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Crossing Borders, Crossing Cultures. Popular print in Europe

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STUDIES IN EARLY MODERN AND

CONTEMPORARY EUROPEAN HISTORY

1

CRO

SSING BORDERS, CRO

SSING CUL

TURES

Edited by Massimo Rospocher

, Jeroen Salman, Hannu Salmi

CROSSING BORDERS,

CROSSING CULTURES

 POPULAR PRINT IN EUROPE (1450-1900)

Edited by Massimo Rospocher, Jeroen Salman, Hannu Salmi

www.degruyter.com

ISSN 2629-3730 ISBN 978-3-11-063951-3

SEM

THE SERIES:

STUDIES IN EARLY MODERN AND CONTEMPORARY EUROPEAN HISTORY

Studies in Early Modern and Contemporary European History is published under the

auspices of the Italian-German Historical Institute of the Fondazione Bruno Kessler in Trento. On the one hand, it consists of the institute’s conference proceedings which are written in German or English. On the other hand, the new series will include collection of essays and monographs from external authors working in those fi elds of historical research which are central to the institute. The primary focus is on European history with a special accent on the history of German-Italian relations. One of the series’ virtues is the cross-epochal perspective of many of its publications, which has become one of the trademarks of the institute in Trento.

Many scholars assume that European popular print culture had many common features and a transnational infrastructure. A European network of specialists (EDPOP) has recently started to explore the possibilities and challenges of research in order to fi nd proof for these assumptions. This volume contains the fi rst overview and analysis of different approaches, methodologies, and tools to stimulate and facilitate further research on the European dimensions of popular print culture.

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