I
APPENDICE
TRASCRIZIONI DELLE SCENE DI DISACCORDO
A: Annalise Keating Ash: Asher Millstone B: Bonnie Winterbottom C: Connor Walsh F: Frank Delfino L: Laurel Castillo M: Michaela Pratt R: Rebecca Sutter S: Sam Keating W: Wes Gibbins S01E01 – PILOT 00:35 – 02:11
C: And stop acting like a little bitch, baby. M: Do not tell me how to feel right now! W: Hey.
M: Aah!
W: Sorry it took so long. I went back for this. M: Now, you you take that back right now!
L: No. It’s smart. Commonwealth v. Deloatche. A case the prosecution should’ve won but lost because there was no murder weapon.
C: So, what are you saying?
L: We clean it and we put it back. Hide it in plain sight. After we bury the body.
M: No, absolutely not.
C: Yeah, I-I-I-I’m with Michaela. L: No, Connor, think.
C: The trophy we need, yes. But the body stays where it is. L: No, the body is what gets us caught.
M: You are not thinking straight. L: What do you suggest?!
II the busiest night of the year!
C: She’s right, Laurel. Even if we get it out of the house, unseen, the ground is frozen!
L: We have all night to dig.
C: You don’t know what you're talking about!
L: This is murder! None of us know what we’re talking about! M: Please, just yell that a little louder!
W: Hey.
M: Honestly, you're all dumber than I thought if you think we should go back there.
C: Look, I’m agreeing with you. Going back is an idiotic
L: You two need to man up and think because we're going to jail. W: Shut up! Shut up! It’s two against two. We have no other choice. We flip a coin.
M: That is the dumbest thing you’ve ever said.
C: I’m not letting a freaking coin decide whether or not I go to jail tonight!
W: We don’t have time to fight! We need to make a decision and commit to it. So if someone has a better idea, say it now! Heads, we get the body. Tails, we leave it where it is. Ok?
09:52 – 10:21
W: Hi. Wes. I just moved in next door. R: What do you want?
W: Uh, your music. I normally wouldn’t ask to turn it down but today was my first day of law school and I have
R: No. W: What?
R: The last guy who lived in your apartment was a law student.
I put up with his crazy-loud rabbit sex, his nervous breakdown. You can deal with this.
W: Uh, uh 10:45 – 11:15 C: Michaela.
M: I never agreed to this! The coin did, so I’m gonna stand here and not see anything so when I’m called to testify, I can say just that. C: I just want you to move your feet.
M: What?
L: Here. I wiped the sink down with bleach after I washed it. Now what?
III C: LeT’0s just get the hell out of here. Now.
L: I’ll help.
19:31 – 20:30
W: Hello? Professor Keating? A: Don’t even try.
W: Professor? Oh, my God. N: Get the hell out!
A: Hey!
W: I’m so sorry. Th-the door was open. A: Oh, I'll kill him. Why are you here? W: It can wait.
A: Frank, you didn’t lock up again. Speak.
W: I-I-I came across this case. Commonwealth v. McGinnis, which says we can move for a faster verdict if we think the prosecution’s evidence is insufficient.
A: What you’re suggesting is called a “directed verdict”. If we ask for it and get denied, all the public will hear is there’s enough evidence to convict.
W: But you discredited the first assistant today and
A: You had an idea. I’m telling you it's a bad one. Good night, Seth. W: Wes.
A: Right. 20:40 – 21:16
C: Dashing through the snow, in a one-horse open sleigh M: Connor, please stop.
C: o’er the fields we go, laughing all the way. No. I like it, especially that it annoys you. What fun it is to ride and sing a slaying song tonight oh, jingle bells, jingle bells, jingle all the way
L: What’s all this for?
W: I figured I should buy other stuff in case I’m on the surveillance video.
C: Why? We can just kill the store owner if we need to, right? Hey! Jingle bells, jingle bells, jingle all the way oh, what fun to kill someone and end up in jail
25:24 – 25:46 *
Griffin: It’s about the both of us. Don’t you get that? R: Griffin, stop!
IV Griffin: This happened, so get your head out of your ass!
R: Stop yelling! W: Do you need help?
R: It’s fine. It’s not a big deal. Get out of my apartment! 27:40 – 28:01
M: Why is Frank calling you? L: What?
M: I saw your phone, Laurel. What the hell’s going on? 28:48 – 29:23
F: Brown, right? Or was it Smith? Berkeley?
L: Brown. What? You read my application or something?
F: Just a guess. We get a lot of you around here. Smart, idealistic girls who come to law school to help the less fortunate, only to take a corporate job after graduation, which they then quit the second they get pregnant ‘cause they’d rather stay home. For the child, of course. L: You’re a misogynistic ass.
B: Stop screwing the students. 33:41 – 34:34
A: You had one job! To let us know what bodies we needed to bury! Texts, calls, anything we needed to destroy. And you didn’t. So guess what! Guess what! You go to jail, and I’m the shoddy lawyer who put you there!
Gina: I had a headache! It isn’t
A: Stop lying! Get out. I can’t think with you here. B: She’s not wrong, Annalise. It's aspirin. We all buy it.
A: What about you, Frank? What slutty undergrad spread her legs and made you forget your job this time?!
F: Hey, I grilled Gina the minute we got this case. She chose not to tell me this because, well, that’s obvious, isn’t it? I’m sorry. It won’t happen again. But don’t worry. We can fix this.
V S01E02 – IT’S ALL HER FAULT
00:29 – 01:22
W: Either we all agree or we stop right now. C: Just do it.
M: It’s the only way to destroy the DNA. M: He should be here by now.
C: It’s fine.
M: What if it’s not? C: Michaela.
M: What if they got caught or went to the police or she convinced him to pin it on us?
C: Wes wouldn’t do that. M: He wouldn’t, but she would. C: Stop, okay? It’s going to be fine.
M: No, think about it. How we got here. It’s all her fault. L: It’s not her fault. We’re all to blame.
M: No, I’m gonna call Aiden. C: Michaela!
M: No, I never agreed to this!
C: Because you had a meltdown! You could barely form a sentence. So shut up, sit down, and stop acting like a little bitch baby.
M: Do not tell me how to feel right now!
W: Hey! Aah! Sorry it took so long. I went back for this. 07:00 – 07:35
A: Mr. Gibbins, my office now.
C: What do we think is going on there? Ash: What do you mean?
C: We all earned our spot here, right? But Waitlist? L: Don’t call him that.
Ash: Maybe he’s her secret baby, like she gave him up for adoption and he doesn't even know.
M: Because all black people are related.
C: What? No. I-I wasn’t…My point is, something is going on. Otherwise, why would he be here?
B: Why are any of you here? That’s the question I'm still asking myself.
10:03 – 11:00
VI We flip a coin.
M: That is the dumbest thing you’ve ever said.
C: I’m not letting a freaking coin decide whether or not I go to jail tonight!
W: We don’t have time to fight! We need to make a decision and commit to it. So if someone has a better idea, say it now! Heads, we get the body. Tails, we leave it where it is. Okay? Heads. We go back for the body. Let’s go!
14:05 – 14:20
F: You two Prom Queen and Doucheface. Come with me.
M: This is you hazing us, right? You don’t seriously dig through strangers’ trash on a normal basis.
F: You want a desk job, go to a corporate firm. Now get in there and find us a winner.
15:24 – 16:16
A: Let me guess. You were sent to tell me to stop embarrassing cops on the stand.
N: You need to be careful. There’s gonna be pushback. A: Is that a threat?
N: Not from me.
A: You haven’t returned my calls. N: I’m not here to talk about us. A: So that's it? We’re done? N: Are you surprised?
A: You know I never set out to hurt you on purpose.
N: You blackmailed me on the stand, made me sell out my department. I’ll be lucky if the Chief gives me another case all year. A: I’ll talk to him.
N: You’re the last person I want talking for me right now.
A: Now, I’m trying to make things right. Don’t you want me to make things right?
N: I’m done with your crazy. A: Nate.
N: What do you want from me? You won your case, got laid. So how else can I be of service to you? You call me again, and I swear to God I’ll tell your husband every dirty, nasty thing I did to you under his own roof.
VII 25:51 – 27:20
S: Is there something you want to ask me? This isn’t your courtroom, Annie. You have something to say, say it.
A: Were you screwing her? S: No.
A: You sure about that? S: I said no! Absolutely not. B: Do your work.
A: Good eye contact.
S: Now you’re just being belligerent. A: You’re surprised?
S: That my wife thinks that I slept with one my students? A: Well, she is pretty. Sorry. Was.
S: Oh, God. Listen to yourself. You’re acting crazy. A: Well, shouldn’t I be? It’s happened before!
S: Come here. Look at me. Annie, look at me. There was nothing going on with me and that girl. I swear to God.
A: I’m sorry. It’s it’s just this case, this client. I’m gonna lose. S: You say that every time.
36:23 – 36:45 * N: Nia’s inside.
A: I just need a minute. N: No.
A: It’s about the Lila Stangard murder.
N: It’s not my case. I told you I’m on probation.
A: I know. But Sam knew her. She was his student. They were close. They were close.
37:45 – 39:24
A: They were close. They were close.
N: You serious? You think he had something to do with it? A: I don’t know.
N: Why? Because she was his student? That’s your case? A: One of his closest students.
N: Which means he'd screw her. Yeah. But kill her? A: We’re all capable of terrible things, Nate.
N: This is your job talking. It’s making you see bad where there is none. But you got to stop, go home, and talk to him.
A: He told me nothing happened. N: Then there's your answer.
VIII questions, huh? And what did you tell her about us? The truth? He’s my husband, Nate My husband!
N: Exactly. You don’t do this to your husband. Sell him out to your boyfriend. Go home. I’m not gonna say it again.
A: Nate! He was supposed to be at Yale the night she was killed, and I need for you to tell me that he was there, that his alibi checks out. It’s the only way to stop my mind, all right? To know for sure that he didn't have anything to do with this. Please, Nate. All right? I don’t know who else to go to. I wish it were someone else, but it’s you. I need you.
N: Okay. Okay. A: Okay.
N: Annalise. Be careful.
S01E03 – SMILE, OR GO TO JAIL 01:04 – 01:28
C: Michaela, stand up. We need to leave. Do you understand? Michaela!
L: Connor, stop! Michaela, we need to leave now. Michaela. Look at me. Everything’s gonna be okay.
C: She’s not fine. Are you blind? Her little perfect brain can’t handle this.
L: Can you hear me? Michaela? 06:56 – 07:10
A: “Sex in the park” lady. Officer: Yeah, she’s here.
A: That’s it? Our hot new case is some hooker in a park?
B: She’s a friend of a friend. Not every case is a serial killer. You want to be Professor Keating one day, you build a client base from the ground up, so shut up and learn.
14:28 – 15:10
W: Heads. We go back for the body. Let’s go!
M: No! No. This makes no sense at all. We go back for the body, and then what? We do what with it?! Have any of you thought about that? W: We burn it.
IX W: But at least we’ll get rid of our DNA.
C: And the bonfire will cover the smoke. It’s it’s kind of a perfect plan.
M: Perfect? L: The bonfire.
M: There is nothing perfect about this plan. L: You guys
C: Cry all you want. I’m now on board with the plan. L: Listen to me!
M&C: What?!
L: The bonfire That’s our alibi. 26:26 – 27:02
M: Uh, Connor, do you mind going somewhere else? This is our last night together.
C: My bad. Congrats again on the engagement. You know, there was a time when I thought that maybe I’d be the one wearing Aiden’s ring. M: Oh, my God. Connor, will you stop?
C: Wait, you…You never told her? Aiden: Come on, dude.
M: What is he talking about? Aiden: It’s nothing. It’s nothing. M: Aiden
C: Relax. Relax. We were 16, locked away at an all-boys boarding school in the middle of freezing New Hampshire. It’s not a big deal. 27:30 – 28:00
M: You lied.
Aiden: It was years ago. Hardly anything happened.
M: Oh, stop! I don’t want any more of a mental picture than I already have!
Aiden: Look, okay, I-I didn’t tell you about it, all right? I know. But that’s different than lying to you.
M: Is it? Because we’ve talked about all our exes, and you’ve never mentioned a boy, which feels a lot like lying!
Aiden: You know me. You know that I don’t lie. M: I don’t believe you.
Aiden: All right, you know what? I’m just gonna get the train back tonight.
X 27:12 – 29:19
W: She’s my next-door neighbor.
A: Your neighbor was the other suspect in this case, and you didn’t think to tell me?!
W: I don’t really know her. We just live next door, and I A: What?!
W: You can’t defend Griffin! I saw him fighting with Rebecca. He’s not a good guy like you think. And he’s got everything The school, money but Rebecca's got nothing. She's alone, a a pawn. And isn’t that why you do this. Defend people. So they get a fair trial? But that’s not gonna happen for her because she's poor. And I don’t think that’s fair or right, and…If you want to fire me, fine. But she needs you. I don’t know. I just wanted to do something. I’m done.
A: We have an actual client waiting for us in court. Let’s go. 37:34 – 40:10
M: Here.
W: That’s the last one. C: Everyone, get in the car.
M: Wait. Wait. Wait. Wait. Wait. Wait. C: Just get in the car, Michaela.
M: Oh, no, m-m-m-m-my ring. L: What?
M: My engagement ring is gone! I lost it. I oh, God. I lost my ring. I lost my ring. I lost my ring. I lost my ring. I lost my ring. I lost my ring.
Aiden: Hey.
M: What the hell are you doing?! Aiden: You wouldn’t return my calls.
M: You can’t just show up, not when there are murderers everywhere! Aiden: Yeah, you’re right. I’m sorry. About everything. I should have told you the minute we ran into Walsh.
M: You should have told me before you proposed, before you said you loved me, before you asked me out.
Aiden: Michaela, come on M: Were there others?
Aiden: What, people I hooked up with? M: Men. Men you had sex with.
Aiden: No.
M: Because if you’re gay Aiden: I’m not gay.
XI M: If you are gay
Aiden: I’m not gay!
M: People are gay. My cousin is gay. It’s not a big deal. I’ll still be your friend, but I just
Aiden: Michaela! It was a stupid thing that happened when I was a kid, a horny kid. I'm not some guy on the down low. You know that. I love you. I'm not gay.
M: My wedding dress is Vera Wang. Not off-the-rack Vera Wang. Bespoke Vera Wang. It costs me a fortune. So, you better be sure. You can’t embarrass me, Aiden. I have a plan for my life, and it doesn’t include you ruining us. You hear me? So you’d better be sure because if you ever do anything like that again, I will divorce you, and I will take all your money, and I will destroy any chance you have at a political career.
Aiden: I’m sorry. I’m so sorry.
S01E04 – LET’S GET TO SCOOPING 00:40 – 02:13
C: Michaela, stand up. We need to leave. Do you understand? Michaela!
L: Connor, stop! Michaela, we need to leave now. Just need to stand up, okay? Michaela.
C: We’re screwed. She’s gonna ruin this for us. W: She’ll be fine.
C: Are you blind? She’s broken. Her little miss perfect brain doesn’t know how to handle any of this.
R: Like any of us know how to handle this. C: Michaela, get up!
W: Here’s what we do. You guys take Michaela to the woods. I’ll get Rebecca out of here.
C: Wait, what? You just…You’re gonna leave? W: She can’t be here. You know that.
C: We’re so screwed. W: It’s gonna be fine.
L: You’re gonna have to trust me right now. Ash: Hey! Hey, you guys in there?!
L: Who is that? C: Asher.
Ash: I see your car in the driveway, Connor! Open up the damn door! L: Okay, what is he doing here?
XII M: That’s my fault.
C: Of course it’s her fault. I mean, who else’s fault would it be, right? Ash: Is Michaela in there with you?! I want my freaking trophy back! Open up! I know you’re in there!
L: Everyone, get down. Connor!
Ash: Are you bitches seriously trying to ignore me right now? Let me in! And you guys call me immature?! I’m like the most grown-up grown-up ever!
C: We’re so, so screwed. 06:04 – 06:38
L: This is one of Kan’s old outlines.
Ash: Oh, your boyfriend’s giving you his outlines now? What’s next? Herpes?
M: How about we trade? I’ll give you everything from my property study group.
L: No.
M: Laurel, the exam’s in three days.
L: And that’s probably the first time you’ve actually gotten my name right.
M: Fine.
F: Sounds like it’s shooting-star time. B: Who’s your pick?
M: What’s a shooting star?
F: Hair gel’s got ice in his veins. Doucheface is too dumb to care. B: Wallflower’s pretty sensitive.
F: My bet’s on prom queen. She’s wound way too tight. M: What the hell’s a shooting star?
09:10 – 09:36 *
B: We all know the only reason you won’t give us Rebecca Sutter’s confession is that there’s proof of coercion you don’t want us to see. X: Oh, wouldn’t that be so easy for you? Those dirty cops with their dirty interrogation techniques. Unfortunately for you, that’s not what happened here.
B: Then why not hand over the tape?
X: We will if we decide to put XII into evidence. B: ‘Cause you prefer to spring it on us during the trial?
X: You know, isn’t that the fun part of court? Goodbye. Oh, and tell Annalise to send Frank next time. I prefer him watching my ass walk away.
XIII 17:45 – 18:52
C: It’s funny, right? We’re driving so far out of the city to buy some lighter fluid when we're already screwed. I mean, I hate to be all negative here, but Asher knew that we were in the house, and there’s that…that eyewitness cop, our fingerprints and hair and and skin cells at the crime scene, the fibers from this rug now embedded in my car, these street cameras recording us this very minute. Everyone say hello to the police. Hi! And let's not even talk about what we’re going to do after the body’s burned. Now that that…is going to be the fun part! L: Enough, Connor.
C: You’re right. Why why freak out about things out of our control? Perfect! Don we now our gay apparel…
18:50 – 19:51
A: So we’ve pissed off our client and have absolutely nothing to show for it. You’ve all outdone yourselves.
C: Actually, if it’s…If it’s okay, I’d like to look into a possible new lead.
A: Well, why you still standing there? Did you get the tape? B: Still working on it.
Ash: What are you doing?
M: Oh, my God. I totally thought this was my bag. Sorry. Ash: You were trying to steal her outline.
L: Seriously, Michaela? Ash: Chick fight! Chick fight!
M: Okay! Do none of you care about this exam? If we fail, we drop to the bottom of the class, and for what? To impress a woman who could give a crapt?! About anyone but her little butt boy here, who constantly screws up, but somehow gets to keep the trophy?!
W: You want the trophy that bad, Michaela, take it.
M: It doesn’t work that way, dumbass! You have to win it, otherwise it means nothing!
F: It’s prom queen. You owe me 100 bucks. M: I am not the shooting star!
23:34 – 24:20
C: Hey, guys. I think I just detached the tibia. Or is that a fibula? Oh, there’s plenty more of Sam to bag, though. Michaela, a little help. M: I just need a break.
C: No breaks. We are in a marathon, and you’ve hit the wall, but we have six more miles to go. We have to see this through, so quit
dilly- XIV dallying, grab a trash bag, and let’s get to scooping, shall we?
S01E05 – WE’RE NOT FRIENDS 00:40 – 02:17
C: Let’s just get the hell out of here now. W: Flashlight!
M: Why is Frank calling you? L: What?
M: I saw your phone, Laurel. What the hell’s going on? W: Laurel, please don’t say you told Frank about this.
M: You people tell me that I can’t call Aiden, and you called Frank? I swear to God, Laurel, if you told him anything
L: I slept with him. Okay? And I didn’t call him. He’s calling me bec…W whatever. It doesn’t matter.
M: It does matter. Otherwise, how do we know you’re telling us the truth?
L: Why would I tell you? We’re not friends.
C: Wait. So, you screwed Frank while you were still seeing Kan? L: I’m a cheater, yes. And a slut and a bad person and now a murderer. Judge me if you want. Just do it while we’re carrying the damn body!
03:20 – 05:16 *
A: Don’t you dare say that you were just sending photos, because I know you were screwing her. So I need to know how long did it go on?
S: Just the summer. She was in my class, started coming to my office hours
A: How many times? S: I don't know. Six, seven A: Where
S: My office. Her car once.
A: But you wanted more than that, didn’t you? It turned you on - just to think about Lila touching yourself, taking those pictures.
S: It wasn’t like that.
A: Then why did you lie to me?!
XV know me.
A: Did you love her?
S: No. It it was her. She was persistent. She kept coming to me about her family, about her boyfriend. Annie, she was just lost.
A: Just like you found me. S: No.
S: That’s how you like your mistresses, huh? Weak, broken messes that you just clean up.
S: Okay, this was not us. You were never just some affair. A: Tell that to your first wife.
S: You were the one. A: Oh
S: Okay? Annie, stop. This was just sex, Annie. A: No.
S: It was nothing else, okay? A: No.
S: I love you.
A: No. No. You don’t get to say that. You don’t get to don’t touch me!
S: Shh! Annie! A: Don’t touch me! S: Just stop it.
A: You get out! You just get out! Get out! 05:30 – 05:52
W: But it’s what you taught us that first week: introduce a new suspect. We have one now.
A: Do we? Or does the fact that Rebecca had Lila’s phone point to her as the killer?
W: Only if we don’t find that guy.
A: It’s my decision to make, Mr. Gibbins. W: Wait. I I don’t understand why you’re so A: What you don’t understand is not my concern. 17:15 – 18:02
N: You’re seriously gonna pretend like you didn’t get me fired? A: What are you talking about?
N: You told my boss about us that I was investigating Sam. A: No. I would I would never… Come on.
N: Enough with the lies.
A: Nate, please, you have to believe me.
XVI sleep next to a killer, go for it. Oh, that’s right. I lied, too. Sam wasn’t away at Yale the night Lila got killed. Now, see, he left New Haven and drove back here to Philly. You two have a lovely night.
18:22 – 19:12
C: That Frank again? Guy’s whipped. W: You should answer.
L: He’s the last person I want to talk to right now.
M: It strengthens our alibi, moron. He’ll hear the bonfire in the background.
W: She’s right. L: What?
F: Where the hell are you? L: The bonfire. Stop calling me. F: Laurel, wait. Let me explain.
L: Explain what, how you lied to me just so that you could screw me, add me to your list of student conquests?
F: I messed up. I know that real bad. I just I’ll do whatever I can to make this right anything. Just just don't shut me out like this. I can’t just…I I’ll do anything. Please.
L: It's too late. 20:23 – 21:40 B: You need me? A: Yes.
B: If this is about the fight you and Sam had the other night, we don’t need to talk about it.
A: That’s not what this is about. I know how you got Rebecca’s confession tape.
B: I didn’t tell you because
A: Why? Because you know I’d never let you air my dirty laundry to the police?
B: I thought you had enough on your plate.
A: Don’t you dare say that you were doing this for me, ‘cause we both know what person in this house you did it for, and it wasn’t me. B: I’m sorry.I should’ve told you.
A: Yes. But thank you for protecting my husband, though. Now go. 22:20 – 23:46 *
Ash: Does anyone else think that sexy librarian’s a lesbian? I mean, she just stares at Annalise’s boobs all the time.
XVII C: They are great boobs.
L: Can we all focus, please?
Ash: Okay, look, your emotional scorecard is cute and pointless, like a dumb blonde. They need to vote on evidence.
M: Yeah, and my study group needs this outline by 8:00 a.m.
C: Honestly, I’ve got like six guys on my jock, so I kind of need to focus.
Ash: You’re sexting six guys right now? Are there apps like that for straight people?
M: What happened with the hacker, anyway? He finally get sick of you using him?
C: Aw, you think that we’re friends, that we’ll chat about our boy problems?
M: The only one with boy problems here is you.
L: We’re gonna lose unless we tell the jury about nullification. F: It’s illegal, and if we got caught, Annalise gets disbarred. L: You know this family, Frank. We need to help them.
F: I know that, and we are. Why the hell are you so worked up about this case, anyway? Unless your father beat you.
L: My father did not beat me, okay? I just I want to feel like we’re doing something good for once. Why is that so hard for everyone to understand?
F: It’s not. C: Oh, my God. Ash: What?
C: Lumberjack just messaged me.
Ash: That's what you’ve been doing on your gay-sex app?
C: Yeah. I’ve been stalking him on humpr, waiting for him to out himself. And he finally bit.
W: What’d he say? 26:40 – 27:27 *
M: My engagement ring is gone!
L: Michaela, it’s gonna be light soon. We still need to get rid of the bags and
M: I’m not leaving until we find it.
W: Are you sure you had the ring on when we left the house? M: I already told you, yes! Oh, my God, what if we don’t find it? C: I guess you’ll just have to cancel the wedding.
W: Stop! We still need her to return the trophy to Asher's. L: There’s no way she can do that. Look at her.
C: Oh, no. No, no, no. We all had to do things tonight that we didn’t want to do. This one is on her.
XVIII L: I’ll do it.
C: And how the hell are you gonna do that? L: I don’t know. I’ll figure it out.
33:16 – 34:11*
A: Were you at Yale when Lila was murdered?
S: No. She was upset when she called me said she was gonna do something to hurt herself. So I skipped my lecture, came back to see her, but I couldn’t find her. She stopped answering her phone. So I drove back to New Haven. I was back in my hotel by morning.
A: So you were here in Philadelphia at the exact same time she was being killed.
S: Annalise
A: I know. You didn’t do it. S: I don't know what to say here. 37:40 – 37:50 *
S: I need to know if you believe me.
A: You’re a liar. At this point, that’s all I know for sure. Sleep on the couch.
38:46 – 39:47 F: What the hell?
L: You didn’t tell her, did you, that I was the one who messed with the jury?
F: You think you’d still be working here if I did?
L: Why didn’t you? I mean, ‘cause did you ever think I wanted her to know that we won this case because of me?
F: We didn’t win anything. It got us a mistrial, which was lucky. L: No, it was smart, but thank you I mean, if that’s what you’re looking for me to say. Thank you for picking me, making me Frank’s girl. Thank you for watching over me, for saving poor, little Laurel. F: I wanted to believe you were something else, not the clichee little girl who went to Brown.
L: Oh, right, because you knew she would never screw you. F: Like I’d ever want to screw you.
L: I have a boyfriend. 40:45 – 42:20
W: Just tell me where you are. I’ll come get you. R: No.
XIX W: You have to trust me.
R: Wes, you can’t trust Annalise. W: What happened?
R: The wallpaper, Wes. Look at the wallpaper. W: Rebecca?
A: What the hell are you doing here?! W: You lied to me.
A: What are you talking about?
W: The wallpaper. The picture on Lila’s phone. It was taken here. Your husband’s Mr. Darcy.
S01E06 – FREANCKIN’ WHACK-A-MOLE 01:12 – 02:24
Ash: Is Michaela in there with you? I want my freaking trophy back. Open up! I know you’re in there!
L: Everyone, get down. Connor!
Ash: Are you bitches seriously trying to ignore me right now? Let me in. And you guys call me immature? I’m, like, the most grown-up grown-up ever compared to your dumb asses!
L: We should just let him in. Ash: Open up the damn door!
L: If he’s been in the house, he’ll he’ll suddenly be part of it, you know? Five of us witnessed him here.
C: Then daddy millstone can help get us off.
R: We could get him to step in the blood. It's not a bad idea. L: Yeah!
W: No! He wasn’t part of this.
C: Do you think that I wanted to be a part of this? L: Wait. Listen.
M: He's gone. I texted him. Told him I was at the library. 03:00 – 03:20
W: Your husband’s Mr. Darcy.
A: You’re confused. Listen to yourself. W: You just can’t stop lying.
A: Wes just sit down. W: You’re disgusting. A: Let me explain. W: You disgust me.
XX A: Wes, come back here. Wes, come back here! Come back here! Wes, don’t you leave this house!
07:20 – 07:40
S: Wes could be at the police station right now. A: He didn’t go to the police.
S: You don’t know that.
A: I do. He’s a confused child. I can handle him.
S: Maybe I should get a lawyer. I should go to the police and get ahead of this thing.
A: Only a bad lawyer would give you that advice.
S: Well, what is the plan here, then? This was already a mess, and now you’ve got to argue a death-row case in three days from now. A: Because when I filed the petition, I didn’t know you were screwing some white whore.
08:18 – 10:32 *
A: We missed you in class today. You haven’t been answering your phone or your door. Everyone’s been asking for you. They’re worried that you were sick. We even got a new case today, a death-row appeal. It would be a shame if you missed the opportunity to work on it. W: You can take that back. I don’t want it.
A: You and Rebecca? W: What do you want?
A: That’s funny, because that's what I came here to ask you. What you want.
W: Stop this. A: Stop what?
W: You know what. I wrote it all down. Everything I know. I have another copy in a safe-deposit box. One phone call and it gets sent to the police.
A: Unless?
W: You get Rebecca back. A: Are you in love with her?
W: This isn’t about a crush. It’s about doing the right thing.
A: And you think that means protecting the drug dealer next door? Putting your blind faith in someone you barely even know? Why? And please don’t tell me it's because you think she’s innocent. I taught you better.
W: I think she’s as innocent as your husband.
A: You really need to stop thinking that me protecting Rebecca and my husband are mutually exclusive. The idea that I don’t have her
XXI best interests at heart is only in your head.
W: So prove it. Find her and get her back here. Whatever it takes. Or I swear to God, I’ll tell the police everything.
15:40 – 16:10
L: There’s a gas station up on Elm that’s open.
C: Where’s Elm? Maybe Sam knows. I mean, he’s lived here the longest, right? What, any ideas, pal?
W: We shouldn’t stop around here. We could run into people we know. Go to route 6 instead. We’ll find a station out there.
C: Where the hell is route 6? L: Oh, my God. It's Asher.
C: Yes! This is freaking whack-a-mole. 25:20 – 26:35
L: Little late to go out, isn’t it?
F: You worried about me now? That’s cute. L: You’re looking for Rebecca. Right?
F: The puppy's got you running recon for him now?
L: Maybe Rebecca's our client and I’m just curious about what’s going on with her.
F: Nice try.
B: With me. Now. Stop leading Frank on. L: What? Frank and I are just
B: Don’t, Laurel. I see the way you look at him. More importantly, I see the way he looks at you. And let’s be honest. It’s not Frank a rich girl like you ends up with, is it? And you know that. Hell, that’s the fun in it for you.
L: No, that’s
B: But what sucks is, Frank doesn’t know that…that you’re just leading him on, letting him believe he has a shot with you. And when he finds out he doesn’t, that’s going to hurt him. You’re becoming a real asset to this team. I would hate for Annalise to find out you were screwing with someone she considers family.
27:10 – 28:35 *
W: Oh, what do you want?
C: The real about you and Rebecca. You tapping that ass or what? L: That’s none of your business, Connor.
W: She’s right. C: It’s not.
XXII M: Hmm. Evasive. Interesting.
L: You guys, stop.
C: Must be hot, sleeping with a murderer. Ash: Wait, you’re screwing our client?
W: No. And the guy with the corrupt dad doesn’t get to say crap to me right now.
Ash: Take that back.
L: Why should he? Your dad sent a guy to death row for no reason. M: Honestly, how does that feel? Knowing that your charmed existence came at the expense of another man’s life?
C: Well, I’m sure it’s not the first instance the Kennebunkport Millstones have profited off other people’s misfortunes.
Ash: Aah!
C: That’s the best thing I’ve seen in days.
A: What the hell is going on here? Man’s life hangs in the balance and this is how you spend your time?
Ash: Wait. What is this?
M: It's mine. It's from Trucco’s real-estate group.
Ash: I’ve seen this logo before. In Linda Morelli’s parking garage. People, the key eyewitness lives in a building owned by senator Trucco.
C: So it’s…it’s the teacher.
A: It’s always the one you least suspect. 36:47 – 37:18 *
F: God, you’re such a klutz. L: I got this, Frank.
F: It’s okay.
L: No, it’s not okay. I didn’t want to have to say this, but I’m not into you, and it’s not just because we work together. So you have to stop. Let’s keep this professional. Otherwise I’m gonna have to tell Annalise.
F: Tell Annalise? Wow. L: I’m not going to. I just
F: Yeah, you’re not into me. You don’t have to say it twice.
S01E07 – HE DESERVED TO DIE 02:49 – 04:10
XXIII A: Rebecca, take this prep seriously or go to jail.
R: Isn’t it kind of your job to make sure that doesn’t happen?
A: You slut, white-trash killer. You made Griffin strangle that girl on the roof. You liked watching her die because that’s the piece of garbage you are! That’s what everyone in the world is gonna say about you. You don’t care, neither do I. I’m not the one that’s gonna be beaten, raped, and violated in jail. That’s on you. So, what happened the night of Friday, August the 29th? Start from the beginning.
W: Maybe maybe we should take a break. A: Five minutes, and then we’ll start again. C: And Romeo saves Juliet again.
L: It’s kind of sweet.
M: It’s inappropriate and unprofessional and crazy.
Ash: They got to be doing the nasty by now, right? Although, I I can’t picture the puppy that way.
M: Why would you want to?
Ash: I picture everyone having sex. Oh, how’s it going with Aiden, by the way? You two break up yet? Unh!
M: Look at me like that again, and I’ll file a sexual-harassment suit. 16: 42 – 17:37
W: Don’t do anything until I’m back. Even if someone knocks, don’t answer unless you know it’s me. I’ll let you know what to do as soon as we make a plan. Okay?
R: He wanted to kill me. I had no other choice. W: No.
R: I had to kill him, or he was gonna kill me. I saw the trophy sitting there.
W: No.
R: I hit him in the head. He deserved to die. W: Why are you saying this?
R: And I’m glad he’s dead. W: Stop it. Stop it!
R: No! Look, my trial’s in a couple days. I’m already going to jail. And now you might, too, because of me, and I will kill myself if that happens. So, please please just let me help you for once.
W: The only thing you can do to help right now is stay in this room and not leave. I’ll be back as soon as I can.
19:55 – 20:21 *
XXIV F: She thought we needed a woman’s touch. Don’t think I didn’t try to take Michaela instead.
L: If we’re gonna keep working with each other, it cannot be this weird.
F: You told me to back off, and now you want to be friends? This isn’t high school. If you don’t like me, then I don’t like you. That’s how this works. Freakin’ millennials and your damn entitlement.
28:32 – 29:47
L: It’s a big decision. I just I need a little bit more time. Okay. I’ll call you when I'm leaving. Yeah, sure. We’ll talk about it then.
R: You think we’re gonna lose my case? That’s why you’re thinking of taking another job, right? So you don’t go down with the ship. L: No, that’s not. How did you know that?
R: That was Kan, and he wants to know if you’re gonna take the job at legal aid. And you haven’t decided because either you actually like this weirdo office or you just need to put a little distance between you and the hot ass in the three-piece.
L: Don’t tell anyone. I’m serious. I haven’t decided yet. M: Decided what?
L: Nothing.
R: She wants to leave and take a job with her boyfriend. L: Rebecca!
M: You idiot. There are a million and one legal aid clinics and only one Annalise.
L: I know that! Okay? Just don’t tell anyone. M: And what if I do?
R: She’ll tell everyone your fiancé wants you to sign a prenup. It was sticking out of your bag.
L: Aiden gave you a prenup?
M: His mother did. And we are not talking about this.
L: Fine. As long as you don’t talk about the Kan thing. You, too. D: Deal. If both of you stop talking about me and Wes. We’re not screwing. I know that’s what you all think, but we're not, so…
M: Fine. L: Okay. R: Great. 34:28 – 35:50 *
R: Hey. Hey! You didn’t wait for me at the courthouse.
W: I have to study. Exams are coming up. I’ll see you tomorrow. R: Seriously? You’re that mad at me? Wow. Really? The silent
XXV treatment? Okay. You are such a guy right now, I’m actually kind of impressed. Who - You think I’m messed up? That’s you. You’re the one with no life. Otherwise, why get so obsessed with mine? Who made you this way? W-was it your mom? Was she an alcoholic and you miss the drama? Did your dad hit her? What? I mean, who made you feel like you’re not an actual person unless you are fixing someone else’s mess?
W: I’m not trying to fix you. I’m trying to help you. But if you don’t want that, I’ll stop. You can lie on the stand, call people rapists. Whatever you want. Just don’t say I’m messed up because I wanted to help you.
R: We shouldn’t do this. W: You’re right.
S01E08 – HE HAS A WIFE 01:55 – 03:35
B: Lila was six weeks pregnant. I’ll leave. A: No. Stay.
S: Annie. Really.
A: I need a witness here to make sure you don’t lie to me again. You lied when you said you didn’t sleep with her. You lied when you said you were at Yale the night she was killed. And I believed you, like some fool. So…did you know she was pregnant?
S: No.
A: “No” because you didn’t or “no” because if you say “yes”, you know that’s motive to kill?
B: This is not something that… A: Do not leave! Are you lying?
S: No. We don’t even know if it’s mine.
A: Who else’s could it be, her virgin boyfriend? S: He claims to be a virgin.
A: Was Lila? The first time you had her? You would know, wouldn’t you?
S: I didn’t know she was pregnant. I promise you. A: You believe him? Should’ve worn a condom. 11:42 – 12:48 *
R: Ooh! What’s up, Darcy? S: Annalise isn’t here.
XXVI R: Court I know. Wes told me. I think I left my gloves here Greenish, 10 fingers. Not gonna steal anything.
S: ‘Course not.
R: Must’ve fallen out somewhere. Not here. I’m a disaster. I lose everything I like. Can I use your bathroom?
S: Rebecca. You should go. R: Dude, I’m not
S: You’re welcome here when Annalise invites you. Otherwise, this is my house. And I’m asking you to leave. Yeah.
R: Nice to see you, too. 16:02 – 16:24
A: Are you good for anything, or can you only do your job when you’re screwing evidence out of someone?
B: Annalise, he did his best. We were all blindsided by this.
A: No, you were blindsided. Because you can’t do your one simple job. Tell me what’s coming my way! That’s all I ask. And in return, I tolerate your pathetic, mousy presence in my house.
19:21 – 21:20
S: Rebecca came by the house. Claims she was looking for her gloves. There’s not a chance she knows about the pregnancy? Wes is here all the time.
A: I already told Wes. S: So he told her. A: We don’t know that.
S: Annie, you’ve seen the two of them. You know how he feels about her.
A: Yeah. That’s sweet, isn’t it?
S: Tell me what you want me to do here. If you want me to go to the police. Just don’t give up on me here.
A: I’m gonna lose my case. Because all I can think about is you with that girl. How many times was it? Seven? That’s all it took for you to knock her up? This is what I get. This is what happens when you screw somebody else’s husband. You become sad, barren. And even a dead girl is more of a woman than you.
S: That’s not what this is. A: It is.
S: No. No, Annie, this…this is me. So get pissed off, hit me if that’s what it takes. But I broke us, not you. And I’ll do whatever it takes to make us right again.
XXVII 29:33 – 32:02
M: Mrs. Walker. What are you doing here?
MW: I thought it best to talk in person. Bring the mountain to Mohammed, as they say. Or do you not have time for your future mother-in-law? Typical Middleton behavior?
M: There’s a bonfire for the football team tonight. MW: Sports-driven university. Lovely.
M: I know why you’re here. And while I realize a prenup is a delicate subject
Mw: Now, there is nothing delicate about this. This is not emotional. This is business.
M: Actually, this is about my marriage to Aiden, so not business. MW: My husband and I built our company from the ground up. The first store eventually became ten, ten became fifty and now we run a multinational corporation. And while Aiden has decided to pursue a political career, which makes Robert and me very happy, this legacy will still belong to him. So you understand why we will not allow you to waltz in and reap the benefits.
M: I’m not marrying Aiden for his money. I’m marrying him because I love him.
MW: Well, that’s a beautiful sentiment. But it’s not one that I’ll bet my life’s work on.
M: I’m not signing the prenup. And it’s not because I want to take anyone’s money, but because I plan on staying married to Aiden for the rest of my life. That’s how seriously I take this commitment. MW: Either sign or I cancel the wedding. You sign, or I will make sure that you go back to that nasty, backwood, bayou swamp you came from, you stubborn bitch! You want to play? Let’s go. At least I know I was right about you now.
38:55 – 40:03
R: I I was just trying to do the right thing, for once. You’ve done everything for me, risked everything. I I didn’t want to hurt you or mess up your life any more than I already have. When he came to me, I thought
W: Her boyfriend!
R: I didn’t know he was her boyfriend! W: I would've told you if you just trusted me. R: I do trust you.
W: Do you? Because this…She’s setting us up. You do get that? Annalise doesn't do anything without some sort of plan. So her telling me Lila’s pregnant, then sending her boyfriend? Now she knows I lied
XXVIII to her. You should've told me.
R: I said I'm sorry.
W: I tell you everything. Things no one knows about me. R: I know.
W: You just went behind my back like it's nothing. R: I'm being honest now.
W: It's hard for me to believe that.
C: Waitlist! Open up! Dude. You should've told me you live in the ghetto. Could've met at my place. Am I interrupting something? R: Nope. I was just leaving.
C: Bitches be crazy.
S01E09 – WINTER FINALE: KILL ME, KILL ME, KILL ME 00:58 – 05:21
A: I know nothing. About you, us. S: Why are you doing this?
A: You knew she was pregnant. How stupid could you be? Bonnie? Of course she’d tell me.
S: All right, just Annie, wait. I lied, yes, but only because I was afraid you’d think I killed her.
A: Didn’t you?
S: No. God, no. Annie, please.
A: You lie so much, your words mean nothing to me. You mean nothing to me.
S: Will you just stop for one second?!
A: No! I’m done saving your ass! I’m done believing in you! I’m done loving you! Get out of this house!
S: I am begging you. Do not give up on me. A: I already have.
S: I’m your husband. I love you.
A: Get out of this house, or I’m gonna call 911! S: I am not leaving until you talk to me!
C: If one of these idiots touches my car, I’m gonna run them over.
It's Rebecca.
Don't leave me a message.
L: Still not picking up?
C: Hey, how do you know that she’s even at Annalise's? I mean, maybe she got hungry or went to score some drugs.
XXIX C: I know that that’s what you keep saying, but I’m suggesting otherwise. I mean, even if she’s there, what does it matter? We have to study. The exam
W: Sam killed Lila, okay? That’s why she’s going over there. She’s trying to prove it.
S: I’m not a violent man, Annie.
A: Everyone’s violent given the chance. S: No. Not me. You know that.
A: I tried to believe you this whole time. S: Just calm down.
A: I didn’t listen to myself. S: I am still the man you married.
A: You are not that man anymore! And I don’t think you ever were, which is why you chose me, isn’t it? I’ve been the window dressing for you, the black woman on your arm so you can hide, so that people only saw the good guy. And maybe it took me 20 years to see it, but I do now, I see it! And that’s why you killed Lila. Because she was pregnant, and you knew that if it got out, people would see you for the pathetic man you are!
S: If you think I killed her, why not just go to the police? Why get them to run a DNA test instead? It’s so you can cover your own ass, because that’s who you are, some scared little girl who pretends to be strong but is really just weak and selfish.
A: I did everything I could to protect you!
S: You’ve done nothing but make my life miserable! A: I’ve been screwing another man.
C: Wait. You’re serious? This isn’t a a joke? W: I don’t care if you believe me. Just drive faster.
C: Are you hearing this? I mean, why would Annalise defend Rebecca if she thought Sam was involved?
W: Because I said I’d go to the police if she didn’t.
C: Oh. Right. You blackmailed Annalise. The kid that was so scared that he almost crapped his pants on the first day of class. This is ridiculous.
L: Connor, shut up. You think Sam killed Lila? W: Yes.
C: Oh, this night just gets better and better.
A: His name is Nate. And, boy, is he good to me. He knows me, just what I like and how I like it. He knows how to make me scream and groan and sweat. And so I let him take me wherever he wants. On this counter, on my desk, in our bed.
XXX S: You hypocrite.
A: Just thinking about him right now makes me S: Shaming me for cheating all this time.
A: Which is how I could sleep with you all these months, because I would think about him and I’d be able to stand you on top of me! S: And I think of Lila every time I try to get off with you!
A: I bet you did. Killing her, huh? You enjoyed it, didn’t you? Strangling her? Feeling the life go out of her body? You still think about it, don’t you? Your hand around her neck while you were still inside of her. It’s exciting you right now, isn’t it? Remembering it? You want to do it to me now, don’t you? Go ahead. Kill me. Kill me. Kill me!
S: You’re a monster.
A: Monster, huh? Is that all you got? You can do better than that. S: You want the truth? You’re nothing but a piece of ass. That’s what I saw when I first talked to you in the office that day. ‘Cause I knew you’d put out. That’s all you’re really good for. Dirty, rough sex that I’m too ashamed to tell anyone about. That’s how foul you are, you disgusting slut.
A: Well, at least you were finally able to tell the truth. 06:40 – 12:52 *
M: Rebecca?
S: What is this? Why are you both here?
M: I’m just here to turn in the trophy. Is something wrong? R: Call Wes.
S: Unlock the door, Rebecca.
W: Michaela? Whoa, whoa. Michaela, slow down. Who’s fighting? M: Rebecca and Sam. I think he’s drunk.
S: Quit playing around and open the door. W: Is Annalise there?
M: No! And Rebecca’s locked herself inside their bedroom. S: What are you doing in there? What the hell is this?! W: Sam killed Lila, and Rebecca’s trying to prove it. S: Open the door, Rebecca.
M: Wait, wait, wait. Wait. What? C: I’d pay to see her face right now. M: No. What did you just say?
W: You can’t leave her alone with him. Promise me you won’t leave. S: Come out, or I’m calling the police.
M: Oh, my God! W: What’s he doing? M: I ah I
XXXI S: Open the door, Rebecca!
M: H-he’s just screaming. W: Michaela, talk to me.
M: Oh, my God. Oh, my God. Y-you need to get here. This is bad. W: Connor, go. Go.
M: Really, really bad.
S: I said open the damn door! W: What’s happening?
M: Oh, my God! Oh, my God! Oh, my God! Oh, my God! Oh, my God!
W: Michaela! Answer me! Michaela!
M: You have to get here right now! You have to get here right now! Please, Mr. Keating, stop! If you just calm down, we can figure this out.
S: Come out or I’m coming in! W: Stop!
S: Get out of my house.
W: Let her go, then we’ll leave.
S: She took my computer. What the hell is she trying to get?
W: I don’t know. Just calm down, and we’ll leave. Rebecca, it’s me. You can come out now.
R: Give me a minute. Okay, I’m coming. W: Good. I’m here.
S: What did you do?
R: Nothing. I didn’t find anything. W: We’ll leave now. Just let us go. S: I’m not gonna do anything M: Oh, my God! Get off! W: Grab it! Laurel!
M: Aah! Aaaaah! Aaaah! Oh, God. Oh, God, no. We need to call an ambulance.
C: Why? He’s dead. You killed him, Michaela. M: Me? H-he was coming at us.
C: Yeah, and he was alive, until you shoved him over the railing. M: I was protecting Laurel.
L: She was.
C: Fine. Then you both killed him. M: So did you, then.
C: No, no, no. I didn’t do anything.
L: It doesn’t matter what any of us did. We were all here, which means we’re all at fault.
C: What are you talking about?
L: Rebecca was stealing private information off of Sam’s computer. That’s a felony. And because we were all helping her, we could be
XXXII charged with felony murder.
C: No, no, no, no, no, no. No prosecutor would do that. We were defending ourselves.
L: We broke into his house. He was defending himself. M: I was just trying to turn in the trophy.
C: What?
M: I wasn’t part of your plan is all, so I C: There was no plan, okay? That was all her. R: I didn’t ask for anyone's help.
C: Fine. Then we can thank your boyfriend for that. M: Shouldn’t we be calling the ambulance?
C: I think you mean the police, idiot. He’s dead!
M: Fine. Then the police. But we can’t just sit here and do nothing. W: No. Think. No one knows we were here.
L: Annalise could be home any minute. W: Which is why we should leave. L: You want to run?
W: I’m just saying he fell after drinking too much. C: My car is outside. Anyone could’ve seen it. W: Your car’s here all of the time.
M: No, we should call the police and tell them everything. W: But Rebecca can’t afford to
M: I don’t care about Rebecca right now! I care about my future! W: But you did this! Just like we all did. He’s dead because of all of us. And maybe that’s okay. He killed Lila and was gonna let Rebecca go down for it. It’s not
M: Oh, my God! L: Do something! M: Get him off her! L: Do something!! M: He’s dead. He’s dead. C: We have to go Right now.
M: He’s dead. He’s dead. He’s dead. 23:00 – 24:00 *
C: So, what’s the plan here? Are we gonna chop him up into bbq-friendly pieces now, or are we gonna wait till he’s broiled to a crisp? W: We’ll roll him in the rug, deal with it in the woods.
C: Good times. Little help? Happy to. L: You are not about to call Aiden! M: No.
L: You sure about that? If you call him, the cell tower will place you in this house.
XXXIII M: I know, okay? I’m not stupid. Look, I-I’m not gonna call him. Can I please just have my
L: This is scary. I know. And believe it or not, I know you, how much you like to be in control. But right now, you need to accept that this situation isn’t one we can control. So we just need to switch off our brains and go along with the plan. Can you do that?
M: Yeah. And don’t talk to me like I’m a child. 31:26 – 32:08
M: I said wait! My ring might be in one of those! C: Enough about the ring, Frodo!
L: We are not going through every bag.
W: I’m telling you, this is a bad idea. You’re listening. We need to get to an incinerator and find
C: I heard you! All night. I’m sorry, but you’ve been outvoted on this one.
M: Aah! God! Oh, God! C: Oh, grow up!
L: That’s it. There’s no more. C: Same time next week? L: Can we please just go?
C: Train’s leaving, Waitlist. You coming? 32:53 – 33:35
W: Rebecca? You in there? R: Morning.
W: Where’d you go?
R: Uh okay, well, let’s see. I have a bagful of bagels and two coffees, so
W: Where’s the thumb drive?
R: It’s right here. What are you doing? Why the hell did you do that?! W: Because we can’t use it.
R: Are you crazy? This is what proves that Sam killed Lila. W: It also proves we were at his house last night.
R: So, what? This was all for nothing? W: Don’t think about that.
XXXIV S01E10 – HELLO RASKOLINKOV
05:50 – 08:07
W: They don’t know anything.
M: Really? ‘Cause last I heard, we were all being interviewed by the police.
W: Because we work at her house. We need to stay calm, stick to the story.
C: How do we know she’s not setting us up, you know? That she knows everything, and she’s using these interviews to get one of us to confess. I mean, how do we know that the campus cop didn’t call her last night and say, “oh”
W: Connor.
C: What if one of us cracks, hmm, goes to the police and tries to get a lesser charge?
L: Then the rest of us will pin everything on that person. It’s four against one, so don’t even try it.
C: Mommy’s home.
A: What are you all doing out here?
M: The police asked us to wait outside. We didn’t want to get in their way, which reminds me, are we gonna be excused from the final exam now that we’re involved in the investigation?
A: Not a chance, Ms. Pratt. Exam’s still on. Mr. Gibbins, my office. They’re wearing their paranoia on their sleeves.
W: Do you blame them? Please, just let me tell them. A: No.
W: If they knew you were helping us I’m not helping you.
A: I’m helping myself. I’m the woman who came home to find her cheating husband dead on the floor. Who’s the first person you think the cops are gonna look at? The only way they’re gonna get through the interviews is if they know as little as possible about my involvement. That includes Rebecca.
W: I haven’t told her.
A: Good. Look what happened the last time you told her one of our secrets. Look, look. Everything is gonna be fine, okay? We’ll run the DNA test. It’ll show that he was the father, and then hopefully, the laptop will prove that he was on the roof of the sorority house.
W: What if it doesn’t?
A: It will. It will. And then we’ll get the charges against Rebecca dropped. Look at me. I’ve seen how strong you can be, and that’s the Wes I need for you to be right now, to help the others.
XXXV 15:21 – 16:28
C: Hello, Raskolnikov. “Crime and Punishment”, the guilt eats away at him until he goes cray, and then he turns himself in.
W: No one here is Raskolnikov.
C: Look, I’m just saying that we should get drunk, enjoy our last days of freedom before Annalise gives us up.
W: How would Annalise know anything?
C: I don’t know. I mean, maybe Laurel told her boyfriend.
L: I didn’t tell Frank, okay? And Wes is right. No one knows anything.
C: Except the campus cop, right I mean the one that saw us carrying the body out of the house. He knows some stuff.
W: Everyone needs to calm down. Let’s just focus on this case like we would any other.
M: Our case is a wash. We have nothing.
R: You do know that I’m sitting right here, right?
C: Here’s the thing: even if we can prove that Lila was pregnant with Sam’s baby, that’s not a motive.
L: It is if she told him she was gonna have it. C: Which we have no proof of!
R: Lila asked me what clinic I get my birth control at.
C: She was pregnant, idiot. She clearly wasn’t on birth control.
R: No, but she asked me the week that she died, when she would have already known she was pregnant. Lila would have been weird about getting an abortion. Maybe Sam wanted her to get one. That’s why she asked about the clinic. That would prove motive, right?
W: What’s the name of the clinic? 29:51 – 31:28
M: They know. C: Who?
M: The police. They’re acting like they don’t know, using reverse psychology to make us feel like we're getting away with it, but
C: Okay. Calm down.
M: Look, you were right. Look, everything we did that night is defensible. Rebecca went to the house alone. When he attacked her, we were simply defending her, and after, we were suffering from PTSD.
C: What about Aiden?
M: I’ve reinvented myself before. I can do it again. I’ll change my name. I’ll write crime fiction or be a housewife. Okay, not a housewife, but if there’s one thing I know how to be, it’s smart.
XXXVI F: Hey, look who is the hypocrite.
L: What?
F: You’re really gonna play dumb? You got the nerve to treat me like scum for lying about Sasha after what you did?
L: Frank, I have no idea what you’re talking about.
F: Wow. Keeping lying that good, you might actually get away with this.
M: We need to talk to you. L: I can’t right now. Just
C: Listen to what we have to say, or we sell you out. 34:33 – 35:13 *
C: It’s not what we want to do, either, but we have to. We have to turn ourselves in and put this on them.
M: We can go to the police tonight.
L: We just proved Sam’s the murderer. We’re in the clear.
M: No, that only means that they’re gonna be more hell-bent on finding him.
C: The fact that he’s a murderer helps us, Laurel. They’ll be more lenient with us if we turn ourselves in.
M: Please. Laurel, we didn’t do this. L: Okay. I’m in.
35:35 – 38:20 *
C: You’re quiet. What’s the matter? Not in the mood to confess to murder?
L: I’m fine. C: What?
M: What are they doing here? C: Told you she knew.
M: But how could she know we were coming here right now?
L: I had to. Frank came to me. He knows everything, which means Annalise knows, because you told her, right?
W: No. L: Stop lying. W: I’m not lying.
L: Connor and Michaela are gonna confess. They’re gonna confess and pin it on you and Rebecca, so, please, tell me the truth.
W: They’re scared and paranoid, and I don’t blame them, but they won’t listen to me. They’ll they’ll only listen to you. Please. I can’t do this anymore. I don’t know how, but you have to tell them.
XXXVII A: Mr. Walsh. It doesn’t matter how I know. I just know. But I can give you a million reasons why this plan won’t go your way, or you can just trust me. Listen, you’re scared. I know. I understand. And what you’ve been through there’s nothing more horrible. But, listen, I don’t blame you. If I did, I would have turned you in the night that it happened. Let me help you. Let me help you. Because if you do I promise you all get away with this.
S01E11 – BEST CHRISTMAS EVER 01:50 – 04:12
B: Hi. How was your trip? A: Where is she?
B: Upstairs. Hi.
Hannah: The Petersons still have that swing set that Sam and I used to play on when we were kids, even though their own children moved out, what?, 30 years ago.
A: Mrs. Peterson is still there. Garrett died last fall. Hannah: You’ve been avoiding me.
A: No.
Hannah: Well, you haven’t answered my phone calls. A: Well, I went home. I had to get my head together.
Hannah: To your mother’s house. Bonnie said. How is she? A: She’s good.
Hannah: I can’t remember the last time Sam mentioned that you visited her.
A: Well, it’s been a while.
Hannah: Annalise, can we please not do this? A: I don’t know what you mean.
Hannah: Can you at least tell me if you’re concerned about him? A: Of course.
Hannah: Then why leave? When a person goes missing A: Fled, you mean?
Hannah: Either way, you don’t leave. You stay. You put up posters. But you stay so that you’re there when they come back.
A: He’s not coming back.
Hannah: How do you know that?
A: He killed a girl. He doesn’t want to go to jail.
Hannah: How do you know? Did he tell you? The detectives say that you confronted him, but he didn’t confess anything.
XXXVIII Hannah: If you were my wife and a defense attorney, yeah, you bet I would.
A: Well, you’re not a killer. He is.
Hannah: What about foul play? Why isn’t that the first thing you think of foul play, that that maybe he’s been hurt? None of this makes any sense, Annalise. Did you know I I was with him the day after that girl was killed Lila. We spent the entire Labor Day weekend together. We we went over, we had lobsters at Hemingway’s, and he helped fix the screen door on my front porch, and we talked about you, about how much he wanted that new job at Yale, and how he really thought that a fresh start would be really, really good for the both of you. How could he have done all those little things a-after he had just strangled a girl to death?
A: I don’t know. People don’t make sense. Hannah: W-what is this?
A: That’s the evidence that I presented to the court to prove that he killed that girl. You read it, and then you’ll understand what I’ve been going through.
Hannah: Whatever’s in that box, that’s not my brother. A: He is not the man we thought he was.
14:00 – 14:32 *
L: I know you probably can’t tell me what you’re doing about Sam’s sister.
F: You’re right, so don’t ask.
L: But I was also thinking about Connor’s car. F: What about it?
L: It’s loaded with forensic evidence. And no matter how many times he gets it cleaned
F: This is how you get caught. By being dumb enough to talk about any of this inside a courthouse. So sit quiet at the kiddie table and know the adults are taking care of things.
Ash: Oh, Franky D! Hey, you want to hit up the squeaky Z tonight? Been a solid week since we blew some backs out.
F: It depends on work.
Ash: All right, son. You let me know, yo. 16:24 – 17:08
A: Do you want to come in?
Hannah: Who are we visiting? Your boyfriend? Well, if you won’t talk to me, I have no choice but to find answers to my questions in more unorthodox ways.
XXXIX A: By stalking me?
Hannah: Call it what you want.
A: It must feel good, huh, knowing you were right about me this whole time?
Hannah: I’ve only ever loved you, Annalise.
A: No, you just tolerated me, because you’ve been too busy tearing me apart, waiting for Sam to throw out the garbage he married.
Hannah: Your words reveal a lot more about what you feel about yourself right now than me.
A: I’m not one of your patients, so don’t try to psychoanalyze me. Hannah: God forbid, no.
A: So, sure you don’t want to come in? Hannah: No. I’m good out here. Suit yourself. 31:04 – 32:42
L: We can’t just go back to being strangers like nothing ever happened.
M: This is stupid. I’m going inside.
L: Michaela. What happened to you over the break? Everything can’t be as perfect as you said.
M: I’m fine.
L: No, you’re pretending to be fine. But how could you after what we did?
C: That’s enough group therapy for me.
L: Connor, unless we all start talking, we are all gonna fall apart, and that is exactly how we’re gonna end up in jail. I got back together with Kan. I am trying to get over Frank. I saw my family over the break. It was the worst thing ever. So I actually missed you guys. You? What’s going on with you?
W: I can’t sleep without having nightmares. I’m scared I might be going crazy.
C: Great. That’s great. L: Connor
C: No. Look, you wanted to talk. Let’s talk about how you lied to Michaela and me, how you sold us out to Annalise. You want to talk about that?
M: Don’t drag me into this.
C: No, we’re on the same team, Michaela. But these two I mean, w-w-what did Annalise call them, the the the quiet ones, the dangerous ones? I mean, for all we know, they’re still playing us.
L: Playing you? See? You just proved my point. That is exactly why we have to talk.
