Bibliografia
Testi primari
Raccolte di racconti di Mavis Gallant:
The Other Paris, Boston, Houghton Mifflin, 1956; London, Deutsch, 1957.
My Heart Is Broken: Eight Stories and a Short Novel, New York, Random House, 1964; An Unmarried Man's Summer, London, Heinemann, 1965.
The Pegnitz Junction: A Novella and Five Short Stories, New York, Random House,
1973; London, Cape, 1974.
The End of the World and Other Stories, Toronto, McClelland and Stewart, 1974.
From the Fifteenth District: A Novella and Eight Short Stories, New York, Random
House, e London, Cape, 1979.
Home Truths: Selected Canadian Stories, Toronto, Macmillan, 1981; New York, Random
House, e London, Cape, 1985.
Overhead in a Balloon: Stories of Paris, Toronto, Macmillan, 1985; London, Cape, e
New York, Random House, 1987.
In Transit: Twenty Stories, Markham, Ontario, Viking, 1988; New York, Random House,
1989; London, Faber, 1990.
Across the Bridge: Stories, New York, Random House, 1993.
(Per ogni raccolta sono riportati i dati riguardanti le edizioni canadesi, statunitensi e inglese. Da notare l'assenza di edizioni in Canada fino al 1974.)
Testi primari di riferimento generale consultati per la storia del racconto anglocanadese: M. Atwood, Dancing Girls and Other Stories, Toronto, McClelland & Stewart, 1977.
Bluebeard's Egg, Toronto, McClelland & Stewart, 1983.
Murder in the Dark: Short Fictions and Prose Poems, Toronto, Coach
House Press, 1983.
Wilderness Tips, Toronto, McClelland & Stewart, 1991. Good Bones, Toronto, Coach House Press, 1992. Moral Disorder, New York, Random House, 2006.
M. Atwood, R. Weaver (eds.), The Oxford Book of Canadian Short Stories in English, Oxford, Oxford University Press, 1986.
The New Oxford Book of Canadian Short Stories in
English, Oxford, Oxford University Press, 1995.
M. Atwood, S. Ravenel, The Best American Short Stories, Boston, Houghton Mifflin, 1989.
C. Blaise, A North American Education, Toronto, Doubleday Canada, 1973. Resident Alien, Harmondsworth, Penguin, 1986.
Man and His World, Erin, Porcupine's Quill, 1992. Southern Stories, Erin, Porcupine's Quill, 2000. Pittsburgh Stories, Erin, Porcupine's Quill, 2001. Montreal Stories, Erin, Porcupine's Quill , 2003. World Body, Erin, Porcupine's Quill, 2006.
S. Birdsell, Night Travellers, Winnipeg, Turnstone Press, 1982. Ladies of the House, Winnipeg, Turnstone Press, 1984. Agassiz Stories, Winnipeg, Turnstone Press, 1987.
The Two-Headed Calf, Toronto, McClelland & Stewart, 1997.
N. Bissoondath, Digging Up the Mountains. Toronto, Macmillan, 1985.
On the Eve of Uncertain Tomorrows, Toronto, Dennys, 1990.
G. Bowering (ed.), Fiction of Contemporary Canada, Toronto, Coach House Press, 1980. D. Brand, Sans Souci and Other Stories, Toronto, Williams-Wallace, 1988.
M. Callaghan, A Native Argosy, New York, Scribner's; Toronto, Macmillan, 1929. D. Campbell Scott, In the Village of Viger, Boston, Copeland and Day, 1896. A. Clarke, Among Thistles and Thorns, Toronto, McCLelland & Stewart, 1965.
When He Was Free and Young and He Used to Wear Silks, Toronto, Anansi, 1971.
When Women Rule, Toronto, McClelland & Stewart, 1985. Nine Men who Laughed, Harmondsworth, Penguin, 1986. In This City, Toronto, Exile Editions, 1992.
There are No Elders, Toronto, Exile Editions, 1993.
Choosing His Coffin: The Best Stories of Austin Clarke, Toronto, Thomas Allen Publishers, 2003.
D. Daymond, M. Wolfe (eds.), Toronto Short Stories, New York, Doubleday, 1977 S. J. Duncan, The Pool in the Desert, New York, D. Appleton & Co., 1903.
M. Engel, Inside the Easter Egg, Toronto, Anansi, 1975. Bear, New York, Atheneum, 1976.
The Tattoed Woman, Harmondsworth, Penguin, 1985.
H. Garner, The Yellow Sweater and Other Stories, London, Collins, 1952. Men and Women, Toronto, Ryerson Press, 1966.
The Legs of the Lame and Other Stories, Ottawa, Borealis Press, 1975. F. P. Grove, Over Prairie Trails, Whitefish, Kessinger Publishing, [1922] 2004.
Tales from the Margin: The Selected Stories of Frederick Philip Grove,
Toronto, Ryerson Press McGraw Hill, 1971.
K. Gunnars, Any Day But This, Calgary, Red Deer Press, 2004.
T. C. Haliburton, The Clockmaker; or The Sayings and Doings of Samuel Slick, of
Slickville, New York, William H. Colyer, [1836] 1840.
G. Hancock (ed.), Illusion: Fables, Fantasies and Metafiction: An Anthology, Toronto, Aya Press, 1982, 2 voll.
Moving Off the Map: From 'Story to Fiction'. An Anthology of Contemporary Short Fiction, Windsor, Black Moss Press, 1986.
S. F. Harrison, Crowded Out! And Other Sketches, Whitefish, Kessinger Publishing, [1886] 2005.
H. Hood, Flying a Red Kite, Toronto, Ryerson Press, 1962.
Around the Mountain, Toronto, Peter Martin Associates, 1967.
None Genuine Without This Signature, Downsview, ECW Press, 1980. August Nights, Toronto, Stoddart, 1985.
T. King, Medicine River, New York, Viking, 1988.
One Good Story, That One, Toronto, Haper Collins, 1993.
A Short History of Indians in Canada: Stories, Toronto, Harper Collins, 2005. R. Knister, The Selected Stories of Raymond Knister, Ottawa, Ottawa University Press, 1972.
The First Day of Spring: Stories and Other Prose, Toronto, University of Toronto Press, 1976.
R. Knister (ed.), Canadian Short Stories, Toronto, MacMillan Company of Canada Ltd., 1928.
M. Laurence, The Tomorrow-Tamer, London, Macmillan, 1963. The Stone Angel, New York, Knopf, 1964.
A Jest of God, New York, Knopf, 1966.
A Bird in the House, Toronto, McClelland & Stewart, 1970. The Diviners, Toronto, McClelland & Stewart, 1974.
J. Kulyk Keefer, The Paris-Napoli Express, Ottawa, Oberon Press, 1986.
Transfigurations, Charlottetown, Ragweed Press, 1987.
Travelling Ladies, Toronto, Random House, 1990.
S. Leacock, Literary Lapses. A Book of Sketches, Whitefish, Kessinger Publishing, [1910] 2004.
L. Maracle, Sojourner's Truth and Other Stories, Vancouver, Press Gang Publishers, 1990.
J. Marshall, A Private Place, Ottawa, Oberon Press, 1975.
Any Time at All and Other Stories, Toronto, McClelland & Stewart, 1993. Blood and Bone/ En chair et en os, Oakville, Mosaic Press, 1995.
J. Metcalf, The Teeth of My Father, Ottawa, Oberon Press, 1975. Girl in Gingham, Ottawa, Oberon Press, 1978.
Adult Entertainment, Macmillan of Canada, Toronto, 1982. J. Metcalf (ed.), The Narrative Voice, Toronto, McGraw-Hill Ryerson, 1972.
Making It New. Contemporary Canadian Stories, London, Methuen, 1982.
R. Mistry, Tales from Firozsha Baag, Harmondsworth, Penguin, 1987.
W. O. Mitchell, Who Has Seen the Wind, Toronto, Macmillan of Canada, 1947. Jake and the Kid, Toronto, Macmillan of Canada, 1961.
According to Jake and The Kid: A Collection of New Stories, Toronto, McClelland & Stewart, 1989.
A. Munro, Dance of the Happy Shades, Toronto, Ryerson Press, 1968.
Lives of Girls and Women, New York, McGraw Hill- Ryerson 1971. Who Do You Think You Are?, Toronto, Macmillan of Canada, 1978. Vintage Munro, New York, Vintage, 2004.
D. Pacey (ed.), A Book of Canadian Stories, Toronto, Ryerson Press, 1947.
M. Ondaatje, Personal Fictions. Stories by Munro, Wiebe, Thomas and Blaise, Oxford, Oxford University Press, 1977.
C. G. D. Roberts, The Kindred of the Wild, Toronto, Copp & Clark; Boston, Page, 1902. The Haunters of the Silence, New York, Grosset and Dunlap, 1907. S. Ross, As for Me and My House, Toronto, McClelland & Stewart, [1941] 2008.
The Lamp at Noon and Other Stories, Toronto, McClelland & Stewart, 1968. J. Rule, Desert of the Heart, Toronto, Macmillan, 1964.
Theme for Diverse Instruments: Stories, Vancouver, Talonbooks, 1975. Outlander: Short Stories and Essays, Tallahassee, Naiad Press, 1981. Inland Passage and Other Stories, Tallahassee, Naiad Press, 1985.
A. Schroeder, R. Wiebe (eds.), Stories from Pacific & Arctic Canada: A Selection, Toronto, Macmillan, 1974.
C. Shields, Various Miracles, Toronto, Stoddart, 1985. Swann: A Mystery, Toronto, Stoddart, 1987.
The Orange Fish, Toronto, Random House Canada, 1989. The Stone Diaries, Harmondsworth, Penguin, 1995.
Dressing Up for the Carnival, Toronto, Random House Canada, 2000.
R. Smith, Cape Breton Is the Thought-Control Centre of Canada, Toronto, Anansi Press, 1969.
Century, Toronto, Stoddart, 1986.
Lord Nelson Tavern, Toronto, McClelland & Stewart, 1974.
D. Stouck (ed.), Ethel Wilson: Stories, Essays and Letters, Vancouver, University of British Columbia Press, 1987.
R. Sullivan (ed.), Stories by Canadian Women, Oxford, Oxford University Press, 1984. More Stories by Canadian Women, Oxford, Oxford University Press, 1987.
A. Thomas, Ten Green Bottles: Short Stories, Indianapolis, Bobbs-Merril, 1967. Ladies and Escorts, Ottawa, Oberon Press, 1977.
Goodbye, Harold, Good Luck, Toronto; New York, Viking, 1986.
J. Urquhart (ed.), The Penguin Book of Canadian Short Stories, Harmondsworth, Penguin, 2007.
I. Valancy Crawford, Selected Stories of Isabella Valancy Crawford, Ottawa, Ottawa University Press, 1975.
W. D. Valgardson, Bloodflowers: Ten Stories, Ottawa, Oberon Press, 1973. God Is Not a Fish Inspector, Ottawa, Oberon Press, 1975. Red Dust: Stories, Ottawa, Oberon Press, 1978.
What Can't Be Changed Shouldn't Be Mourned: Short Stories,
Vancouver, Douglas & McIntyre, 1990.
G. Vanderhaeghe, Man Descending: Selected Stories, Toronto, Macmillan of Canada, 1982.
The Trouble With Heroes: And Other Stories, Ottawa, Borealis Press, 1983.
Things As They Are? Short Stories, Toronto, McClelland & Stewart, 1992.
The Englishman's Boy, Toronto, McClelland & Stewart, 1996. The Last Crossing, Toronto, McClelland & Stewart, 2002. S. Watson, Four Stories, Toronto, Coach House Press, 1979.
Five Stories, Toronto, Coach House Press, 1984.
R. Weaver (ed.), Canadian Short Stories,Oxford, Oxford University Press, 1960.
Canadian Short Stories. Second Series, Oxford, Oxford University Press, 1968.
Canadian Short Stories. Third Series, Oxford, Oxford University Press, 1978.
Canadian Short Stories. Fourth Series, Oxford, Oxford University Press, 1978.
Canadian Short Stories. Fifth Series, Oxford, Oxford University Press, 1991.
R. Wiebe, Where Is the Voice Coming From?, Toronto, McClelland & Stewart, 1974. The Angel of the Tar Sands and Other Stories, Toronto, McClelland & Stewart, 1982.
River of Stone: Fictions and Memories, London, Vintage Books, 1995.
Testi teorico-metodologici.
MAVIS GALLANT
Numeri monografici di rivista
E. D. Blodgett (ed.), “Mavis Gallant Issue”, Essays on Canadian Writing, 1990, 42, pp. 1-191
G. Hancock (ed.),"Mavis Gallant Issue", Canadian Fiction, Toronto, Prince George, 1978, 28.
Miscellanee
K. Gunnars (ed.), Transient Questions: New Essays on Mavis Gallant, Amsterdam, Rodopi, 2004.
N. Côté, P. Sabor (ed.), Varieties of Exile: New Essays on Mavis Gallant, New York, Peter Lang, 2002.
Monografie
C. Bertail, C. Evain, Mavis Gallant On Her Work ; "I Wanted To Live In Paris, I Wanted
To Write Fiction, And I Wanted To Live On It And In It", Nantes, Editions Publibook, 2009.
L. D. Clement, Learning to Look: A Visual Response to Mavis Gallant's
Fiction, Montreal, QC: McGill-Queen's UP, 2000.
D. Schaub, Mavis Gallant, New York, Twayne, 1998.
K. E. Smythe, Figuring grief: Gallant, Munro, and the poetics of elegy, Montreal, McGill-Queen's University Press, 1992.
J. K. Keefer, Reading Mavis Gallant, Toronto, Oxford University Press, 1989.
N. K. Besner, The light of imagination: Mavis Gallant's fiction, Vancouver, University of British Columbia Press, 1988.
G. Merler, Mavis Gallant, narrative patterns and devices, Ottawa, Tecumseh Press, 1978. Articoli e saggi (in ordine cronologico) :
Di Mavis Gallant:
M. Gallant, “The Shock of Change” in PEN America: A Journal for Writers and Readers, 2005, 3:6, pp. 160-65.
“Stories”, in Brick, 1996, 55, pp. 14-20.
“The Writer in the State”, in Queen's Quarterly, 1992, 99:1, pp. 91-104. Paris Notebooks. Essays and Reviews, New York, Random House, 1986.
Su Mavis Gallant (riviste):
F. Zichy, “Gallant's 'The Remission'”, in Explicator, 2006, 64:3, pp. 168-71.
F. Bordeleau, “Mavis Gallant: L'Art majeur de la nouvelle”, in Lettres Québécoises, 2006, 124, p. 5.
R. Banks, “The Stories of Mavis Gallant”, in Brick, 2004, 73, pp. 49-53.
L. Collinge, E. Vernadakis, “Louis de Bernieres b. 1954; Mavis Gallant; David Madden”, in Journal of the Short Story in English, 2003, 41, pp. 233-42.
A. Girard, C. P. Valette, “Mavis Gallant b. 1922”, in Journal of the Short Story in English, 2003, 41, pp. 273-86.
S. Vauthier, “Framing the Recalcitrance of Mavis Gallant's 'The Wedding Ring'”, in
Commonwealth Essays and Studies, 2003, 5, pp. 95-118.
M. Condé, “Mavis Gallant and the Politics of Cruelty”, in Yearbook of English Studies, 2001, 31, pp. 168-81.
P. Somacarrera, “Genre Transgression and Auto/Biography in Mavis Gallant's 'When We Were Nearly Young'”, in Journal of the Short Story in English, 2000, 35, pp. 69-84.
C. Wilkshire, “'Voice Is Everything': Reading Mavis Gallant's 'The Pegnitz Junction'”, in
University of Toronto Quarterly: A Canadian Journal of the Humanities, 2000, 69: 4, pp.
891-916.
I. Bamforth, “Paris, France: An Afternoon with Mavis Gallant”, in PN Review, 1999, 130, pp. 30-33.
N. Besner, “Reading Mavis Gallant's 1940s in the 1990s: 'The Fenton Child'”, in University of Toronto Quarterly: A Canadian Journal of the Humanities, 1999, 68:4, pp. 898-908.
T. Dobozy, “'Designed Anarchy' in Mavis Gallant's The Moslem Wife and Other Stories”, in Canadian Literature, 1998, 158, pp. 65-88.
M. Dvorak, “Mavis Gallant: Conversations”, in Etudes Canadiennes/Canadian Studies:
Revue Interdisciplinaire des Etudes Canadiennes en France, 1995, 21:38, pp. 95-103.
L. D. Clement, “Mavis Gallant's Stories of the 1950s: Learning to Look”, in American
Review of Canadian Studies, 1994, 24: 1, pp. 57-72.
D. Schaub, “Spatial Patterns of Oppression in Mavis Gallant's Linnet Muir Sequence”, in Studies in Canadian Literature/Etudes en Litterature Canadienne, 1993, 18:2, pp. 132-55.
L. Irvine, “Mirroring the Canadas: Mavis Gallant's Fiction”, in Colby Quarterly, 1993, 29:2, pp. 119-25.
D. Schaub, “Structural Patterns of Alienation & Disjunction: Mavis Gallant's Firmly-Structured Stories”, in Canadian Literature, 1993, 136, pp. 45-57.
L. Clement, “Mavis Gallant's Apprenticeship Stories, 1944-1950: Breaking the Frame”, in
D. Schaub, “'Small Lives of Their Own Creation': Mavis Gallant's Perception of Canadian Culture”, in Critique: Studies in Contemporary Fiction, 1992, 34:1,pp. 33-46.
J. K. Keefer, “Bridges and Chasms: Multiculturalism and Mavis Gallant's 'Virus X'”, in
World Literature Written in English, 1991, 31:2, pp. 100-11.
E. D. Blodgett, “The Letter and Its Gloss: A Reading of Mavis Gallant's A Fairly Good Time”, in Essays on Canadian Writing, 1990, 42, pp. 173-90.
W. Siemerling, “Perception, Memory, Irony: Mavis Gallant Greets Proust and Flaubert”, in Essays on Canadian Writing, 1990, 42, pp. 131-53.
B. Schrank, “Popular Culture and Political Consciousness in Mavis Gallant's 'My Heart Is Broken'”, in Essays on Canadian Writing, 1990, 42, pp. 57-71.
M. Fabre, “An Interview with Mavis Gallant”, in Commonwealth Essays and Studies, 1989, 11:2, pp. 95-103.
B. Godard, “Modalities of the Edge: Mavis Gallant's Fiction”, in Recherches Anglaises et
Nord-Americaines, 1989, 22, pp. 43-52.
B. Rizzardi, “Looking Homeward: Mavis Gallant’s Short Stories”, in G. Bonanno (ed.),
Canada ieri e oggi 2. Atti del 7° Convegno Internazionale di Studi Canadesi, Acireale 18-22 maggio 1988, Fasano, Schena, 1989, vol. III.
D. Schaub, “Squeezed 'between Zero and One': Feminine Space in Mavis Gallant's Home Truths”, in Recherches Anglaises et Nord-Americaines, 1989, 22, pp. 53-59.
D. Woolford, “Mavis Gallant's Overhead in a Balloon: Politics and Religion, Language and Art”, in Studies in Canadian Literature/Etudes en Litterature Canadienne, 1989, 14:2, pp. 27-47.
R. Ross, “Mavis Gallant and Thea Astley on Home Truths, Home Folk”, in ARIEL: A
Review of International English Literature, 1988, 19:1, pp. 83-89.
H. Bonheim, “The Aporias of Lily Littel: Mavis Gallant's 'Acceptance of Their Ways'”, in ARIEL: A Review of International English Literature, 1987, 18:4, pp. 69-78.
N. Besner, “The Corruption of Memory: Mavis Gallant's 'An Autobiography'”, in Recherches Anglaises et Nord-Americaines, 1987, 20, pp. 35-40.
W. J. Keith, “Dates and Details in Mavis Gallant's 'Its Image in the Mirror'”, in Studies in
Canadian Literature/Etudes en Litterature Canadienne, 1987, 12:1, pp. 156-159.
N. Besner, “A Broken Dialogue: History and Memory in Mavis Gallant's Short Fiction”, in Essays on Canadian Writing, 1986, 33, pp. 89-99.
D. B. Jewison, “Children of Wars: A Discussion of From the Fifteenth District by Mavis Gallant”, in Commonwealth Essays and Studies, 1986, 9:1, pp. 112-120.
J. K. Keefer, “Mavis Gallant and the Angel of History”, in University of Toronto
Quarterly: A Canadian Journal of the Humanities, 1986, 55:3, pp. 282-301.
D. B. Jewison, “Speaking of Mirrors: Imagery and Narration in Two Novellas by Mavis Gallant”, in Studies in Canadian Literature/Etudes en Litterature Canadienne, 1985, 10: 1-2, pp. 94-109.
J. K. Keefer, “Mavis Gallant's World of Women: A Feminist Perspective”, in Atlantis: A
Women's Studies Journal/Revue d'Etudes sur la Femme, 1985, 10:2, pp. 11-29.
J. K. Keefer, “Strange Fashions of Forsaking: Criticism and the Fiction of Mavis Gallant”, in Dalhousie Review, (64:4), 1984-1985, 64:4, pp. 721-735.
A. Girard, C. P. Valette, “Entretien avec Mavis Gallant”, in Les Cahiers de la Nouvelle:
Journal of the Short Story in English, 1984, 2, pp. 79-94.
M. Fabre, Michel, “Orphans' Progress, Reader's Progress, le 'on dit' et le non-dit chez Mavis Gallant”, in Recherches Anglaises et Americaines, 1983, 16, pp. 57-67.
D. O'Rourke, “Exiles in Time: Gallant's My Heart Is Broken”, : Canadian Literature, (93), 1982 Summer, 98-107.
D. Malcolm, “An Annotated Bibliography of Works by and about Mavis Gallant”, in Essays on Canadian Writing, Downsview, 1977, 6, pp. 32-52.
Saggi in volumi collettanei (in ordine cronologico):
I. Martini, “Living Within Two Cultures. Anglophone and Francophone Realities in Mavis Gallant's 'The Doctor'”, in L. Bruti Liberati, G. Dotoli (eds.) Lingue e linguaggi del
Canada.Languages of Canada. Langues et Langages du Canada, Fasano, Schena, 2009, pp.
213-25.
I. Martini, “Patterns of Longing and Dislocation in Mavis Gallant's 'Varieties of Exile'”, in L. Bruti Liberati, G. Dotoli (eds.), La donna nella città multietnica/ Women in Multiethnic
City/ La femme dans la ville multiethnique. Atti del Seminario Internazionale di Studi Canadesi, Sesto San Giovanni, 25-26 gennaio 2008, Fasano, Schena Editore, 2008, pp. 61-84.
S. Mergenthal, “Doing Well in the International Thing? Mavis Gallant, ‘The Ice Wagon Going Down the Street’ (1963)”, in R. M. Nischik (ed.), The Canadian Short Story:
Interpretations, Rochester, NY, Camden House, 2007, pp. 191-202.
G. Bjorhovde, “When Foreigness and Familiarity Become One: Defamiliarization in Some Canadian Stories”, in P. Winther et alii (ed.), The Art of Brevity: Excursions in Short
Fiction Theory and Analysis, Columbia, University of South Carolina Press, 2004, pp.
128-37.
A. Kern-Stähler, “'The Inability to Mourn': The Post-War German Psyche in Mavis Gallant's Fiction”, in H. Antor et alii (ed.), Refractions of Germany in Canadian Literature
and Culture, Berlin, De Gruyter, 2003, pp. 259-70.
P. Somacarrera, “The Codification of Uncertainty: Modality in English-Canadian Fiction”, in P. Alonso et alii (ed.), Aspects of Discourse Analysis, Salamanca, Universidad de Salamanca, 2002, pp. 119-29.
D. Schaub, “A Measure of Irony: Derision in Mavis Gallant's From the Fifteenth District”, in J. Bardolph (ed.), Telling Stories: Postcolonial Short Fiction in English, Amsterdam, Rodopi, 2001, pp. 45-57.
M. Trussler, “Mavis Gallant”, in E. Fallon et alii (eds.), A Reader's Companion to the
Short Story in English. Westport, Greenwood, 2001, pp. 176-81.
P. Somacarrera Iñigo, “The Paradoxical Nature of History and Memory in Anne Michael's Fugitive Pieces and Mavis Gallant's Fiction”, in A. Antón-Pacheco et alii, Estudios de la
mujer en el ámbito de los países de habla inglesa, III, Madrid, Universidad Complutense de
Madrid, 1998, pp. 303-311.
A. C. Goodson, “Of City Life & Chance Encounters”, in W. Kumbier e A. Colley (eds.)
Afterimages: A Festschrift in Honor of Irving Massey, Buffalo, Shuffaloff, 1996, pp. 250-58.
D. Schaub, “Slices of Life as Historiographic Discourse: Mavis Gallant's The Pegnitz Junction”, in B. Engler e K. Müller (eds.), Historiographic Metafiction in Modern American
and Canadian Literature, Paderborn, Ferdinand Schöningh, 1994, pp. 435-45.
J. S. Grant, “Mavis Gallant (1922- )”, in R. Lecker et alii (eds.), ECW's Biographical
Guide to Canadian Novelists, Toronto, ECW, 1993, pp. 156-62.
D. Simmons, “The Short Stories of Mavis Gallant”, in M. Pearlman (ed.), Canadian
Women Writing Fiction, Jackson, University Press of Mississippi, 1993, pp. 28-40.
K. Smythe, “The 'Home Truth' about Home Truths: Gallant's Ironic Introduction”, in L. Hutcheon (ed.), Double Talking: Essays on Verbal and Visual Ironies in Contemporary
Canadian Art and Literature, Toronto, ECW, 1992, pp. 106-14.
H. Grabes, “Creating to Dissect: Strategies of Character Portrayal and Evaluation in Short Stories by Margaret Laurence, Alice Munro and Mavis Gallant”, in M. R. Nischik e B. Korte (eds.), Modes of Narrative: Approaches to American, Canadian and British Fiction, Würzburg, Königshausen & Neumann, 1990, pp. 110-118.
D. Schaub, “'Silver Crystals Forming a Pattern': Multivoiced Narration in Mavis Gallant's The Pegnitz Junction”, in J. Delbaere e A. Rutherford (eds.), Multiple Voices: Recent
Canadian Fiction, Sydney, Dangaroo, 1990, pp. 234-46.
B. Schrank, “Celluloid Images and Social Control in Selected Short Stories by Mavis Gallant”, in M. Jurak (ed.), Cross-Cultural Studies: American, Canadian and European
Literatures: 1945-1985, Ljubljana, English Department, Filozofska Fakulteta, 1988, pp.
229-233.
R. B. Hatch, “Mavis Gallant”, in W. H. New (ed.), Canadian Writers since 1960: First
Series. Detroit, Thomson Gale, 1986, pp. 194-204.
C. Rooke, “Fear of the Open Heart”, in S. Neuman e S. Kamboureli (ed.), A Mazing
Space: Writing Canadian Women Writing, Edmonton, Longspoon, 1986, pp. 256-269.
M. Fabre, “'Orphan's Progress,' Reader's Progress: Voice and Understatement in Mavis Gallant's Stories”, in R. Kroetsch e R. M. Nischik (eds.), Gaining Ground: European Critics
on Canadian Literature, Edmonton, NeWest, 1985, pp. 150-160.
J. Skelton Grant, D. Malcolm, “Mavis Gallant: An Annotated Bibliography”, in R. Lecker e J. David (eds.), The Annotated Bibliography of Canada's Major Authors, V. Downsview, ECW, 1984, pp. 179-230.
U. Jantz, “Orphans' Progress in Its Canadian and Universal Context”, in AA. VV. Essays
in Honour of Erwin Sturzl on His Sixtieth Birthday, Salzburg, Inst. fur eng. Sprache & Lit.,
Univ. Salzburg, 1980, 2 voll. pp. 302-09.
SULLALETTERATURAANGLOCANADESE (INORDINEALFABETICO)
M. Atwood, Survival. A Thematic Guide to Canadian Literature, Toronto, McClelland & Stewart, [1972] 2004.
G. Bonanno, A. Gebbia (eds.), Canada e Italia verso il Duemila: metropoli a confronto.
Atti del 9° Convegno Internazionale di Studi Canadesi. Milano 22-25 aprile 1992, Fasano,
Schena, 1994.
G. Bowering, A Great Northward Darkness. The Attack on History in Recent Canadian
Fiction, in G. Bonanno (ed.), Canada ieri e oggi. Atti del 6° Convegno Internazionale di Studi Canadesi, Selva di Fasano 27-31 marzo 1985, Fasano, Schena, 1986, vol. II.
L. von Flotov, R. M. Nischik, Translating Canada, Ottawa, University of Ottawa Press, 2007.
N. Frye, The Bush Garden. Essays on the Canadian Imagination, Toronto, Anansi, 1971. A. Gebbia, Cartografie del Nuovissimo Mondo. Viaggi nella letteratura canadese di
lingua inglese, Urbino, Bulzoni, 2002.
A. Gebbia, “La letteratura anglo-canadese”, in A. Lombardo (ed.), Le orme di Prospero.
Le nuove letterature di lingua inglese: Africa, Caraibi, Canada, Roma, La Nuova Italia
Scientifica, 1995.
M. Gadpaille, The Canadian Short Story, Don Mills, Oxford University Press Canada, 1988.
D. Harrison, Unnamed Country. The Struggle for a Canadian Prairie Fiction, Edmonton, The University of Alberta Press, 1977.
L. Hutcheon, The Canadian Postmodern. A Study of Contemporary English-Canadian
Fiction, Oxford, Oxford University Press, 1988.
E.M. Kröller (ed.), The Cambridge Companion to Canadian Literature, Cambridge, Cambridge University Press, 2004.
G. Lynch, Dominant Impressions. Essays on the Canadian Short Stories, Ottawa, University of Ottawa Press, 1999.
G. Lynch, The One and the Many. English-Canadian Short Story Cycles, Toronto, University of Toronto Press, 2001.
J. Moss, Patterns of Isolation in English Canadian Fiction, Toronto, McClelland and Stewart, 1974.
W. H. New, A History of Canadian Literature, London, Macmillan History of Literature, 1991.
Dreams of Speech and Violence. The Art of Short Story in Canada and New Zealand, Toronto, University of Toronto Press, 1987.
Canadian Short Fiction: From Myth to Modern, Scarborough, Prentice Hall, 1986.
R. M. Nischik (ed.), The Canadian Short Story: Interpretations, Rochester, NY, Camden House, 2007.
M. Pearlman (ed.), Canadian Women Writing Fiction, Jackson, University Press of Mississippi, 1993.
L. Ricou, Vertical Man/Horizontal World: Man and Landscape in Canadian Prairie
Fiction, Vancouver, University of Vancouver Press, 1973.
A. Rizzardi (ed.), Moderni e post-moderni. Studi sul racconto canadese del Novecento, Abano Terme, Piovan, 1994.
S. Vautier, Reverberations. Explorations in the Canadian Short Story, Concord, House of Anansi Press, 1993.
SULLELETTERATUREPOST-COLONIALI (INORDINEALFABETICO)
S. Albertazzi, Lo sguardo dell’altro. Le letterature postcoloniali, Roma, Carocci, 2000. B. Ashcroft, G. Griffins, H. Tiffins, The Empire Writes Back. Theory and practice in
post-colonial literatures, London, Routledge, 1989.
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