The Digital Documentation of the Florentine Complex of Santa Maria Maddalena De’ Pazzi

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Lecture Notes in Civil Engineering

Putting Tradition

into Practice:

Heritage, Place and

Design

Giuseppe Amoruso Editor

Proceedings of 5th INTBAU International

Annual Event

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Lecture Notes in Civil Engineering

Volume 3

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Lecture Notes in Civil Engineering (LNCE) publishes the latest developments inCivil Engineering - quickly, informally and in top quality. Though original researchreported in proceedings and post-proceedings represents the core of LNCE, editedvolumes of exceptionally high quality and interest may also be considered forpublication. Volumes published in LNCE embrace all aspects and subﬁelds of, aswell as new challenges in, Civil Engineering. Topics in the series include: – Construction and Structural Mechanics

– Building Materials

– Concrete, Steel and Timber Structures – Geotechnical Engineering

– Earthquake Engineering – Coastal Engineering

– Hydraulics, Hydrology and Water Resources Engineering – Environmental Engineering and Sustainability

– Structural Health and Monitoring

– Surveying and Geographical Information Systems – Heating, Ventilation and Air Conditioning (HVAC) – Transportation and Trafﬁc

– Risk Analysis – Safety and Security

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Giuseppe Amoruso

Editor

Putting Tradition

into Practice:

Heritage, Place

and Design

Proceedings of 5th INTBAU International

Annual Event

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Editor Giuseppe Amoruso Design Politecnico di Milano Milan Italy

ISSN 2366-2557 ISSN 2366-2565 (electronic) Lecture Notes in Civil Engineering

ISBN 978-3-319-57936-8 ISBN 978-3-319-57937-5 (eBook) DOI 10.1007/978-3-319-57937-5

Library of Congress Control Number: 2017943072 ©Springer International Publishing AG 2018

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Organization

Partnered by

Soprintendenza Archeologia, Belle Arti e Paesaggio per la città metropolitana di Milano

Politecnico di Milano Scuola del Design, Dipartimento di Design

With the Patronage of

U.I.D. Unione Italiana del Disegno

Agenzia Italiana per la Cooperazione allo Sviluppo Commissione Nazionale Italiana per l’UNESCO

Scientiﬁc Coordinator

Giuseppe Amoruso Politecnico di Milano

Program Committee and Reviewers

Robert Adam INTBAU UK, Adam Architecture, London Giuseppe Amoruso Politecnico di Milano, INTBAU Italia Pablo Álvarez Funes Universidad del País Vasco, Intbau Spain Anna Anzani Politecnico di Milano

Paolo Belardi Università degli Studi di Perugia Carlo Berizzi Università degli Studi di Pavia Fabio Bianconi Università degli Studi di Perugia

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Mario Bisson Politecnico di Milano Cristina Boeri Politecnico di Milano Cecilia Bolognesi Politecnico di Milano Fausto Brevi Politecnico di Milano

Stefano Brusaporci Università degli Studi dell’Aquila Pedro-Manuel

Cabezos Bernal

Universidad Politécnica de Valencia Marco Canciani Università di Roma Tre

Vito Cardone President Unione Italiana del Disegno, Università degli Studi di Salerno

Mario Centofanti Vice President Unione Italiana del Disegno, Università degli Studi di L’Aquila

Luisa Collina Politecnico di Milano Luciano Crespi Politecnico di Milano Claudio D’Amato Guerrieri Politecnico di Bari Claudine Déom Université de Montréal Roberto Depaolis Politecnico di Milano

Özgür Dinçyürek Eastern Mediterranean University Famagusta, INTBAU Cyprus

Francesco Di Paola Università degli Studi di Palermo Richard Economakis University of Notre Dame Audun Engh INTBAU Scandinavia Ruth Equipaje INTBAU Philippines Giuseppe Fallacara Politecnico di Bari Davide Fassi Politecnico di Milano

Francesca Fatta Università degli Studi Mediterranea di Reggio Calabria

Marco Filippucci Università degli Studi di Perugia Marco Gaiani Università di Bologna

Ángela García Codoñer Universidad Politécnica de Valencia Alejandro Garcia Hermida Universidad Alfonso X el Sabio de Madrid Paolo Giandebiaggi Università di Parma

Gaetano Ginex Università degli Studi Mediterranea di Reggio Calabria

Luca Guardigli Università di Bologna Belén Hermida Universidad CEU San Pablo Tomasz Jeleński Cracow University of Technology,

INTBAU Polska Mohammad Arif Kamal Aligarh Muslim University Massimiliano Loturco Politecnico di Torino Joaquin Angel

Martinez Moya

Universitat Jaume I Pietro Marani Politecnico di Milano Ettore Mazzola University of Notre Dame Anna Mazzolini Aarhus University

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Michael Mehaffy INTBAU USA

Giampiero Mele Università degli Studi E-Campus

Guglielmo Minervino Università degli Studi Mediterranea di Reggio Calabria

Michele Morana Agenzia italiana per la cooperazione allo sviluppo Marco Muscogiuri Politecnico di Milano

Pablo Navarro-Esteve Universidad Politécnica de Valencia Ubaldo Occhinegro Politecnico di Bari

Daniela Oreni Politecnico di Milano

Jose Carlos Palacios Gonzalo Universidad Politecnica de Madrid Elisabetta Pallottino Università di Roma Tre

Leonardo Paris Università di Roma La Sapienza Marianna Pasetto Politecnico di Milano

Frida Pashako Epoka University of Tirana Julio Cesar Perez INTBAU Cuba

Silvia Piardi Politecnico di Milano Giovanna Piccinno Politecnico di Milano Josè Pinto Duarte ISCTE-IUL-Lisbon

Valentina Pica Red para el Reuso Social del Patrimonio Histórico Sergio Porta University of Strathclyde

Deependra Prashad Intbau India

Fausto Pugnaloni Università Politecnica delle Marche Paola Puma Università degli Studi di Firenze

Savita Raje School of Planning and Architecture, Bhopal Antonella Ranaldi Soprintendenza Archeologia, Belle Arti e

Paesaggio per la città metropolitana di Milano Ernest Redondo Dominguez Universitat Politècnica de Catalunya

Ombretta Romice University of Strathclyde Andrea Rolando Politecnico di Milano Michela Rossi Politecnico di Milano

Michele Russo Università di Roma La Sapienza Alireza Sagharchi Stanhopegate Architecture, London Rossella Salerno Politecnico di Milano

Alberto Sdegno Università di Trieste Giovanna Spadafora Università di Roma Tre Lucien Steil University of Notre Dame José Antonio Franco Taboada Universidade A Coruña

Gabriele Tagliaventi Università degli Studi di Ferrara Lucia Toniolo Politecnico di Milano

Ana Torres Barchino Universidad Politécnica de Valencia Raffaella Trocchianesi Politecnico di Milano

Vera Viana Aproged, Alto Douro University

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Antonella Violano Università della Campania

Aura Woodward Fundatia Printul de Wales Romania João Pedro Xavier FAUP Porto

Samir Younés University of Notre Dame Luca Zavagno Bilkent University Ankara

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The Digital Documentation of the Florentine

Complex of Santa Maria Maddalena De’ Pazzi

Matteo Bigongiari(&)

Department of Architecture (DiDA), University of Florence, Florence, Italy matteo.bigongiari@gmail.com

Abstract. The theme of the Documentation for the Conservation of Architec-tural Heritage is more current than ever on the international scene. The text speaks of the documentation project of the religious complex of Santa Maria Maddalena de’ Pazzi, located in the historic center of Florence; this is a subject on which to test protocols for making reliable digital three-dimensional surveys, with laser scanners and S.f.M. technologies, which could be used as a basis on which to return the necessary analysis to the preservation and restoration of the monument. Towards the hypothesis of an integrated survey the intent is to deﬁne methods of management and use of models in order to obtain processed two-dimensional useful to the preservation of architectural heritage.

Keywords: Laser scanner survey

_!

S.f.M. survey

_!

Santa maria maddalena de’ pazzi

_!

Drawing

1 Introduction

The documentation project of the complex of Santa Maria Maddalena de’ Pazzi began in 2015 as a research topic within the academic class held by Professor Bertocci and Professor Minutoli1_{. The topic is important for the Superintendent of architectural}

heritage which is monitoring the preservation of this monument, especially due to the signiﬁcance of the monument within the artistic and architectural heritage of the city of Florence. From the thirteenth century the church was born and grew more and more, collecting works of art by artists and projects of the greatest Florentine architects such as the fresco by Perugino, the cloister of Sangallo and the fresco on the ceiling of Chiavistelli2_.

The church of Santa Maria Maddalena de’ Pazzi hosted a monastery of nuns founded in 1256–57; it was dedicated to St. Maria Maddalena La Penitente and still stands today along the medieval street called Borgo Pinti, which at the time was outside the perimeter of the city walls. The Gothic building, which at that time had a rectan-gular hall, forms the core of the present church: its pointed arches are still visible on the southern exterior wall of the church. In 1321 the monastery passed to the Cistercian

1_{The data acquisition campaign began in April 2015 as a seminary within the architectural survey}

course held by Professor Bertocci and involved 20 students coordinated by the writer; after completing the survey students have continued to study the monument inside of restoration exams held by Professor Minutoli integrating the diagnostic, structural and deformation analysis.

2_{Many works were stolen by Napoleon and are now in France.}

©Springer International Publishing AG 2018

G. Amoruso (ed.), Putting Tradition into Practice: Heritage, Place and Design, Lecture Notes in Civil Engineering 3, DOI 10.1007/978-3-319-57937-5_53

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order and changed its name in Santa Maria Maddalena of Cestello3_{. After 1481 the}

complex had a big renovation: they built a new main chapel with behind it a chapel of the choir and twelve chapels distributed to the sides of the nave, as well as a dining hall, two dormitories and a porch that gave access to the church. The porch was probably designed by Giuliano da Sangallo. In 1628, under Pope Urban VIII pressure, Cister-cians moved in the current Cestello church in San Frediano, while in the complex, which was dedicated to Santa Maria degli Angeli, settled the Carmelite nuns. After the canonization of the nun Maria Maddalena de’ Pazzi, which occurred in 1669, the complex was renovated with a new main chapel and the ceiling painted by Chiavistelli like a quadrature. When Florence was the capital, part of the monastery was destroyed to allow the widening of Via della Colonna; the preserved part was converted into a school. Since 1926 it became the ofﬁcial church of the French colony in Florence and after the flood of 1966, the French Government has contributed to the restoration of the complex.

2 Objectives

The church and the complex have been the subject of numerous studies in the University of Florence; The recent restoration, which affected particularly the covers and attics, have necessitated an update of the surveys, which have however been conducted only with direct survey tools. The technological development in the ﬁeld of survey and documentation, which occurred over the past decade, led to seek further progress on the morphological study of the complex, creating three-dimensional digital surveys that fully describe the building.

The research aim is to provide a database of documents and drawings that are useful for the preparation of all the analysis, diagnostic and structural one: a mor-phological data therefore to base the knowledge of the monument. The survey in this case stands as the ﬁrst approach necessary to the understanding of the object in analysis; since the project’s aim is to describe the state of materic and structural conservation, in order to pursue a coherent research, it was necessary to comply with methodological protocols, that would guarantee the metric reliability in all of the digital survey phases, and process a large number of drawings order to describe all the architectural surfaces (Fig.1).

This documentation project was an opportunity to continue a line of experimen-tation aimed at achieving a three-dimensional model of reliable points4(in the order of centimeters) even in the absence of topographic control points, but using only one laser scanner instrument, speeding up this way the phase of data acquisition.

Towards the hypothesis of an integrated survey, it was placed as the target to connect the database from the laser survey with three-dimensional models obtained by S.f.M. technologies and to deﬁne certain quality standards on the mesh model (Fig.2).

3_{The name come from Citeaux, in latin Cistercium.}

4_{In this case the goal was to get a reliable survey up to the centimeter.}

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3 Methods

The documentation project involved the use of different digital survey methodologies such as the laser scanner survey and the SfM survey. The laser survey was used to provide metrics and morphological information regarding the environments to create a 3D model, made up of points, describing in toto the complex; the survey achieved by S. f.M. technologies has integrated textural information of the individual architectural elements, which are essential for further considerations concerning the superﬁcial and structural state of conservation of the masonry walls.

As already said the purpose of the documentation was to provide a set of drawings where to put all diagnostic studies, which is why it was necessary to choose a suitable representation scale. The choice of the representation scale is crucial to determine the density of the information needed to be captured during the survey work: for the

Fig. 1. Recorded total point cloud of the complex

Fig. 2. Total point cloud sectioned at 1.5 m height, used to redraw the planimetry of the complex

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restoration of buildings designs must be submitted in 1:505 _{by law. Red during the}

survey work: for the restoration of buildings designs must be submitted in 1:50 by law. Once it was clear the level of detail to get it was possible to design an appropriate laser survey campaign. The Models Laboratory of the University of Florence has available a scanner Z + F Imager 5006 H, which allows the fast acquisition of point cloud made of several points. About 150 scans were performed within the whole complex that allowed to describe morphologically the church, the cloister, the sacristy, the crypt on the lower floor and the gatter of the church hall. Each scan is not far from the next one more than 7 m and creates a point cloud with mesh acquisition, at the distance of 10 m, of about 7 mm, so as to have each masonry described by at least one point every centimeter; as the only exception some scans were carried out inside the hall of the church: with the intent to properly documenting the quadrature of Chiavistelli, the distance between two points does not exceed 0.5 cm. The acquisition phase has been designed taking into account the subsequent recording phase of the survey: in this case, considering the amplitude of the rooms, the dense mesh of points acquired and the close pitch of the scans, it is preferred to use the combination of black and white target, each identiﬁed by its own alphanumeric code, and a well-recognizable architectural points added man-ually6_{. Where there was narrow links between two rooms reciprocal scans were used in}

order to maintain the reliability even where there was not to many points in common7_.

During the phase of the detection recording, in the ﬁrst instance a pre-alignment of the scans was performed on the basis of the target and of the morphological points, afterwards the recording error was improved by adding the cloud-constraint between the contiguous laser stations8_{. The general model obtained was subjected to quality}

control; despite the nominal error of the instrument on the single scan points does not exceed a millimeter, it has been necessary to cut at several points the cloud, with horizontal and vertical planes, in order to verify that there were no differences between the section wires of different scans9_{. The testing phase of a survey is essential for the}

reliability of the work: an overall point cloud can apparently seem well recorded, instead it is easy especially in the higher points have deviations greater than those that

5_{Mario Docci [}₅_{] tells us that “it is not possible to delineate and visually appreciate lines in a thickness}

of less than two or three tenths of a millimeter”; the error of the scale of representation falls in the thickness of the pen, then becomes for the scale 1:50 1.5 cm.

6_{Targets were manually positioned at a height relative to the floor surface that varies between 0.5 m}

and 2 m, not giving in this way a fairly large delta between the control points along the Z axis: thereby blocking efﬁciently the rotation in the XY plane but allowing even with small displacement errors of the target large zenith angle rotation errors; the morphological control points serve precisely to block the rotation of the portions of masonry higher, adding additional constraints along the vertical axis.

7_{The concept of reciprocal scanning is derived from the topography, or by the mutual reading or}

married in the collimation of a point; See [8, 9].

8_{Once added to the target cloud-to-cloud, the weight of the morphological control points and the}

center of mass changed, whereas a point architecture is less reliable compared to a target recognized by the software, it must be conferred then minor importance and this.

9_{The offset error of the sections for the 1:50 scale must not exceed 1.5 cm; in this case it was possible}

to obtain a model with less than one centimeter error.

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may be acceptable; a misregistration of the model comes at the expense of all the next redrawing (Fig.3).

To easily manage the database, it was helpful to divide the total cloud layers by assigning a level to each scan; so it was possible to display, from time to time, only the scans that were useful to describe the portions of the monument to analyze. The total model obtained allowed us to extract all the sections needed to describe the surfaces of our building10_.

In parallel to the laser scanner survey it is a photographic survey campaign was carried out ﬁnalized to the creation of textured three-dimensional models. The acqui-sition by S.f.M. technologies has greatly developed in the last few years, far as to propose it as expeditious tool to use instead of the laser scanner for measurements up to 1:100 scale; in our case it has affected all areas of the complex already detected by the laser instrument. Today softwares are able to obtain such high quality 3D models, they could not, however, by their nature, being passive instruments, to confer to the space directly dimensions in metric units. As stated purpose of the research was to obtain the morphological basis to support diagnostic analyzes, which is why the three-dimensional models of the rooms have been made on an appropriate scale11_.

Fig. 3. Processing through SFM methodologies: in this case we see the level of detail obtained from the model texture of a vaulted structure richly painted inside one of chapels

10_{The extraction of the sections takes place through the consolidated process in the years rasterization}

in orthoimage of the cloud of points to proper deﬁnition; See [8, 9].

11_{For the scale of 1:50 is used by convention the ratio of six pixels per centimeter during the}

acquisition of frames.

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1:50 scale representation are accepted models with less than 1.5 cm error. Each room was dealt on different model in order to allow adequate deﬁnition of the texture; after having scaled the model based on the new coordinates of points system it is still hypothesized to bring together the various rooms into a single 3D by simply copying and pasting the various results into a single worksheet.

After the acquisition phase the survey and recording, it began the elaboration of the two-dimensional drawings, by university students. Concerning the wireframe drawing of the sections, the work was designed to be carried out on CAD sheets standardized, divided by layers, created ad hoc for the analysis in building; in this way the main projections and the individual architectural elements were detected with closed poly-lines. The wireframe drawing has been integrated with the orthophoto extracted from PhotoScan, always verifying the correspondence between photomap, drawing and point cloud (Fig.4).

4 Conclusions

The documentation project of the complex of Santa Maria Maddalena de’ Pazzi has provided another example of how you can create a point cloud without the use of total station and keeping under control the registration error; the study on photographic models has allowed us to understand the importance of working properly mesh model on speciﬁc software, in order to have a more reliable 3D on which to place the texture coming from the photographs.

Future developments in the documentation will lead to integration of diagnostic data and structural survey so as to expand the knowledge of the building and to have a general indication of its state of preservation. For the purposes of understanding of the static and structural behavior of the complex it will be important to study the infor-mation concerning the evolution of the building through appropriate stratigraphic studies concentrated especially in the areas of the attics where the traces of the pre-ceding plants of the monument are still visible. They have yet to be explored in the survey and in the redesign some environments such as attics, which are hardly accessible, and methods for the detection of the ceiling frescoes by Chiavistelli.

References

1. Luchs A (1977) Cestello. A cistercian church of the ﬂorentine reinassance. Garland Publishing Company, New York

2. Matracchi P, Cutruzzolà A (2013) La chiesa di Santa Maria Maddalena de’ Pazzi a Firenze. Trasformazioni tardo quattrocentesche e preesistenze medievali. In: Conforti C, Gusella V, (eds) Aid Monuments. Conoscere, progettare, ricostruire. Perugia, 24–26 maggio 2012. Aid Monuments. Conoscere, progettare, ricostruire. ARACNE editrice, Roma, pp 291–300 3. Merlo A (2010) La capella Maggiore di Santa Maria Maddalena de’ Pazzi nell’omonimo

convento ﬁorentino: un esempio tardo seicentesco di architettura versus coelum. In: Mandelli E, Lavoratti G, Dipartimento di Architettura: DSP, Facoltà di Architettura di 514 M. Bigongiari

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Firenze, 17–19 settembre 2009. Disegnare il tempo e l’armonia. Il disegno di architettura osservatorio nell’universo. Alinea editrice, Firenze, pp 220–225

4. Bertocci S, Bini M (2012) Manuale di Rilevamento Architettonico e Urbano. Città Studi edizioni, Torino

5. Docci M, Gaiani M, Maestri D (2010) Scienza del disegno. Città Studi edizioni, Torino 6. De Luca L (2011) La fotomodellazione architettonica. Dario Flaccovio Editore, Palermo 7. Bertocci S, Minutoli G, Pancani G (2015) Rilievo tridimensionale e analisi dei dissesti della

Pieve di Romena. Disegnare con, 8/14-gennaio2015.http://www.disegnarecon.univaq.it

8. Bertocci S, Minutoli G, Mora S, Pancani G (2015) Complessi religiosi e sistemi difensivi sul cammino di Santiago de compostela: rilievi ed analisi per la valorizzazione e il restauro della cattedrale di Santa Maria la Real a Sasamòn. Firenze

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Author Index

A Adduci, Valentina,1201 Agiel, Ahmed,1394 Amoruso, Giuseppe,769 Anzani, Anna,1473 Arena, Adriana,181 Augelli, Francesco,1271 B Baratin, Laura,1455 Barba, Salvatore,475

Barchino, Ana Torres,1321

Bascherini, Enrico,994 Becherini, Pietro,458 Belluco, Paola,84 Berizzi, Carlo,645,1058 Bettollini, Elisa,1038,1501 Bianconi, Fabio,984,1432 Bigongiari, Matteo,508 Bilotta, Francesca,1020 Boccardo, Alberto,1313

Bocconcino, Maurizio Marco,537

Bollini, Letizia,834

Bolognesi, Cecilia,794

Brioschi, Serena Andrea,654

Brunetti, Federico Alberto,211

Brusaporci, Stefano,246 C Cacudi, Giovanna,449 Cafﬁo, Giovanni,949 Calisi, Daniele,172 Campadelli, Nadia,1447 Canciani, Marco,75,412 Candido, Fabio,888 Càndito, Cristina,331 Canniffe, Eamonn,1494 Canonaco, Brunella,1020 Canturi, Valentino,1303 Capriolo, Federica,957 Caramel, Claudia,1473 Carazo, Pau,362 Cardaci, Alessio,526 Cardani, Giuliana,84 Cariani, Sergio,303 Carli, Giovanni,1371

Carmen Sanz Contreras, M.,636

Carota, Francesco,607

Carpiceci, Marco,893

Casarano, Claudia,1113

Casonato, Camilla,737

Castillo Ayazo, Horacio Elias,441

Castillo Sarmiento, Maria Alejandra,441

Catalucci, Soﬁa,984

Ceconello, Mauro,579,618

Chakraborty, Bikramjit,1068

Chakraborty, Monali Wankar,1068

Chiavoni, Emanuela,342

Cianci, Maria Grazia,172

Cicalò, Enrico,878

Cigola, Michela,756

Cioppa, Antonella Della,1282

Cochelli, Paola,217 Condorelli, Francesca,421 Conte, Antonio,1329 Continenza, Romolo,1173 Crespi, Luciano,1473 Crippa, Davide,1473 Crosta, Quirino,105 D

De Carvalho, Mariana Martins,147

De Filippo, Giovanna,1293

De Luca, Cinzia,496

De Marco, Raffaella,458

de Paolis, Roberto,914

De Tejada Granados, Carlota Sáenz,843

Del Bianco, Corinna,1087,1423

G. Amoruso (ed.), Putting Tradition into Practice: Heritage, Place and Design, Lecture Notes in Civil Engineering 3, DOI 10.1007/978-3-319-57937-5

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Dell’Amico, Anna,904 Devecchi, Alice,1455 Di Gregorio, Giuseppe,421 Di Ludovico, Donato,105 Di Luggo, Antonella,353 Di Maccio, Roberto,756 Di Paola, Francesco,496 Di Prete, Barbara,1473 Di Ruocco, Giacomo,1464 Domínguez, Oriol,1231 Donato, Vincenzo,537 E Economakis, Richard,1413 Empler, Tommaso,692

Equipaje, Ruth Marie I.,1402

F

Fabris, Nadia,852

Fairfax, Anne,1131

Farroni, Laura,75

Fatta, Francesca,671

Feraboli, Maria Teresa,1010

Filipe, Rita,1340

Filippucci, Marco,984,1432

Firrone, Tiziana,1078

Fischnaller, Franz,703

Funes, Pablo Alvarez,160

G Gadaleta, Roberta,1262 Gallarati, Mario,1045 Gallozzi, Arturo,275,756 García, Julián,1511 Garzino, Giorgio,537 Gasparetto, Francesca,1455 Ginex, Gaetano,485 Ginocchio, Frenchi,1313

Gomes, Michael John,1529,1537

Goy Diz, Ana E.,137

Gual-Ortí, Jaume,662

Guardigli, Luca,45

Guerrini, Luca,115

Guidotti, Andrea,45

H

Hermida, Alejandro García,1231

Hernandez, Julio Caesar Perez,965

Herrera, Blas,362

I

Icke, Secil,1520

Invernizzi, Fiamma Colette,256

Ippoliti, Elena,587

J

Jadresin Milic, Renata,626

Jeleński, Tomasz,783 Jesús Máñez-Pitarch, M.,662 K Kuzmin, Diego,217 L Laterza, Ana,1218 Leserri, Massimo,441 Lico, Gerard,860

Lluch, Juan Serra,1321

Lo Turco, Massimiliano,682

Lonardo, Emilio,1473

López, Mercedes Valiente,636

Luigini, Alessandro,94

Lupo, Eleonora,595

M

Maiezza, Pamela,266

Maiolatesi, Alessia,191

Mancini, Matteo Flavio,75,811

Marino, Giuseppe,727

Marino, Salvatore Dario,654

Marraffa, Andrea,671

Martínez-Moya, Joaquín A.,662

Marucci, Beatrice,1442

Masserano, Silvia,312

Mayernik, David,1123

Mazzola, Ettore Maria,1545

Mehaffy, Michael W.,9

Melazzini, Michele,1520

Mencías, David,1511

Merino, Elena Gómez,475

Meschini, Michela,1038,1501 Mezenina, Kseniia,1155 Michelini, Manuela,412 Miller, Christopher C.,802 Minervino, Guglielmo,1303 Mitterer, Wittfrida,55 Morena, Sara,475 Moreno, Carmen,1231 Morone, Alfonso,516 Mottola, Carla,201

Muro, Rocío Santo-Tomás,843

N Nanavati, Manalee,61 Nay, Eric M.,1365 Nebiolo, Alessandra,1038,1501 Nikezic, Ana,626 O Occhinegro, Ubaldo,1353 1558 Author Index

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Olmos Lorduy, Juan Pablo,441

Ong, Timothy Augustus,860

Orlandi, Luca,938

P

Paggi, Gianluca,125

Palacios, Jose Carlos,1253

Palazzo, Pedro P.,1218 Palestini, Caterina,928 Paris, Leonardo,371 Parrinello, Sandro,551 Pasetto, Marianna,975 Pashako, Frida,1097 Pavignano, Martino,823 Perretti, Antonio,1293 Petti, Luigi,1464 Pica, Valentina,1241 Picchio, Francesca,904 Pieragostini, Enrica,70 Pietropaolo, Chiara,431 Pirinu, Andrea,467

Pisciotta, Maria Bruna,1329

Popov, Vladimir,1138 Porﬁri, Francesca,322 Prashad, Deependra,1483 Properzi, Pierluigi,105 Puma, Paola,715 Putra, Yvette,292 R Ragone, Michele,560

Ramon Osanz Díaz, J.,636

Ranaldi, Antonella,778

Riavis, Veronica,312

Ribera, Federica,1191

Rinalduzzi, Silvia,75

Rivera, José Ignacio Sánchez,475

Rocca, Marco Della,1146

Rodríguez Romero, Eva J.,843

Rodríguez, Juan Antonio,1511

Romanazzi, Hilde Grazia Teresita,1182

Romano, Chiara,1191 Rossi, Gabriele,449 Rossi, Michela,1001 Russo, Michele,893 S Saccone, Mauro,75 Sagharchi, Alireza,22 Salerno, Rossella,3 Salucci, Antonella,727 Sammons, Richard,1131 Samper, Albert,362 Santagati, Cettina,392 Santopuoli, Nicola,1293 Santuccio, Salvatore,70 Saunders, Andrew,381 Scarpitta, Natale,1464 Schinco, Massimo,1379 Schinco, Sara,1379 Scortecci, Alice,412 Sdegno, Alberto,217,312 Semes, Steven W.,234 Senatore, Luca J.,756 Sicignano, Claudia,1030 Sicignano, Enrico,1464 Silvano, Mirco,1313 Silvano, Nadia,1313

Somma, Letizia Musaio,1209

Sormani, Davide,125 Spadafora, Giovanna,75,811 Spallazzo, Davide,285,579,618 Spallone, Roberta,607 Spataro, Valentina,1329 Stojanovic, Bogdan,285 Surace, Cecilia,560 T

Taboada, Josè Antonio Franco,137

Tacchi, Gaia Lisa,322

Tagliaventi, Gabriele,31 Talenti, Simona,227 Tanfoni, Arianna,1173 Tosetto, Francesco,1388 Trizio, Ilaria,1173 Trocchianesi, Raffaella,285 Troiano, Serena,246 Tunzi, Pasquale,571 U Unali, Maurizio,746 V

Verdú, Jorge Llopis,1321

Vernizzi, Chiara,402 Versaci, Antonella,526 Vicentelli, Gaia,1164 Vignati, Arianna,1520 Violano, Antonella,1282 Vitale, Giovanna,595 Vitale, Miriam,1293 Vrusho, Boriana,1097 Z Zich, Ursula,823 Zizza, Cesare,645 Zordan, Marcello,275 Zurlo, Francesco,1520 Author Index 1559

The Digital Documentation of the Florentine Complex of Santa Maria Maddalena De’ Pazzi

Lecture Notes in Civil Engineering

Putting Tradition

into Practice:

Heritage, Place and

Design

Giuseppe Amoruso Editor

Proceedings of 5th INTBAU International

Annual Event

Lecture Notes in Civil Engineering

Volume 3

Giuseppe Amoruso

Editor

Putting Tradition

into Practice:

Heritage, Place

and Design

Proceedings of 5th INTBAU International

Annual Event

Organization

Partnered by

With the Patronage of

Scientiﬁc Coordinator

Program Committee and Reviewers

Contents

The Digital Documentation of the Florentine

Complex of Santa Maria Maddalena De’ Pazzi

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1 Introduction

2 Objectives

3 Methods

4 Conclusions

References

Author Index

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