-BIBLIOGRAFIA-
Testi Primari
Opere di Thomas Hardy
Poesia:
Collected Poems (1930), a cura di James Gibson, London, Macmillan, 1952.
Selected Poems, Harmondsworth, Penguin, 1981.
Chosen Poems of Thomas Hardy, a cura di James Gibson, Cerne Abbas, Casterbridge Books, 2005.
Narrativa:
The Return of the Native (1878), New York London, Norton & co., 1969.
Two on a Tower (1882), London, Macmillan, 1915.
The Woodlanders (1887), London, Macmillan, 1978.
Tess of the d’Urbervilles (1891), London, Macmillan, 1978.
Jude the Obscure (1895), Harmondsworth, Penguin, 1994.
Hardy, Florence Emily, The Life of Thomas Hardy: 1840- 1928,
London, Macmillan, 1965; inizialmente pubblicato in due parti The Early
Life (1928) e The Later Years (1930).
Poi pubblicato come Hardy, Thomas, The Life and Work of Thomas
Hardy, ed. Michael Millgate, London, Macmillan, 1984.
Hardy, Thomas, The Excluded and Collaborative Stories, ed. Pamela
Dalziel, Oxford, Clarendon Press, 1992.
Prosa e Interviste:
The Collected Letters of Thomas Hardy, eds. Purdy, R. L., and Millgate, M., Oxford, Oxford UP, 1978- 1988 (7 vols).
The Literary Notes of Thomas Hardy (2 vols), ed. by Lennart A. Björk, London, Macmillan, 1985 (contiene i tre volumi di note che Hardy aveva chiamato ‘Literary Notes’ e le note del ‘1867’).
The Architectural Notebook of Thomas Hardy, Dorchester, ed. Dorset Natural History and Archaeological Society, Dorset County Museum, 1966 (riprodotto in facsimile).
Thomas Hardy’s ‘Studies, Specimens &c.’ Notebook, ed. P. Dalziel and M. Millagate, Oxford, Clarendon Press 1994.
The Personal Notebooks of Thomas Hardy, ed. Richard H. Taylor, London, Macmillan, 1978 (contiene ‘Memoranda I’, ‘Memoranda II’, ‘School of Painting Notebook’, ‘Trumpet Major Notebook’, e qualche passaggio dell’autobiografia omessa nella versione finale, più qualche documento ‘ancillary’).
Thomas Hardy’s ‘Facts’ Notebook, ed. W. Greenslade, Aldershot and Burlington, Ashagate, 2004.
Thomas Hardy’s Personal Writings: Prefaces, Literary Opnions, Reminiscences, ed. Harold Orel, London, Macmillan, 1966, Lawrence, University of Kansas Press, 1967.
Thomas Hardy’s Public Voice: The Essays, Speeches and Miscellaneous Prose, ed. by Michael Millgate, Oxford, Clarendon Press, 2001.
Thomas Hardy: Interviews and Recollections, ed. by James Gibson, Basingstoke, Macmillan Press, 1999.
A Conversation between Thomas Hardy and William Archer (The Critic, New York, 1901), St. Peter Port, The Toucan Press, 1979.
Testi Secondari
Studi biografici e bibliografici:
Blunden, Edmund, Thomas Hardy, London, Macmillan, 1942.
Brennecke, Ernest, The Life of Thomas Hardy, New York, Haskell
House Publishers, 1973.
Bugler, G., Personal Recollections of Thomas Hardy, Dorchester, Dorset
Natural and Archaeological Society, 1962. (audio)
Collins, Vere H., Talks with Thomas Hardy at Max Gate, 1920-1922,
London, Duckworth, 1928.
Cox, R.G., Thomas Hardy: The Critical Heritage, London, Routledge
and Kegan Paul, New York, Barnes and Noble Inc, 1970.
Gibson, James, Thomas Hardy: A Literary Life, Basingstoke, Macmillan
Press, 1996.
Gittings, Robert, Young Thomas Hardy, London, Heinemann, 1975.
The Older Hardy, London, Heinemann, 1978.
Gittings, Robert and Manton, Jo, The Second Mrs Hardy, London,
Heinemann, 1979.
Hardy, Emma, Diaries, ed. Richard H. Taylor, Manchester, Mid
Northumberland Arts Group and Carcanet New Press, 1985.
Hardy, Emma, Some Recollections of Emma Hardy, eds. Hardy, Evelyn
and Gittings, Robert, New York, Oxford UP, 1961.
Hardy, Evelyn, Thomas Hardy: A Critical Biography, London, Hogarth
Press, 1954.
Kay-Robinson, Denys, The First Mrs Thomas Hardy, London,
Macmillan, 1979.
Letters of Emma and Florence Hardy, ed. by Michael Millgate, Oxford, Clarendon Press, 1996.
Millgate, Michael, Thomas Hardy: A Biography, Oxford, Oxford UP,
1982.
Thomas Hardy. A Biography Revisited, Oxford, Oxford UP, 2004.
Thomas Hardy: His Career as a Novelist, London, Bodley Head, 1971.
One Rare Fair Woman: Thomas Hardy’s Letters to Florence Henniker 1893-1922, eds. Evelyn Hardy and F. B. Pinion, London, Macmillan, 1972.
Oxford Reader’s Companion to Hardy, ed. Norman Page, Oxford, Oxford UP, 2000.
Pite, Ralph, Thomas Hardy: The Guarded Life, London, Picador 2006. Purdy, Richard L., Thomas Hardy A Bibliographical Study (first
published OUP 1954) British Library, Oak Knoll Press, 2002.
Seymour-Smith, Martin, Hardy, London, Bloomsbury, 1994.
Thomas Hardy and His Readers, eds. by L. Lerner e John Holmstrom, London Sydney Toronto, The Bodley Head, 1968.
Thomas Hardy Remembered, ed. Martin Ray, Aldershot, Ashgate, 2007.
Studi monografici su Thomas Hardy:
Armstrong, Tim, Haunted Hardy. Poetry, History, Memory, New York,
Palgrave, 2000.
The poetry of the winter: the idea and nature of the late career in the works of Hardy, Yeats, and Stevens, London, University of London, 1986.
Asquith, Mark, Thomas Hardy, Metaphysics and Music, London,
Palgrave Macmillan, 2005.
Bäckman, Sven, The manners of ghosts: a study of the supernatural in Thomas Hardy’s short poems, Göteborg, Acta Universitatis Gothoburgensis, 2001.
Bailey, J. O., The Poetry of Thomas Hardy: A Handbook and Commentary, Chapel Hill (North Carolina), University of North Carolina Press, 1970.
Thomas Hardy and the Cosmic Mind, Chapel Hill, The University of North Carolina Press, 1956.
Banerjee, A., An Historical Evaluation of Thomas Hardy’s Poetry, New
York, The Edwin Mellen Press, 2000.
Barber, D. F., Concerning Thomas Hardy, London, Skilton, 1968.
Batra, Indu, Poetic Justice in Eighteenth and Nineteenth Century British Fiction, New Delhi, Radha Pubblication, 2001.
Bayley, John, An Essay on Thomas Hardy, Cambridge, Cambridge UP,
1978.
Beatty, Claudius J.P., Thomas Hardy: Conservation Architect,
Dorchester, Dorset Natural History and Archaeological Society, 1995.
Beer, Gillian, Darwin’s Plots, Oxford, Oxford University Press, 1983.
Open Fields: Science in Cultural Encounters, Oxford, Oxford UP, 1996.
Bindella, Maria Teresa, Scena e Figura nella Poesia di Thomas Hardy,
Pisa, Pacini Editore, 1979.
Binni, F., Hardy Poeta. Immaginazione e Necessità, Modena, Mucchi
editore, 1995.
Björk, Lennart, Psychological Vision and Social Criticism in Thomas Hardy, Stockholm, Acta Universitatis Stockholmiensis, 1987.
Brennecke, Ernest, Thomas Hardy’s Universe: a Study of a Poet’s Mind, London, T. Fisher Unwin, 1924.
Brooks, Jean, Thomas Hardy: The Poetic Structure, London, Elek,
1971.
Buckler, William E., The Poetry of Thomas Hardy: A Study in Art and Ideas, New York e London, New York University Press, 1983.
Bugliani, Francesca, Hardy e le poesie degli anni Sessanta, Pisa, ETS,
Bullen, J. B., The Espressive Eye, Oxford, Clarendon Press, 1986.
Campbell, Matthew, Rhythm and Will in Victorian Poetry, Cambridge,
Cambridge UP, 1999.
Casagrande, John, Unity in Hardy’s Novels: ‘repetitive symmetries’,
London, Macmillan, 1982.
Hardy’s Influence on the Modern Novel, Basingstoke, Macmillan, 1987.
Chapman, Raymond, The Language of Thomas Hardy, Basingstoke e
London, Macmillan, 1990.
Collins, Deborah L., Thomas Hardy and His God: A Liturgy of Unbelief, London, Macmillan, 1990.
Cooper, Andrew, Giving Voice to Differences in the Language and Literature: on Obscured Labour, University of Salford, European Studies Research Institute, 1994.
Dainotto, Roberto M., Place in Literature. Regions, Cultures, Communities, Ithaca and London, Cornell UP, 2000.
D’Exideuil, Pierre, The Human Pair in the Work of Thomas Hardy,
Humphrey Toulmin, London, 1930.
Davie, Donald, Thomas Hardy and the British Poetry, London and
Henley, Routledge and Kegan Paul, 1973.
The Purity of Diction in English Verse (1952), Manchester, Carcanet Press, 1994.
With the Grain, Manchester, Carcanet Press, 1998.
Day Lewis, Cecil, The Lyrical Poetry of Thomas Hardy, London, G.
Cumberlege, 1953.
De Sola Pinto, Vivien, Crisis in English Poetry (1880-1940), London,
Arrow Books, 1963.
DeLaura, David J., Hebrew and Hellene in Victorian England: Newman, Arnold, and Pater, Austin and London, University of Texas Press, 1969.
Dutt, Mainak, Nature and human nature in Thomas Hardy, New Delhi,
Bahri Publications, 1990.
Ebbatson, Roger, Hardy: the Margin of the Unexpressed, Sheffield,
Sheffield Academic Press, 1993.
The Evolutionary Self: Hardy, Forster, Lawrence, Brighton, Harvester Press, 1982.
Enstice, A., Hardy: Landscapes of the Mind, London, Macmillan, 1979 Faurot, Margaret, Hardy’s Topographical Lexicon and the Canon of Intent. A Reading of Poetry, vol. III, New York, Peter Lang, 1990.
Frattolin, Maria Paola, Thomas Hardy: Movimento e Spazio, Udine,
Ribis, 1988.
Fussell, Paul, The Great War and Modern Memory, New York, Oxford
UP, 1975.
Gatrell, Simon, Hardy the Creator: A Textual Biography, Oxford,
Clarendon Press, 1988.
The Proper Study of Mankind, London, Macmillan, 1993.
Hardy’s Vision of Wessex, Houndsmills, Basingstoke, Palgrave Macmillan, 2003.
Gibson, James, Thomas Hardy, New York, St. Martin’s Press, 1996. Giordano, Frank, “I’d have my life unbe”: Thomas Hardy’s self-destructive characters, Ala University, University of Alabama Press, 1983.
Glendening, John, The Evolutionary Imagination in Late-Victorian Novels. An Entangled Bank, Aldershot, Ashgate, 2007.
Goode, John, The offensive Truth, Oxford, Basil Blackwell, 1988.
Gosse, E., “Mr. Hardy’s Lyrical Poems”, in Some Diversions of a Man of Letters, New York, Charles Scribner’s Sons, 1919.
Green, Brian, Hardy’s Lyrics: Pearls of Pity, New York, St. Martin’s
Greenslade, William, Degeneration, Culture and the Novel, 1880-1940,
Cambridge, Cambridge UP, 1994.
Gross, Harvey, Sound and Form in Modern Poetry, Ann Arbor, The
University of Michigan Press, 1965.
Hands, Timothy, Thomas Hardy: Distracted Preacher? Hardy’s Religious Biography and its Influence on his Novels, Basingstoke, Macmillan Press, 1989.
A Hardy Chronology, Basingstoke, Macmillan, 1992.
Hardy, Barbara, Imagining Imagination in Hardy’s Poetry and Fiction,
London, Athlone, 2000.
The Appropriate Form (1964), London, Athlone Press, 1971.
Hawkins, Desmond, Hardy: Novelist and Poet, New York, Barnes and
Noble, 1976.
Hardy at Home. The People and Places of His
Wessex, London, Barrie and Jenkins, 1989.
Hillis Miller, J., , Distance and Desire, Cambridge (Mass.), Harvard
University Press, 1970.
Fiction and Repetition, Cambridge (Mass.), Harvard UP: 1982.
Howe, Irving, Thomas Hardy, London, Weidenfield and Nicholson,
1968.
Hughes, John, ‘Ecstatic Sound’: Music and Individuality in the Work of Thomas Hardy, Aldershot, Ashgate, 2001.
Hyman, Virginia R., Ethical Perspective in the Novels of Thomas Hardy, London, Kennikat Press, 1975.
Hynes, Samuel, The Pattern of Hardy’s Poetry, Chapel Hill, University
of North Carolina Press, 1961.
Irwin, Michael, Reading Hardy’s Landscapes, Basingstoke, Macmillan,
2000.
Izzo, Carlo, Poesia Inglese Contemporanea da Thomas Hardy agli Apocalittici, Parma, Guanda, 1950.
Kramer, Dale, Thomas Hardy: The Forms of Tragedy, London,
Macmillan, 1975.
Lance, St. John Butler, Victorian Doubt, Hemel Hempstead, Harvester
Wheatsheaf, 1990.
Registering the Difference, Manchester and New York, Manchester University Press, 1999.
Langbaum, R., Thomas Hardy in Our Time, London, Macmillan, 1995. Langer, Suzanne, Feeling and Form, London, Routledge &Kegan Paul,
1953.
Lanzano, Ellen Anne, Hardy: The Temporal Poetics, New York, Peter
Lang, 1999.
Lerner, Laurence, The Uses of Nostalgia: Studies in Pastoral Poetry,
New York, Schocken, 1972.
The Literary Imagination, Brighton, Harverster Press, 1982.
Levine, George, Darwin and the Novelists, Cambridge (Mass.), Harvard
University Press, 1988.
Realistic Imagination, London and Chicago, University of Chicago Press, 1981.
Marroni, Francesco, Disarmonie Vittoriane, Roma, Carocci Editore,
2002.
La poesia di Thomas Hardy, Bari, Adriatica, 1997.
Thomas Hardy, eds. Marroni, F. e Page, N., Pescara, Tracce, 1995.
Marsden, Kenneth, The Poems of Thomas Hardy: A Critical Introduction, London, The Athlone Press, 1969.
Marsh, Jan, Back to the Land. Pastoral Impulse in England, from1880 to 1914, London Melbourne New York, Quartet Books, 1982.
Meisel, Perry, Thomas Hardy: The Return of the Repressed, New Haven
( Conn.) and London, Yale UP, 1972.
Mills, Charles Wright, The Sociological Imagination, New York, Grove
Moore, Kevin. Z., The Descent of the Imagination. Postromantic Culture in the Later Novels of Thomas Hardy, New York and London, New York University Press, 1990.
Morrell, Roy, Thomas Hardy: The Will and the Way, Kuala Lumpur,
University of Malaya Press, 1965.
Morgan, Rosemarie, Cancelled Words: Rediscovering Thomas Hardy,
NewYork, Routledge, 1992.
Women and sexuality in the novels of Thomas Hardy, London, Routledge, 1988.
Murfin, Ross C., Swinburne, Hardy, Lawrence and the Burden of Belief,
Chicago and London, The University of Chicago Press, 1978.
Murphy, Patricia, Time is the Essence, Albany, State of New York
Press, 2001.
Murry, John Middleton, ‘The Poetry of Thomas Hardy’ (Athenaeum
1919), rpt. in Aspects of Literature, London, Collins, 1920.
Nature and the Victorian Imagination, ed. U. C. Knoepflmacher and G. B. Tennyson, Berkeley, Los Angeles, London, University of California Press, 1977.
Nevinson, Henry W., Thomas Hardy, London, George Allen & Unwin,
1941.
O’Sullival, Timothy, Thomas Hardy: An Illustrated Biography, London,
Macmillan, 1975.
Orel, Harold, The Final Years of Thomas Hardy, 1912-1928, London,
Macmillan, 1976.
Thomas Hardy’s Epic Drama. A Study of The Dynasts, Lawrence, University of Kansas Press, 1963.
O’Toole, Tess, Genealogy and Fiction in Hardy: Family Lineage and Narrative Lines, Houndmills e London, Penguin, 1997.
Paterson, J., The Making of The Return of the Native, Westport (Conn.),
Patil, Mallikarjun, Thomas Hardy’s Poetry and Existentialism, New
Delhi, Atlantic Publishers, 1999.
Persoon, James, Hardy’s Early Poetry, New York, Lexington Books,
2000.
Pinion, F. B., A Hardy Companion. A Guide to the Works of Thomas Hardy and their Background, London, Macmillan, 1976.
Thomas Hardy: Art and Thought, London, Macmillan, 1977.
A Commentary on the Poems of Thomas Hardy, London, Macmillan, 1976.
Pite, Ralph, Hardy’s Geography. Wessex and the Regional Novel.
London, Palgrave, 2002.
Proietti, L’alba del Modernismo, Pescara, Tracce, 1996.
Radford, Andrew, Thomas Hardy and the Survivals of Time, Aldershot,
Ashagate, 2003.
Ramazani, Jahan, Poetry of Mourning: The Modern Elegy from Hardy to Heaney, Chicago, Chicago UP, 1994.
Richardson, Angelique, Love and Eugenics in the Late Nineteenth Century, Oxford, Oxford UP, 2003.
Richardson, James, Thomas Hardy. The Poetry of Necessity, Chicago e
London, The University of Chicago Press, 1975.
Rovera, Gianni, Poetica dello Spazio e Dimensione Umana in Thomas Hardy, Torino, G. Giappichelli, 1982.
Rutland, William R., Thomas Hardy: A Study of his Writings and their Background, Oxford, Basil Blackwell, 1938.
Sacks, Peter M., The English Elegy. Studies in the Genre from Spencer to Yeats, Baltimore London, The John Hopkins UP, 1985.
Salter, C. H., Good Little Thomas Hardy, New York, Barnes and Noble,
1981.
Southerington, F.R., Hardy’s Vision of Man, London, Chatto & Windus,
Southworth, James Granvelle, The Poetry of Thomas Hardy, New
York, Russell and Russell, 1966.
Spina, Giorgio, I romanzi provinciali di Thomas Hardy, Genova,
Tilgher, 1977.
Springer, Marlene A., Hardy’s Use of Allusion, London, Macmillan,
1983.
Stewart, J. I. M., Thomas Hardy: A Critical Biography, London,
Longmans, 1971.
Eight Modern Writers, Oxford, Clarendon Press, 1963.
Summer, Rosemarie, A Route to Modernism: Hardy, Lawrence, Woolf,
London, Macmillan; New York, St. Martin’s Press, 2000.
Sutherland, J., So You Think You Know Thomas Hardy?, Oxford,
Oxford UP, 2005.
Symons, Arthur, Thomas Hardy, London, Chas. J. Sawyer, 1927. Taylor, Dennis, Hardy’s Poetry 1860-1928, London, Macmillan, 1981.
Hardy’s Metres and Victorian Prosody, Oxford, Clarendon Press, 1988.
Hardy’s Literary Language and Victorian Philology, Oxford, Clarendon Press, 1993.
Thatcher, David, Nietzsche in England 1890-1914, Toronto, University
of Toronto Press, 1970.
Vargish, Thomas, The Providential Aesthetic in Victorian Fiction,
Charlottesville, University Press of Virginia, 1985.
Vigar, Penelope, The Novels of Thomas Hardy: Illusion and Reality,
London, Athlone, 1974.
Villari, E., “Il Vizio Moderno dell’Irrequietezza”. Saggio sui romanzi di Thomas Hardy, Bari, Adriatica, 1990.
Ward, John Powell, Thomas Hardy’s Poetry, Buckingham e
Webster, Harvey Curtis, On a Darkling Plain. The Art and Thought of Thomas Hardy, Chicago, University of Chicago Press, 1947.
Wheeler, Michael, The Art of Allusion in Victorian Fiction, London,
Macmillan, 1979.
White, R. J., Thomas Hardy and History, London, Macmillan, 1974. Wickens, G. Glen, Hardy, monism, and the carnival tradition: the one and the many in The Dynasts, Toronto and London, University of Toronto Press, 2002.
Widdowson, Peter, Hardy in History: A Study in Literary Sociology,
London, Routledge, 1989.
Wing, George, Hardy, London e Edinburgh, Oliver and Boyd, 1963. Wright, Sarah Bird, Thomas Hardy A to Z: The Essential Reference to His Life and Work, New York, Facts on File, 2002.
Wright, Walter F., The Shaping of the Dynasts: A Study in Thomas Hardy, Lincoln, University of Nebraska Press, 1967.
Zietlow, Paul, Moments of Vision. The Poetry of Thomas Hardy,
Cambridge (Mass.), Harvard University Press, 1974.
Raccolte di saggi:
A Spacious Vision, Essays on Hardy, eds. P. V. Mallett e R. P. Draper, Newmill (Cornwall), The Patten Press, 1994.
Alternative Hardy, ed. Lance St. John Butler, Basinstoke, Macmillan, 1989.
Budmouth Essays on Thomas Hardy, ed. F. B. Pinion, Dorchester, The Thomas Hardy Society, 1976.
Celebrating Thomas Hardy. Insights and Aprreciations, ed. Charles P. C. Pettitt, London, Macmillan; New York, St. Martin’s Press, 1996.
Critical Essays on Thomas Hardy’s Poetry, ed. Harold Orel, New York, G. K. Hall and Co., 1995.
Human Shows. Essays in Honour of Michael Millgate, eds. Morgan R. e Nemesvari R., New Haven, The Thomas Hardy Association Press, 2000.
New Perspectives on Thomas Hardy, ed. Charles P. C. Pettit, London, Macmillan, 1994.
Palgrave advances in Thomas Hardy studies, ed. Phillip V. Mallett, New York, Basingstoke, Palgrave Macmillan, 2004.
Reading Thomas Hardy, ed. Charles P. C. Pettit, London, Macmillan, 1998.
The Achievement of Thomas Hardy, ed. P. V. Mallett, New York, St. Martin’s Press, 2000.
The Genius of Thomas Hardy, ed. Margaret Drabble, London, Weidenfeld and Nicolson, 1976.
Thomas Hardy after Fifty Years, ed. Lance St. John Butler, London, Macmillan, 1978.
Thomas Hardy and Contemporary Literary Studies, eds. Dolin T., e Widdowson P., London, Palgrave Macmillan, 2004.
Thomas Hardy Reappraised: Essays in Honour of Michael Millgate, Toronto, Buffalo, London, University of Toronto Press, 2006.
Thomas Hardy: Family History, ed. by Norman Page (5 vols), London, Routledge, Thoemmes Press, 1998.
Thomas Hardy: Texts and Contexts (materiale audio).
Thomas Hardy: The Writer and his Background, ed. Page, Norman, London, Bell and Hyman, 1980.
Thomas Hardy; a Collection of Critical Essays, ed. Guérard, Albert, J., Englewood Cliffs (NJ), Prentice- Hall, 1964.
“Twentieth Century Interpretations of Tess of the d’Urbervilles”, ed. Albert J. la Valley, Englewood Cliffs (N.J.), Prentice-Hall, 1969.
Articoli su Thomas Hardy:
Alvarez, A., Introduzione di The New Poetry, Harmondsworth, Penguin,
1962.
Armstrong, Tim, “Thomas Hardy”, Victorian Poetry, volume 38, no. 3,
Fall 2000, pp. 422- 426.
Armstrong, Tim, “Thomas Hardy: Poems of 1912-13”, A Companion to Twentieth Century Poetry, ed. Neil Roberts, Oxford, Blackwell, 2003, pp. 359- 368.
Bajda-Pawlikowska, M., “‘A Room as viewed by a mouse’: Hardy’s
Defamiliarising Use of Strange Perspective”, in The Hardy Society
Journal, vol. 3, no. 1, Spring 2007
Baigent, Beryl, Thomas Hardy Journal, 8.3, Oct. ’92, p. 73.
Bailey, John O., “Mephistophelian Visitants”, PMLA, 61, 1946, pp.
1146- 84.
Beckman, Richard, ‘A Character Typology for Hardy’s Novels’, ELH,
XXX , March 1963, pp. 70-87.
Beer, G., “The Senses in Musical Settings of Hardy’s Poems”, Thomas Hardy Journal, vol. XXII, Autumn 2006, pp. 7-14.
Benvenuto, Richard, “The Small Free Space in Hardy’s Poetry”, in Victorian Poetry, 17, 1-2- (Spring-Summer 1979), pp. 31-44.
Björk, Lennart A., ‘“Visible Essences”’, English Studies, 53.
Burns, R. A., “Imagery in Hardy’s ´The Darkling Thrush`”, in Concerning Poetry, 10, 1 (Spring 1977), pp.87-89.
Butler, R., “A Study of Rhyme and Metre in two Hardy Sonnets”, Thomas Hardy Journal, vol. XIX, February 2003, pp. 61- 64.
Costantini, Mariaconcetta, “La funzione ermeneutica del visionario
nella poesia di Thomas Hardy. Un’analisi di ´Wessex Heights`”, in
Dalziel, Pamela, ‘Hardy’s Sexual Evasions: The Evidence of the
“Studies, Specimens &c.” Notebook’, Victorian Poetry, 31 (1993), 143-55.
Dalziel, Pamela, ‘Drawings and Withdrawings: The Vicissitudes of
Thomas Hardy’s Wessex Poems’ in Studies in Bibliography, vol. 50 (1997) pp. 390-400.
Eagleton, Terry, “Thomas Hardy: Nature as Language” in The Critical Quarterly, XIII, 1971, pp. 155-162.
Ebbatson, Roger, “‘Trooped Apparitions’: Hardy and the Boer War”, CritSt 11, no. 3, 1999, pp. 28- 58.
Forsyth, R. A., “The Conserving Myth of William Barnes”, Victorian Studies, vol. VI, no. 4, June 1963, pp. 325- 354.
Gewanter, David, ‘”Undervoicings of loss” in Hardy’s Elegies to His
Wife’, Victorian Poetry, vol. 29, no. 3 (1991), pp. 193- 208.
Gibson, Walker, “Behind the Veil: A Distinction between Poetic and
Scientific Language in Tennyson, Lyell, and Darwin”, Victorian Studies, vol. II, no. 1, September 1958, pp. 60- 68.
Gose, Elliot B., “Psychic Evolution: Darwinism and Initiation in Tess of the d’Urberviless,” Nineteenth century Fiction XVIII (1963), pp. 261-72.
Green, Brian, “A Sun for His Soul: Worth, Wonder, and Warmth”, Colby Quarterly, 30 (1994), pp. 119-30.
Green, Brian, “Hardy’s Poetic Undervision: A Way of Looking Fully at
“The Worst””, Unisa English Studies 30.1 (1992), 26-33.
Hagan, John, “A Note on the Significance of Diggory Venn”, Nineteenth Century Fiction, vol. 16, 1961-2, p. 153.
Hervoche, Brigitte, “Lieux dits et maudits dans ‘Neutral Tones’ et
‘Amabel’, deux Poèmes de Thomas Hardy”, Cahiers Victoriens et
Edouardiens 49, 1999, pp. 87- 98.
Hillis, Miller J., “´Wessex Heights`: The Persistence of the Past in
Hardy’s Poetry”, in Critical Quarterly, 10, 4 (Winter 1968), pp.339-359. “The Theme of the Disappearance of God in Victorian Poetry”, Victorian Studies, VI (1963), pp. 207- 227.
“Derrida’s Topographies”, South Atlantic Review, vol.
59, no. 1 (Jan. 1994).
Holland, Henry, “The progress and spirit of physical science”, Edinburgh Review 108, (1958).
“Jude the Obscure: Hardy’s Symbolic Indictment of Christianity”, Nineteenth-Century Fiction, IX, 1954-1955, pp. 50-60.
Holloway, John, ‘Hardy’s Major Fiction’, The Charted Mirror, 1960,
pp. 94-107.
Hyde, William J., ‘Hardy’s View of Realism: A Key to the Rustic
Characters’, Victorian Studies, II (1958-9) 45-59.
Irwin, Michael, “Insects in Hardy’s Novels”, Thomas Hardy Journal,
vol. X, no. 3, October 1994, pp. 54- 63.
Johnson, S. F., ‘Hardy and Burke’s “Sublime”’, Style in Prose Fiction
(English Institute Essays, 1959: New York 1959) pp. 55-86.
Johnson, Trevor, ‘”Ancestral Voices”: Hardy and the English Poetic
Tradition’, Victorian Poetry, vol 29, no. 1 (1991), pp. 47- 62.
Johnson, Trevor, “Some Hardy Poems Considered”, Thomas Hardy Journal, vol. V, no. 3, October 1989, pp. 72- 79.
Keery, James, “Inspired Triangulation: Thomas Hardy and British
Poetry”, PN Review (Manchester), 26.5, May-June 2000.
Kramer, Kathryn, “An Agnostic Cliffhanger: Anxiety and Belief in
Hardy’s A Pair of Blue Eyes and Leslie Stephen’s ‘A Bad Five Minutes in the Alps’”, Thomas Hardy Journal, vol. XXII, Autumn 2006, pp. 196- 207.
Lock, Charles, “´The Darkling Thrush` and the Habit of Singing”, in Essays in Criticism, vol. 36, no. 2 (April 1986), pp. 121- 41.
Lovesey, Oliver, “Reconstructing Tess”, in SEL, 43, 4 (Autumn 2003). Macarthur, Marit J., “Rhythms of Grief in Hardy’s ‘Poems of
1912-13”, Thomas Hardy Journal, vol. XX, February 2004, pp. 38- 48.
Madden, William A., “The Divided Tradition of English Criticism”, PMLA, LXXIII (March 1958), pp. 69-80.
Mallett, P., “’You Were She’: Hardy, Emma, and the ‘Poems of
1912-13”, Thomas Hardy Journal, vol. XX, October 2004, pp. 54- 75.
Marroni, F., “Il testo poetico e le sue trame. Per una lettura di “The
Convergence of the Twain”, Merope, anno III, no. 4, Giugno 1991, pp. 7- 34.
“An August Midnight: Thomas Hardy e la scena darwiniana della scrittura, RSV, anno I, no. 1, gennaio 1996, pp. 5- 23. “‘The Three Strangers’: Thomas Hardy e la testualizzazione del Wessex”, Merope, anno I, no. 1, novembre 1989, pp. 83- 100.
“Thomas Hardy e i segni del volto. Per una lettura fisionomica di The Return of the Native”, Merope, anno X, no. 25, settembre 1998, pp. 5- 28.
May, Charles, “Thomas Hardy and the Poetry of the Absurd”, in Texas Studies in Literature and Language, 12, 1 (Spring 1970), pp. 63-73.
Minogue, Sally, “The Dialect of Common Sense: Hardy, Language and
Modernity”, Thomas Hardy Journal, vol. XXIII, Autumn 2007, 156- 172.
Morgan, W., “Form, Tradition and Consolation in Hardy’s ‘Poems of
1912-13’”, in PMLA, , vol. 89, 3, (May 1974).
Morrel, Roy, “Hardy in the Tropics: Some implications of Hardy’s
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Indice
Introduzione i-xii
Capitolo 1 “Distant Past” e “Recent Past” 1
1.1 La coscienza del “Past repeating” 10
1.2 Memoria e verità 25
1.3 Evoluzione, religione e poesia 44
1.4 Lo spazio e il tempo del ricordo 58
1.5 “Life’s alloy” 75
Capitolo 2 “Geographical Unity” e “Genetic Continuity” 86
2.1 L’universalità del provincialismo hardiano 97
2.2 Il “palpable dilemma” dell’eugenetica vittoriana
e la consolazione bergsoniana 115
2.3 La condizione umana e la grazia popolare 142
2.4 L’alleanza feconda tra presente e passato 150
2.5 Il rifugio ellenico dai “modern nerves” 160
Capitolo 3 “Hardy’s Grotesque Realism” 171
3.1 Memoria: “clear gaze” e “substance of life” 184
3.2 “Modern nerves” e “Primitive feelings” 203
3.3 “The Living Poetry” 219
3.4 L’educazione hardiana al grottesco 232
Conclusioni 247
