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Reading of the compositional geometries for the knowledge of the architectural work. The integrated survey of the bell tower of the Pietrasanta Cathedral.

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BOOK

WEEK

DIDA

RESEARCH

A walk through

the research

paths of the

Department of

Architecture

of Florence

2018

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BOOK

WEEK

DIDA

RESEARCH

A walk through the research

paths of the Department of

Architecture of Florence

(3)

Printed on pure cellulose paper Fedrigoni Arcoset

didapress

Dipartimento di Architettura Università degli Studi di Firenze via della Mattonaia, 8 Firenze 50121 © 2019

ISBN 9788833380629

graphic design

didacommunication lab

Dipartimento di Architettura Università degli Studi di Firenze Susanna Cerri

Stefania Aimar Federica Giulivo Simone Spellucci

(4)

486

research map | research map | dida research programs

Architectural and Environmental

Survey and Representation

RESEARCH AGREEMENT Scientifi c Coordinator Barbara Aterini Address Santa Teresa via Mattonaia 8 Firenze, Italy Research Group Barbara Aterini Mauro Giannini Cecilia Luschi Laura Aiello Alessandro Nocentini Enrico Venturini

The exterior of the bell tower of Pietrasanta is in bricks but the irons on the façade

sug-gest that the marble cladding similar to that of the cathedral was envisaged. In the inner

part a singular spiral staircase, carved in the wall section, ascend in a helical path and it’s

wraps around the ideal axis of the bell tower. So this spiral generates an eye that behaves

like the stem of a column, represented here by the void: a grandiose sculpture in

nega-tive to volume coclide. A Renaissance architecture (1519) of the highest value; an

inven-tion in which the extraordinary geometrical complexity that accompanies a brilliant

tech-nological-constructive wisdom makes Michelangelo Buonarroti hypothesize as its

archi-tect, given also the congruity of this architecture with its sculptural principles, as well as

its presence on site in those years.

The research has dealt with the integrated survey of the tower bell with the aim of

re-search its precise geometries, analysing it since from the construction site thanks also

to the measurement system used. The agreement with the Curia of Lucca was

stipulat-ed for the three-dimensional survey as a control carristipulat-ed out for the purpose of restoration

that the bell tower must undergo.

Reading of the compositional geometries

for the knowledge of the architectural work

The integrated survey of the bell tower

of the Pietrasanta Cathedral

PUBLICATIONS

Barbara Aterini, Geometria e misura nella torre

campa-naria di Pietrasanta: una conferma dal rilievo tridimen-sionale, in Bartoli, M.T. (a cura di), Le ‘Misure’

dell’ar-chitettura, Disegnare Con, volume 8/n.15-Luglio 2015, pp. 17.2-17.14.

Barbara Aterini, Il Campanile del Duomo di Pietrasan-ta: dalla complessità alla semplicità dell’idea proget-tuale’ - English text: ‘The bell tower of the Cathedral in Pietrasanta: from the complexity to the simplicity of the design concept’. In: ‘DISEGNARE Idee Immagini’, n.47/2013, Gangemi Editore, Roma.

Barbara Aterini, Michelangelo e la visione scultorea dell’architettura’.In: E. Venturini ‘Michelangelo. Il se-greto del campanile di San Martino. A Pietrasanta la mano di un genio nell’innovativa scala dall’architettu-ra rivoluzionaria?’, Petdall’architettu-rartedizioni, Pietdall’architettu-rasanta (LU), febbraio 2013, pp. 432-437.

Barbara Aterini, La rappresentazione scientifica del ri-lievo in architettura. In E.Venturini, Michelangelo. Il se-greto del campanile di San Martino. A Pietrasanta la mano di un genio nell’innovativa scala dall’architettu-ra rivoluzionaria?, Petdall’architettu-rartedizioni, Pietdall’architettu-rasanta (LU), 2013, pp. 438-441.

Barbara Aterini, Il vuoto svela il progetto. Prefazione. In E. Venturini, Michelangelo. Il segreto del campani-le di San Martino. A Pietrasanta la mano di un genio nell’innovativa scala dall’architettura rivoluzionaria?, Petrartedizioni, Pietrasanta (LU), 2013, pp. 36-39. Barbara Aterini, Le geometrie nascoste nel campani-le del Duomo di San Martino a Pietrasanta. In AA.VV., ‘Actas 13 Congreso Internacional de Expresion Grafi-ca ArquitectoniGrafi-ca’, Universitat PolitecniGrafi-ca de Valencia editorial, Valencia (Es), maggio 2010, pp. 59-64. Barbara Aterini, Il vuoto svela il progetto. In Firenze Architettura, Architettura e ambiente: rilievo e do-cumentazione, n. 1, anno XIII, 2009, pp. 110-115, eng-lish text: The Empty discloses design (pp. 143-144); a stampa e in http://www.unifi.it/unifi/progarch/fa/ fahome.htm.

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