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Buon compleanno Leonardo (Ricci) / Happy birthday Leonardo (Ricci)

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Abitare Architecture Projects Happy birthday Leonardo (Ricci)

The village of Monterinaldi, 1949-1961: Casa Ricci. (Photo Dario Borruto) ITA ENG

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PROJECTS 21 August 2018

Happy birthday Leonardo (Ricci)

Matteo Zambelli

In 2018 not only is Leonardo da Vinci being celebrated but so is

Leonardo Ricci: a star of post-war Italian architecture, still to a

great degree undervalued

In 2018 there are celebrations for the centennial of the birth of Florentine architect – but also painter and existential philosopher –  Leonardo Ricci (1918-1994), author of important works of Italian post-war architectural inquiry, but not much talked about in the history books. The Comitato Nazionale Ricci 100 is organizing several initiatives to study and promote him, which will culminate in an international conference, a catalogue and a monographic exhibition in Florence.

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Different phases can be seen in the career of Leonardo Ricci. The rst

corresponds to the Agàpe Ecumenical Centre in Prali (1947-1951), done for the Waldensian Evangelical Church. The complex, built using local materials and with clear references to the Piedmontese building tradition, is an

expression of architectural neo-realism and contextualism. In uenced by the Prali centre is the village of Monterinaldi, near Florence (1949-1961); the settlement is made up of fteen houses that, created without a unifying plan, appear “born” from the earth due to the use of stone quarried directly from the site, which is counterbalanced by the white plaster of the surfaces. The result is a masterpiece of Italian neorealism with overtones of Wright’s organicism.

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In the mid-1950s there was the expressionist-organicist turning point of Villa Balmain on the Island of Elba (1958): based on the curvilinearity of the ellipse, it has a sculptural and dynamic appearance. The social experiment of the Monte degli Ulivi village in Riesi (1963-1967) for the Sicilian Waldensian community was born out of the roundness of Balmain, combined with the styles from the Monterinaldi experience and references to the Sicilian

baroque; here, unfortunately, the church was not built, but instead there is a powerful archisculptura containing an ancestral and primordial sacred space. The 1960s were the brutalist and macrostructure years, with the

construction in Sorgane (Florence, 1962-1968) of the so-called “Ship”, a 260-meter-long building containing housing for 1,500 inhabitants, shops and of ces. The 1970s proceeded with macrostructures and with the adoption of a hypermorphological methodology that “turns to a more complicated compositional formula, with powerful polygonal

interconnections and solid volumes in the geometric images and in the obliquely cut and intersecting linear paths” (Corrado Gavinelli, Ricci e Agàpe nel pensiero e nelle opere, in Mirella Loik, Gianni Rostan, Corrado Gavinelli (edited by), L’architettura di Leonardo Ricci. Agàpe e Riesi, Claudiana Editrice, Turin 2001, p. 24). An example of this phase is the Palazzo di Giustizia of Savona (1977-1981), a portion of a megastructure whose styles can also be found in the Palazzo di Giustizia of Florence (1988) which, built

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Palazzo di Giustizia of Florence: project 1988; built posthumously 2000-2012. (Photo Dario Borruto)

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Between the past and the present

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