Vikram Chandra: All Stories Have in Them the Seed of All Other Stories”, in Miscelánea: A Journal of English and American Studies 22 (2000): 201-13.

S

AMRAJYA

L

AKSHMI

, D., “Subtlety, Mockery and Dharma in Shashi Tharoor’s The Great Indian Novel”, in Language in India, 9/1 (2009): 12-33.

S

ANI

, S., "Le letterature religiose", in G. Boccali, S. Piano, S. Sani, Le letterature dell'India: la civiltà letteraria indiana dai Veda a oggi. Principi, metodologie, storia, Torino, UTET libreria, 2000, pgg.3-121.

S

COTT

L

ANGELAND

, A., “Rushdie’s Language”, in English Today 45, Vol.12/1 (January 1996):16-22.

S

IEGEL

, L., Laughing Matters: Comic Tradition in India, Chicago & London.

S

RIVASTAVA

, A., “The Empire Writes Back: Language and History in Shame and Midnight’s Children”, in Ariel, 20/4 (1989): 62-78.

S

RIVASTAVA

, N., “Languages of the Nation in Salman Rushdie’s Midnight Children and Vikram Seth’s A Suitable Boy”, in Ariel 36/1-2 (2005): 207-231.

S

YED

, M., “Midnight’s Children and Its Indian Con-Texts”, in Journal of Commonwealth Literature 29.2 (1994): 95-108.

T

EVERSON

, A., "Leaving the Past Behind, Letting the Future Alone: Vikram Chandra's Uses of History in Red Earth and Pouring Rain", in S. Shukla, C. Rollason, A.

Shukla (ed. by), Entwining Narratives. Critical Explorations into Vikram Chandra's Fiction, New Delhi, Sarup Book Publishers, 2010, pgg.32-53.

T

EVERSON

, A., "Vikram Chandra in Conversation", in Wasafiri 37 (2002): 5-7.

T

HAROOR

, S., Bookless in Baghdad and Other Writings about Reading, New Delhi, Penguin Viking, 2005.

T

HAROOR

, S., “Yoking of Myth to History”, in Littcrit 16 (1990): 5-8.

T

HOMPSON

, P., The Voice of the Past, Oxford University Press, New York: 1988.

T

OLSTOJ

, L., “Some Words about War and Peace” in G. Gibian (ed.) War and Peace.

Norton Critical Edition, New York: Norton, 1966, pgg.1366-74.

V

AIDYANATHAN

, T.G., "Autorità e identità in India", in A. Nandy (et al), Cultura e società in India, Torino, Edizioni della Fondazione Giovanni Agnelli, 1991, pgg.139-61.

W

ACHTEL

, E., “Interview: Salman Rushdie”, in P.S. Chauhan (ed.), Salman Rushdie Interviews. A Sourcebook of his ideas, Westport, Greenwood Press, 2001.

W

ARDER

, A.K., Indian Kāvya Literature, vol.II, Origins and Formation of the Classical Kāvya, Delhi, Motilal Banarsidass Publishers PVT. LTD., 1974.

W

IEMANN

, D., Genres of Modernity: Contemporary Indian Novels in English, Amsterdam

& New York, Rodopi, 2008.

Y

ADAV

, R.B., “Colonial Historiography vs Postcolonial Historiography: History, Myth and Allegory in Shashi Tharoor’s The Great Indian Novel”, in Lapis Lazuli – An International Literary Journal, 2(2012): 1-12.

SITOGRAFIA

C

ALABRESI

, M., “NY, l’Incontro Saviano – Rushdie: Noi, scrittori sotto scorta”, in la Repubblica, 3 Maggio 2008.

http://www.repubblica.it/2008/05/sezioni/spettacoli_e_cultura/saviano-rushdie/saviano- rushdie/saviano-rushdie.html

C

HANDRA

, V., “Arty Goddesses”, in The Hindu, April 1, 2001.

http://www.hindu.com/2001/04/01/stories/1301061q.htm http://hindu.com/2001/04/08/stories/1308067d.htm

C

HATTERJEE

, M., “Mythical Icons become Heroes in New Indian Fiction”, in Hindustan Times, September 13, 2010.

http://www.hindustantimes.com/lifestyle/books/mythical-icons-become-heroes-in-new- fiction/article1-599554.aspx

C

OLE

, S.G., “Author’s Festival Preview – Riot Act”, in NOW 21/7 (2001).

http://shashitharoor.in/article-on-me-details.php?id=566

D

URBIN

, D., “Two Statesmen Compare Poetry, Public Policy”, in Rice News, February 18, 1999.

http://news.rice.edu/1999/02/18/two-statesmen-compare-poetry-public-policy/

F

IELD

, M., “The Double Life of Shashi Tharoor”, in ABC RadioMagazine, January 1994.

http://shashitharoor.in/article-on-me-details.php?id=208

H

ANQUART

-T

URNER

, E., “Echoes, Palimpsests and Transmutations in Shashi Tharoor’s The Great Indian Novel”, in Internet-Zeischrift für Kulturwissenschaften, 16 (2006).

http://www.inst.at/trans/16Nr/09_6/hanquart-turner16.htm

K

REISLER

, H., “The Art of Writing, The work of Diplomacy. Conversation with Author and Diplomat Shashi Tharoor”, Conversations with History: Institute of International Studies, UC Berkeley, 1999, pg.3.

http://globetrotter.berkeley.edu/people/Tharoor/tharoor-con0.html

P

OWELL

, B.A., "UC Berkeley Lecturer Vikram Chandra: From 'Weird Little Kid' in India to Master Storyteller - and Winner of a Publishing Jackpot".

http://www.berkeley.edu/news/media/releases/2005/12/07_hungry.shtml

T

HAROOR

, S., “Expanding Boundaries with a Colonial Legacy”, in New York Times, July 30, 2001.

http://www.nytimes.com/2001/07/30/books/30THAR.html

T

HAROOR

, S., “Indian Identity is Forged in Diversity. Every One of Us is in a Minority.”, in The Guardian, August 15, 2007.

http://www.theguardian.com/commentisfree/2007/aug/15/comment.india

T

HAROOR

, S., “And a Literary Fiesta in New York”, in The Hindu – online edition, October 12, 2003.

http://www.hindu.com/mag/2003/10/12/stories/2003101200220300.htm

T

HAROOR

S., “Overcoming the Imperial Imperative”, in The Hindu – online edition, April 29, 2001.

http://shashitharoor.in/article-by-me-details.php?id=85

“The World is his Oyster, Indians Abroad Who Make us Proud”, Gentleman Magazine, March 1, 1999.

http://swadeshiinfosystems.in/st6/article-on-me-details.php?id=205

“Harihara”, ass. Vidya Bharata.

http://www.vedanta.it/divinita/divino/harihara.htm