113 BIBLIOGRAFIA
Testi primari
DONNE, J., Essays in Divinity, E.M. SIMPSON (ed.), Clarendon Press, Oxford, 1952.
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OVIDIO, Gli Amori, trad. it. a cura di G.LETO, Einaudi, Torino, 1995.
PETRARCA, F., Il Canzoniere e I Trionfi, E. FENZI (a cura di), Salerno Editrice, Roma, 1993.
SHAKESPEARE, W., The Complete Sonnets and Poems, C. BURROW (ed. by), Oxford University Press, Oxford, 2002.
TASSO, T., Le Rime, B. BASILE (a cura di), Einaudi, Torino, 1994.
Testi secondari
ALLEN, D.C., “John Donne’s Knowledge of Renaissance Medicine” in Essential Articles for the Study of John Donne’s Poetry, J.R. ROBERTS,1975, pp. 93-106.
ANDREASEN, N.J.C., John Donne: Conservative Revolutionary, Princeton University Press, New Jersey, 1967.
BATES, C., The Rhetoric of Courtship in Elizabethan Language and Literature, Cambridge University Press, Cambridge (UK), 1992.
BAUMLIN, J.S., John Donne and the Rhetorics of Renaissance Discourse, University of Missouri Press, Columbia (MI), 1991.
BECCARIA, G.L., Dizionario di linguistica e di filologia, metrica, retorica, Einaudi, Torino, 1996.
BELL, I., Elizabethan Women and the Poetry of Courtship, Cambridge University Press, Cambridge (UK), 1998.
114
BELL, I., “The Role of the Lady in Donne’s Songs and Sonnets”, in Studies in English Literature, 1500-1900, Vol. 23, No. 1, The English Renaissance, 1983, pp. 113-29.
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BRIGDEN, S., Alle origini dell’Inghilterra moderna. L’età dei Tudor (1485-1603), il Mulino, Bologna, 2003.
CAROTENUTO, A., Riti e miti della seduzione, CDE, Milano, 1994.
CORTI, C., I contesti culturali della letteratura inglese. Il Rinascimento, il Mulino, Bologna, 1994.
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ESTRIN, B.L., Laura. Uncovering Gender and Genre in Wyatt, Donne, and Marvell, Duke University Press, Durham, 1994.
FISH, S., “Masculine Persuasive Force: Donne and Verbal Power”, in Soliciting Interpretation: Literary Theory and Seventeeth-Century English Poetry, ed.
Elizebeth D. HARVEY, et. al., University of Chicago Press, Chicago, 1990, pp.
227-57.
GALLANT, G., CLEMENTS, A.L., “Harmonized Voices in Donne’s Songs and Sonets : ‛The Damp’”, in Studies in English Literature 1500-1900, Vol. 15, No. 1, The English Renaissance, Rice University, 1975, pp. 71-82.
GIRARD,R., Struttura e personaggi nel romanzo moderno, Bompiani, Milano, 1965.
GUIBBORY, A., The Cambridge Companion to John Donne, Cambridge University Press, Cambridge (UK), 2010 (2006).
GUSS, D., John Donne, Petrarchist, Wayne State University Press, Detroit, 1966.
HOPKINS, L., STEGGLE, M., Renaissance Literature and Culture, Continuum Press, London, 2006, pp. 6-10.
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MARCHESE, A., L’officina della poesia, Mondadori, Milano, 1985.
MAROTTI, A., John Donne, Coterie Poet, The University of Wisconsin Press, Madison (WI), 1986.
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ROBERTS (ed. by), The Harvester Press Limited, Hassocks, 1975, pp. 229-31.
MINTZ, S.B., “‘Forget the Hee and Shee’: Gender and Play in John Donne”, in Modern Philology, Vol. 98, N. 4, 2001, pp. 577-603.
PARODI SCOTTI, F., Figure in azione, Paravia, Torino 2000.
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PERRINE, L., “Explicating Donne: ‘The Apparition’ and ‘The Flea’”, in College Literature, Vol. 17, N° 1, 1990, pp. 1-20.
RAY, R.H., A John Donne Companion, Routledge, New York, 2014.
STRANO, M., Manuale di criminologia clinica, SEE, Firenze, 2003.
TILLYARD, E.M.W., The Elizabethan World Picture, Chatto & Windus, London, 1950.
WALTON, I., The Lives of John Donne, Sir Henry Wotton, Richard Hooker, George Herbert, R. SANDERSON (ed. by), Oxford University Press, Oxford, 1962, (1670).
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