CRHIMA - Cultural rupestrian heritage in the circum - mediterranean area. Common identity, new perspective. Conference. Abstracts

CRHIMA CULTURAL RUPESTRIAN HERITAGE

IN THE CIRCUM-MEDITERRANEAN AREA

Common Identity - New Perspective

CONFERENCE

FIRENZE 21-23 GIUGNO 2012

ABSTRACTS

Organizing Committee R. Caprara - Archeogruppo “E. Jacovelli” Massafra C. Crescenzi - Dip.to di Architettura - DSP G. Gonnella - Dip.to di Architettura - DSP F. Gramellini - Centro Unesco di Firenze G. Poli - Dip.to di Architettura - DSP M. Scalzo - Dip.to di Architettura - DSP G.Verdiani - Dip.to di Architettura - DSP

6FLHQWL¿F&RPPLWWHH )$OLR÷OX.DGLU+DVhQLYHUVLWHVL9LUWX$UW)DFXOWL,VWDQEXO 0$QGDORUR8QLYHUVLWjGHOOD7XVFLD'LSWRGL6FLHQ]HGHL%HQL&XOWXUDOL9LWHUER 0$OSHU.DGLU+DVhQLYHUVLWHVL9LUWX$UW)DFXOWL,VWDQEXO 0$VVLPDNRSRXORX1DWLRQDODQG.DSRGLVWULDQ8QLYHUVLW\RI$WKHQV 0%LQL8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP R. Caprara - Archeogruppo “E. Jacovelli” Massafra. Taranto &&UHVFHQ]L8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP E. Crescenzi - Ecole Nationale Supérieure d’Architecture de Paris La Villette F. Dell’Aquila - Archeogruppo “E. Jacovelli” Massafra. Taranto ('H0LQLFLV8QLYHUVLWjGHOOD7XVFLD'LSWRGL6FLHQ]HGHL%HQL&XOWXUDOL9LWHUER A. De Pascale - Museo Archeologico del Finale-IISL e Centro Studi Sotteranei di Genova -/+LJyQ8QLYHUVLWDW3ROLWqFQLFDGH9DOpQFLD([SUHVLyQ*Ui¿FD$UTXLWHFWyQLFD -/ORSLV9HUG8QLYHUVLWDW3ROLWqFQLFDGH9DOpQFLD([SUHVLyQ*Ui¿FD$UTXLWHFWyQLFD $7RUUHV%DUFKLQR8QLYHUVLWDW3ROLWqFQLFDGH9DOpQFLD([SUHVLyQ*Ui¿FD$UTXLWHFWyQLFD 87UDPRQWL8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP ([KLELWLRQ&RPPLWWHH %$OSHU.DGLU+DVhQLYHUVLWHVL9LUWX$UW)DFXOWL,VWDQEXO 6%HUWRFFL8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP M. Coetmellec - Ecole Nationale Supérieure d’Architecture de Paris **La Villette

+&RVWD8QLYHUVLWDW3ROLWqFQLFDGH9DOpQFLD([SUHVLyQ*Ui¿FD$UTXLWHFWyQLFD &&UHVFHQ]L8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP <.(5.$1.DGLU+DVhQLYHUVLWHVL9LUWX$UW)DFXOWL,VWDQEXO 06FDO]R8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP A. Tsolaki - MsC-Bioclimatic Architect *9HUGLDQL8QLYHUVLWjGHJOL6WXGLGL)LUHQ]H'LSWR$UFKLWHWWXUDDSP Archaeological tour Committee /$UFDQJHOL%HQLFXOWXUDOLH3DUFRDUFKHRORJLFR&RPXQHGL6RUDQR C. Crescenzi - Dip.to di Architettura - DSP /)DVWHOOL$VVWR&XOWXUDH7XULVPR%HQL&XOWXUDOL3DUFR$UFKHRORJLFR

The editors would like to thank all those who contributed with their work to the interna-tional congress and given their authorisation for publication. The editors and the orga-nizers cannot be held responsible for either the contents or opinions expressed in these works. In addition, the authors hereby declare that the contents of this communication are original ones, or when appropriate, they have the corresponding authorisation to include, use or adapt long quotations or tables and illustrations from other works.

This is a double blind peer review publication evaluated by experts in the ¿eld rupestrian settlements in the mediterranean region.The sources and information found within that particular work has been veri¿ed by the referee committee. The referee committee was selected by the scienti¿c committee of the &onference among the most experts in this ¿eld peer review referee screened the submitted articles. This process has been chosen to encourage authors to meet the accepted standards of their discipline and to prevent the dissemination of irrelevant ¿ndings or uncorrect interpretations.

‹ &opyright 

DAdsp - UniFi

via San Niccolò 95 - 50125 Firenze ISBN 978-88-96080-07-8 a cura di Carmela Crescenzi Editing Carlotta Tozzini Printed by 7LSRJUD¿DLO'DYLG)LUHQ]H

CONTENTS:

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$$OWDGRQQD00DQJDQDUR$1DVWDVL  Project on the rock painting in Cappadocia. Research paths

0$QGDORUR&3HORVL33RJOLDQL'6JKHUUL   7KHDUHDVRXWKRI%DUL$QDUFKLYHIRUURFN\KDELWDWV

*$QGUHDVVL(3XWLJQDQR&06FLDOSL  Rupestrian settlements in the mediterranean region: from archaeology to good pratices for their restoration and protection

01$VVLPDNRSRXORV$7VRODNL(,3HWUDNL 12

The so-colled “crypt of one hundred niches” of the medieval settlement of the Pensieri ravine in the land of Grottaglie (Ta): stratigraphic and art historical survey

$$WWROLFR*%HUWHOOL The survey and documentation 3D of historical underground cavities

/%DUDWLQ*&KHFXFFL  Burjassot Silos: history and survey

+%DUURV(&RVWD31(VWHYH-+HUUDH]%RTXHUD  '6XUYH\IRUSRSXODUL]DWLRQRIXQGHUJURXQGKHULWDJH7KHFDVHVWXG\RI6W3DXO¶VFDWDFRPEVLQ 5DEDW0GLQD0DOWD 6%HUWRFFL03DVTXLQL/&KLHFKL*'¶$PEUXRVR 5XSHVWULDQZRUNVDQGDUWL¿FLDOFDYLWLHVEXLOGLQJWHFKQLTXHFDWHJRULHV 5%L[LR$'H3DVFDOH  0XVLFIRUEDJSLSHVLQWKH0HGLWHUUDQHDQ$UHD $&DSUDUD  Man-made hermitic caves in Apulia

R. Caprara . . . 26 The activities of the Territorial Museum of Palagianello to safeguarding and enhancement of living in caves in Apulia

'&DUDJQDQR/&DUXFFL  Development of cave-houses in Gran Canaria: landscape distorsion in the last decades

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C. Crescenzi . . . 32 Anthropisation of natural cavities in Val de Loire

(&UHVFHQ]L0&0pQDUG $Q$UFKDHRORJLFDODQG1DWXUDO3DUNIRUWKHUHGHYHORSPHQWRI&DVDERQD.5 S. Curcio . . . 36 &DYH)DFDGHVRI&DSSDGRFLDQ&KXUFKHVPRUSKRORJLFDODQDO\VLVDQGH[FDYDWLRQWHFKQLTXHV )GHOO¶$TXLOD%3ROLPHQL 7KHXQGHUJURXQGVLWHVLQWKH$GULDWLFIRRWKLOOVEHOWWKHFDVHRI³&DYHV´DW&DPHUDQR 6'L7RQGR-)DFFKL 

Rupestrian architecture in the world heritage list: Cappadocia case

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,*DJOLDUGL  Rupestrian Settlements in the valley of Manzanares River: functional occupations during XX century -/+LJzQ&DOYHW-/ORSLV9HUG0*LPHQH]5LEHUD3&DEH]RV%HUQDO Rupestrian religious practice in Spain during the Late Middle Ages

-/ORSLV9HUG~$7RUUHV%DUFKLQR-6HUUD/OXFK-/+LJyQ&DOYHW$*DUFtD&RGRxHU  Rupestrian settlements in Naples: the hermitage of S. Patrizia in the islet of Megaride

M. Martone . . . 50 *HQHVLVDQGUHFRQVWUXFWLRQRIWKHUXSHVWULDQWRPEVRI3HWUD G. Mazzacuva . . . 52 7KHVRFDOOHG6W1LFKRODV¶KHUPLWDJHDWWKH*DUJDQR$EEH\RI6DQWD0DULDGL3XOVDQRDUFKDHRORJLFDO DQGWRSRJUDSKLFDODQDO\VLVDQGODVHUVFDQQLQJDSSOLFDWLRQVDVSDUWRIDODQGVFDSHUHVWRUDWLRQSURMHFW )0RQDFR$)UDWWD5)DQHOOL)/D%UDFD6%LVFRWWL3)DYLD  5XSHVWULDQDUFKLWHFWXUHLQWKH0HGLWHUUDQHDQEDVLQDQGWKHUHODWLRQVKLS³4XDUU\$UFKLWHFWXUH´ C. Pentassuglia . . . 56 3D surveying of cave facades through the use of free photo modelling software

B. Polimeni . . . 58 7KHFDYHVLQ0DUFKHDSX]]OHWREHVROYHG

M. Scalzo . . . 60 A digital archive of the rupestrian sites for Old Town’s recovery

C. M. Scialpi . . . 62 Three models of troglodytic architecture in valencian region

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6 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

The charisma of stone landscapes does not leave one indifferent even in a period like RXUVZKHUHWHFKQRORJ\KDVUHDFKHGDVXFKVRSKLVWLFDWHGOHYHOWKDWDOOW\SHVRIUHIHUHQFHV EHFRPHLQDGHTXDWHWRWKHKDELWVDQGWHFKQLTXHVHQJDJHGLQWKHDUFKDHRORJLFDOVWXGLHV ,QPDQ¶VFRQVFLRXVQHVVUHPDLQVKRZHYHUDOZD\VSUHVHQWWKHSULPDOUHODWLRQVKLSZLWK VSDFHHPEHGGHGLQQDWXUHWKURXJKDPLQLPXPDFWLRQDQGWKHSUHYDOHQWXVHRIGLJJLQJ rather than adding. It emerges an ancient ancestral relationship highlighting again the YDOXHVRIQDWXUDOHOHPHQWVOLNHVWRQHZRRGDQGLQSDUWLFXODUWKHXVHRIOLJKWDVUDZ PDWHULDOVIRUWKHFRQ¿JXUDWLRQRIVSDFH

The relief map conformation have facilitated the rock settlements in many areas of the 0HGLWHUUDQHDQ7KHSRSXODWLRQVDGDSWLQJWKHPVHOYHVWRWKHVLWHFRQGLWLRQVDQGPRUSKR-ORJLFDO FOLPDWH FKDUDFWHULVWLFV DQG QDWXUDO UHVRXUFHV GHWHUPLQHG WKH DUHD LQKDELWDWLRQ since ancient times. The great settlement conditions in terms of environmental and local UHVRXUFHVKDYHEURXJKWLQWLPHWUDQVIRUPDWLRQVWKDWKDYHSHUPLWWHGDORQJWHUPXVHWKH DUHDVXSWRUHFHQWWLPHV7KHFKLHIFKDQJHVRFFXUUHGLQVRFLHW\QHYHUWKHOHVVGRQRWDO-ORZDQ\PRUHDQH[WHQVLYHXVHRIWKHVHUHJLRQVLIQRWZLWKLQWLQ\DUHDVDQGIRUVSHFLDO IXQFWLRQV5HXWLOL]LQJWKHDUHDVQRWHDVLO\DGDSWDEOHZLWKLQQHZFRPSOH[UHTXLUHPHQWV FDQGLVWRUWWKHRULJLQDOFKDUDFWHURIWKHXQHDV\ÀH[LEOHVSDFHVUHODWHGWRDW\SHRIVRFLHW\ HPERGLHGE\FXVWRPVULWXDOVDQGUK\PHVGLYHUVHDQGYHU\GLVWDQWIURPRXUV 2XUUHVHDUFKH[SORUDWLRQLVFKDUDFWHUL]HGE\WKHHPSOR\PHQWRIDWUDGLWLRQDOPHDVXUH-PHQWLQVWUXPHQWXWLOL]DWLRQGLUHFWDQGE\DQDGYDQFHGWHFKQRORJLFDORQHFRPSOH[RU LQGLUHFWLQRUGHUWRGRFXPHQWPRUHSURIRXQGWKHVSDFHVLQLVVXH

EXCURSIONS IN THE STONE LANDSCAPE ARCHITECTURE

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Il fascino dell’architettura rupestre non lascia indifferenti anche in un periodo come il QRVWURLQFXLODWHFQRORJLDKDUDJJLXQWROLYHOOLFRVuVR¿VWLFDWLGDIDUVHPEUDUHIXRULOXRJR RJQLULIHULPHQWRDGDELWXGLQLHDWHFQLFKHRUPDLUHOHJDWHVRORQHOO¶DPELWRGLVWXGLDUFKH-RORJLFL5LPDQHSHUzVHPSUHSUHVHQWHDOODFRVFLHQ]DGHOO¶XRPRLOUDSSRUWRSULPLJHQLR FRQORVSD]LRULFDYDWRDOO¶LQWHUQRGHLULSDULRIIHUWLGDOODQDWXUDFRQPLQLPRDSSRUWRH O¶XVRSUHYDOHQWHGHOOHYDUHSLFKHGHOO¶DJJLXQJHUH(PHUJHXQOHJDPHDQWLFRDQFHVWUDOH FKHULSURSRQHLOYDORUHGHJOLHOHPHQWLQDWXUDOLSLHWUDOHJQRHVRSUDWWXWWRTXHOORGHOOD OXFHFRPHPDWHULDSULPDSHUODFRQ¿JXUD]LRQHGHJOLVSD]L

/D FRQIRUPD]LRQH RURJUD¿FD KD FRQWULEXLWR D IDFLOLWDUH LQVHGLDPHQWL UXSHVWUL LQ PROWH aree del Mediterraneo. L’adattamento delle popolazioni alle condizioni morfologiche GHOVLWRHOHFDUDWWHULVWLFKHGHOFOLPDHGHOOHULVRUVHQDWXUDOLKDQQRIDWWRVuFKHWDOL]RQH IRVVHURDELWDWHVLQGDWHPSLUHPRWL/HFRQGL]LRQLIDYRUHYROLGHOO¶LQVHGLDPHQWRGDOSXQWR GLYLVWDDPELHQWDOHHGHOOHULVRUVHORFDOLKDQQRGDWROXRJRQHOWHPSRDWUDVIRUPD]LRQL FKHQHKDQQRSHUPHVVRXQXVRSUROXQJDWR¿QRDWHPSLUHFHQWL7XWWDYLDLFDPELDPHQWL QRWHYROLDYYHQXWLQHOODVRFLHWjQRQSHUPHWWRQRSLXQXVRHVWHQVLYRGLTXHVWHDUHHVH non per parti ridotte e per funzioni speciali. Riutilizzarli per nuove esigenze di carattere FRPSOHVVRFKHQRQSRVVRQRHVVHUHVRGGLVIDWWHSXzVQDWXUDUHLOFDUDWWHUHRULJLQDOHPD SRFRGXWWLOHGHJOLVSD]LOHJDWLDGXQWLSRGLVRFLHWjFRQXVLFRVWXPLULWLWHPSLVHPSUH più distanti dai nostri.

Il nostro viaggio è caratterizzato dall’uso di strumenti per il rilievo sia tradizionali (sem- SOLFLRGLUHWWLVLDWHFQRORJLFDPHQWHDYDQ]DWLFRPSOHVVLRLQGLUHWWLQHOORVSLULWRGLGRFX-mentare più a fondo gli spazi in questione.

VIAGGI NELL’ARCHITETTURA RUPESTRE

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8 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

The purpose of this report is to present the research activity carried out in Cappadocia VLQFHE\7XVFLD8QLYHUVLW\SHUIRUPHGZLWKLQWKHSURMHFW)RUDGDWDEDQNRIZDOO SDLQWLQJVDQGPRVDLFVRI$VLD0LQRUWKWKFHQWXULHVLPDJHVPDWHULDOVWHFKQLTXHV RIH[HFXWLRQGLUHFWHGE\0DULD$QGDORUR

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We will focus on three topics:

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¿UVWUHVXOWVRIWKHSODQRIVFLHQWL¿FDQDO\VHVFDUULHGRXWDFFRUGLQJWRDPHWKRGRORJLFDO path tested during the several years of surveys in Turkey. The aim of our work concerns WKHXQGHUVWDQGLQJRIFRQVWLWXWLYHPDWHULDOVH[HFXWLRQWHFKQLTXHVDQGFRQVHUYDWLRQFRQGL-WLRQVRIWKHZDOOSDLQWLQJVLQURFN\KDELWDWV&3HORVL33RJOLDQL 352-(&7217+(52&.3$,17,1*,1&$33$'2&,$5(6($5&+3$7+6 0$QGDORUR&3HORVL33RJOLDQL'6JKHUUL 'LSDUWLPHQWRGL6FLHQ]HGHLEHQLFXOWXUDOL8QLYHUVLWjGHJOL6WXGLGHOOD7XVFLD9LWHUER,WDOLD )LJ*|UHPH2SHQ$LU0XVHXP7RNDOwFKXUFKLQWHULRUYLHZ

Scopo fondamentale di questa relazione è presentare le attività di ricerca svolte dal 2006 LQ&DSSDGRFLDGDOO¶8QLYHUVLWjGHOOD7XVFLDQHOO¶DPELWRGHOSURJHWWR³3HUXQDEDQFDGDWL GHLGLSLQWLPXUDOLHGHLPRVDLFLLQ$VLD0LQRUH,9;9VHFRORLPPDJLQLPDWHULDOLWHF-QLFKHGLHVHFX]LRQH´GLUHWWRGD0DULD$QGDORUR

,OQRVWURODYRURLQ&DSSDGRFLDULJXDUGDODSLWWXUDUXSHVWUHQHOODVXDLQWHUDGXUDWDHQHL suoi vari aspetti.

Saranno esaminati tre argomenti:

OD&KLHVD1XRYDGL7RNDOÕD*|UHPHFKHVWLDPRVWXGLDQGRVHFRQGRPROWLSXQWLGLYLVWD O¶HODERUDWRSURJUDPPDLFRQRJUD¿FRODFRPPLWWHQ]DOHJDWDDOODFRUWHLPSHULDOHGL&R-VWDQWLQRSROLOHWHFQLFKHGLHVHFX]LRQHHLPDWHULDOLFRVWLWXWLYLVRSUDWWXWWRLODSLVOD]]XOL il contesto rupestre circostante per individuare le forme di insediamento che si sono suc-FHGXWHQHOWHPSRHGL¿FLGLFXOWRPRQDVWHULXQLWjDELWDWLYH0$QGDORUR

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LSULPLULVXOWDWLGHOSLDQRGLLQGDJLQLVFLHQWL¿FKHFRQGRWWRVXOODEDVHGLXQDPHWRGRORJLD messa a punto nei molti anni di lavoro in Turchia. Lo scopo del lavoro è l’individuazione GHLPDWHULDOLFRVWLWXWLYLGHOOHWHFQLFKHGLHVHFX]LRQHHGHOORVWDWRGLFRQVHUYD]LRQHGHL GLSLQWLPXUDOLLQDPELHQWHUXSHVWUH&3HORVL33RJOLDQL

PROGETTO SULLA PITTURA RUPESTRE IN CAPPADOCIA. PERCORSI DI RICERCA

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RUPESTRIAN SETTLEMENTS IN THE MEDITERRANEAN REGION: FROM ARCHAEOLOGY TO GOOD PRATICES FOR THEIR RESTORATION AND PROTECTION

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 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

The paper is focused on the stratigraphic and art historical study of the rupestrian church FDOOHG³RIRQHKXQGUHGQLFKHV´SODFHGRQWKHQRUWKHUQVORSHRIWKH3HQVLHUL¶VUDYLQH LQWKH*URWWDJOLH¶VFRXQWU\VLGH7KHEXLOGLQJLVSDUWRIDODUJHUUXUDOVHWWOHPHQWVHWRQ WKHURXWHRIDQLPSRUWDQWPHGLHYDOVKHHSWUDFN7UDWWXUHOOR7DUDQWLQRTXRWHGLQVRPH GRFXPHQWVDQGUHFRUGHGE\WKHDUFKDHRORJLFDOHYLGHQFH7KHVXUYH\UHDOL]HGZLWKODVHU VFDQQLQJWHFKQRORJ\VKRZHGWKDWWKHFKXUFKKDVXQGHUJRQHRYHUWLPHVRPHVWUXFWXUDO WUDQVIRUPDWLRQVWKDWOHGWRWKHJUDGXDOUHWUHDWRIWKHVRXWKHUQHQWUDQFHZDOOZKLFKGXH WRWKHFROODSVHRIWKHURFNIDFHZDVLQWHJUDWHGZLWKDIRUHSDUWLQSHULVKDEOHPDWHULDOVDV WHVWL¿HGE\WKHPDUNVRIZRRGHQEHDPVVWLOOYLVLEOHRQWKHIDFDGH ,QVLGHWKHUHDUHSDUWRIDVHDWVPRRWKFHLOLQJDQGZDOOVFKDUDFWHUL]HGE\QLFKHVRI GLIIHUHQWVKDSHDQGVL]HWKHIUHVFRVGLYLGHGLQDOPRVWGLVWLQFWSKDVHVDUHGDWHGLQWKH PDWXUH0LGGOH$JHVDQGGLVSOD\LQDGGLWLRQWRDQXPEHURIVDLQWVRQHRIWKHUDUH&KULV-tological cycle known in the rupestrian churches of the Southern Italy.

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THE SO-COLLED “CRYPT OF ONE HUNDRED NICHES” OF THE MEDIEVAL SETTLEMENT OF THE PENSIERI RAVINE IN THE LAND OF GROTTAGLIE (TA):

STRATIGRAPHIC AND ART HISTORICAL SURVEY

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LA COSIDDETTA “CRIPTA DELLE CENTO NICCHIE” DELL’INSEDIAMENTO MEDIEVALE DELLA GRAVINA DI PENSIERI PRESSO GROTTAGLIE (TA): INDAGINE

STRATIGRAFICA E STORICO ARTISTICA

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/¶DUWLFRORYHUWHVXOORVWXGLRVWUDWLJUD¿FRHVWRULFRDUWLVWLFRGHOODFKLHVDUXSHVWUHGHWWD “delle cento nicchie” sita presso lo spalto settentrionale della gravina di Pensieri in agro GL*URWWDJOLH7D/¶HGL¿FLRGLFXOWRIDSDUWHGLXQLQVHGLDPHQWRUXUDOHSRVWRVXOODGL-UHWWULFHGHO7UDWXUHOOR7DUDQWLQRFLWDWRDSLULSUHVHGDOOHIRQWLVFULWWHHWHVWLPRQLDWRGD XQFRVSLFXRQXPHURGLHYLGHQ]HDUFKHRORJLFKH/HLQGDJLQLFRQGRWWHVXOPRQXPHQWR FKHVLVRQRDYYDOVHGHOODWHFQRORJLDODVHUVFDQQLQJKDQQRGLPRVWUDWRFKHO¶HGL¿FLRGL FXOWRKDVXELWRQHOFRUVRGHOWHPSRDOFXQLLQWHUYHQWLVWUXWWXUDOLFKHKDQQRGHWHUPLQDWRLO SURJUHVVLYRDUUHWUDPHQWRGHOODSDUHWHGLLQJUHVVRPHULGLRQDOHODTXDOHSUREDELOPHQWH DFDXVDGLXQFUROORGHOIURQWHURFFLRVRKDUHJLVWUDWRLQXQDIDVHLQWHUPHGLDDQFKHOD SUHVHQ]DGLXQDYDQFRUSRLQPDWHULDOHGHSHULELOHWHVWLPRQLDWRGDJOLLQFDVVLGHOOHWUDYL LQOHJQRDQFRURJJLYLVLELOLLQIDFFLDWD$OO¶LQWHUQRVLUHJLVWUDQRSDUWLGLXQVHGLOHVRI¿WWR SLDQRHSDUHWLODYRUDWHFDUDWWHUL]]DWHGDOODSUHVHQ]DGLQLFFKLHGLYDULDIRUPDHJUDQ-GH]]DODGHFRUD]LRQHSLWWRULFDDUWLFRODWDLQDOPHQRIDVLGLVWLQWHqGDWDELOHDOPHGLRHYR PDWXURHSUHVHQWDROWUHDGDOFXQHWHRULHGLVDQWLXQRGHLUDULFLFOLFULVWRORJLFLFRQRVFLXWL LQDPELWRUXSHVWUHLQ,WDOLDPHULGLRQDOH 1HOORVSD]LRLPPHGLDWDPHQWHVRSUDVWDQWHO¶LQYDVRqVWDWDLGHQWL¿FDWDXQDYDVWDDUHDFL-PLWHULDOHLQFXLVRQRVWDWHLQGLYLGXDWHWRPEHDIRVVDUHDOL]]DWHGLUHWWDPHQWHQHOEDQFR FDOFDUHQLWLFROHVHSROWXUHSUHVHQWDQRIRUPDUHWWDQJRODUHHVH]LRQHWUDSH]RLGDOHWXWWHOH WRPEHVRQRVWDWHYLRODWHTXLQGLQRQHVLVWRQRHOHPHQWLDUFKHRORJLFLSHULSRWL]]DUHXQD GDWD]LRQHFKHQRQVLDJHQHULFDPHQWHDWWULEXLELOHDLVHFROLGHOPHGLRHYR

16 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

The geometric documentation of underground sites of natural or anthropogenic nature KDVDOZD\VEHHQDGLI¿FXOWSUREOHPWRVROYHLIDSSURDFKHGLQULJRURXVWHUPV2QO\UHFHQW developments in laser scanner technology have allowed the detection of a systematic and comprehensive cavities.

6WLOOQRGRXEWGXHWRDFFHVVLELOLW\LVVXHVDQGHQYLURQPHQWDOVXVWDLQDELOLW\IRURSHUDWRUV 7KHRSHUDWLQJVSDFHDYDLODEOHGHWHUPLQHWKHFKRLFHRILQVWUXPHQWWKHPHWKRGRORJ\DQG FRQVHTXHQWO\WKHHFRQRPLFDVSHFWRIWKHLQWHUYHQWLRQLWEHFRPHVHYHQPRUHLPSRUWDQW with the reduction in amplitude of the cavity.

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7KHH[DPSOHWKDWLVSUHVHQWHGLVUHODWHGWRDQLQWHUYHQWLRQVXUYH\DQGGRFXPHQWDWLRQRI an underground space performed in Malta within a preservation and valorization project of an area related to the quarrying and transport of stone material (cart ruts).

THE SURVEY AND DOCUMENTATION 3D OF HISTORICAL UNDERGROUND CAVITIES

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/D  GRFXPHQWD]LRQH JHRPHWULFD GL DPELHQWL LSRJHL GL QDWXUD DQWURSLFD R QDWXUDOH KD VHPSUHUDSSUHVHQWDWRXQSUREOHPDGLGLI¿FLOHVROX]LRQHVHDIIURQWDWRLQWHUPLQLULJRURVL Solo i recenti sviluppi della tecnologia Laser Scanner hanno consentito il rilievo in modo sistematico ed esaustivo delle cavità.

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,QWHUPLQLWHRULFL¿QRDOODGLPHQVLRQHGLXQDVWDQ]DG¶DSSDUWDPHQWRVLSRVVRQRDQFRUD utilizzare gli stessi strumenti impiegati nel rilievo di architetture. Per dimensioni infe-ULRULqQHFHVVDULRLPSLHJDUHDWWUH]]DWXUHGRWDWHGLEUDFFLRDQWURSRPRUIRFKHULFKLHGRQR tempi di stazionamento piuttosto alti.

L’esempio che viene presentato è relativo ad un intervento di rilievo ipogeo eseguito a Malta all’interno di un percorso di recupero e di valorizzazione di un’area legata alle attività di cava e di trasporto di materiale lapideo.

RILIEVO E DOCUMENTAZIONE 3D DI AMBIENTI IPOGEI

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18 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

,QWKH6SDQLVKHDVWFRDVWVHYHUDOW\SHVRIJHRJUDSKLFVHWWOHPHQWDOORZHGWKHGHYHORS-ment of different class of underground carved architecture.

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The material which was composed this hill (limestone) and the slightly higher location FRPSDUHGWRWKHFDSLWDOFRQIHUUHGWKHDSSURSULDWHFKDUDFWHULVWLFVWRNHHSWKHZKHDWLQ good condition for long periods of time.

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BURJASSOT SILOS: HISTORY AND SURVEY

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SILOS DE BURJASSOT: HISTORIA Y LEVANTAMIENTO

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 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

Bagpipe is a common musical instrument in the Mediterranean Area. This is a collection of music concerning it.

This is an aerophone musical instrument: the italian term “zampogna” derives from the JUHHNWHUPıȣȝijȦȞȓĮVLQFHLWFDQUHSURGXFHPHORG\DQGKDUPRQ\LQWKHVDPHWLPH7KH ]DPSRJQDLVFRQVWLWXWHFE\RQHRUPRUHSLSHVRQZRRGHQKRUQRUPHWDOEORFNVZKLFK DUHLQVHUWHGLQDVKHHSRUJRDWVNLQEDJ7KHDLULVLQÀDWHGLQWKHEDJWURXJKDEORZSLSH ZLWKDFKHFNYDOYHRIOHDWKHU7KHSUHVVXUHRIWKHDUPRQWKHEDJIRUFHVWKHDLUWKURXJKWKH SLSHV$SLSHFDQEHDFKDQWHUZLWKKROHVWRSOD\WKHPHORG\DQGGURQHVZLWKQRKROHV to play a single continuous note).

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MUSIC FOR BAGPIPES IN THE MEDITERRANEAN AREA

A. Caprara

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Uno strumento che accomuna le culture dei paesi dell’area mediterranea è la zampogna e qui si presenta un’attività di raccolta di materiale audio ad essa dedicata.

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A. Caprara

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26 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

MAN-MADE HERMITIC CAVES IN APULIA

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7KHUHVHDUFKRQWKHDERYHPHQWLRQHGHYLGHQFHDOORZVXVWRDFTXLUHDIXUWKHUNQRZOHGJH of the varied world of the settlement in Apulian caves.

$UFKLYLDWD GH¿QLWLYDPHQWH JUD]LH DOOD ULFHUFD DUFKHRORJLFD GHJOL XOWLPL WUHQW¶DQQL OD tenace tesi ottocentesca che voleva tutti i siti rupestri dell’Italia meridionale scavati da WRUPHGLPRQDFLRULHQWDOLLQIXJDGDOOHYLROHQ]HGHJOLLFRQRFODVWLQHOODLQFDSDFLWjGLUL-FRQRVFHUHSUHVHQ]HEHQSLDQWLFKHHGL¿VVDUQHODFURQRORJLDF¶qLOULVFKLRFKHYHQJDQR trascurati o non riconosciuti gli apporti che a quei siti sono venuti da parte dell’eremiti-VPRFKHSXUHYLVRQRVWDWLHQRQVHPSUHORQWDQLGDLJUDQGLYLOODJJLUXSHVWUL

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6LWUDWWDLQSDUWLFRODUHGHOOD&ULSWDGHO6DQWREDUEDWRHGHOOD*URWWDGHOO¶(UHPLWDD0DV-VDIUDTXHVWDSRVWDQHLSUHVVLGHO3R]]RGHOO¶(UHPLWDHGHOOD*URWWDGHOO¶HUHPLWDFXVWRGH GHOODFKLHVDGL6DQW¶$QJHORD&DVDOURWWRGL0RWWRODQRQFKpGLDOFXQLHSLVRGLPLQRULLQ vari altri centri pugliesi.

Lo studio di queste presenze ci consente di fare ulteriori passi per la conoscenza del variegato mondo degli insediamenti rupestri pugliesi.

CAVITÀ ARTIFICIALI EREMITICHE IN PUGLIA

R. Caprara

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28 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

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Palagianello is a country with two settlements in caves.

1. The medieval settlement (tenth to fourteenth centuries) with eight stone churches and a village grottale.

7KHKRXVHHDUO\VL[WHHQWKFHQWXU\ZKLFKKRXVHVDIURQWGRRUDVTXDUHZLWKDFHQWUDO FKXUFKRI6W3HWHUWKHKRXVHVWKDWVXUURXQGWKHROGVSDFHLQWRDVTXDUHVKDSHDVHWWOH-ment in caves of the XVI century and the castle.

The area of gravina and the historic center within the protected Natural Park of Palagi-DQHOOR(TXLSSHGPDQDJHGE\3DODJLDQHOORXQGHUWKHVWULFWVXSHUYLVLRQRIWKH7HUULWRULDO Museum.

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The Territorial Museum is on the Internet with the site http://www.Museodelterritorio.it DQGWKH)DFHERRNSDJH0XVHRGHO7HUULWRULR3DODJLDQHOOR

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THE ACTIVITIES OF THE TERRITORIAL MUSEUM OF PALAGIANELLO TO SAFEGUARDING AND ENHANCEMENT OF LIVING IN CAVES IN APULIA

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Palagianello è un paese con due insediamenti grottali.

/¶DELWDWRPHGLHYDOH;DO;,9VHFRORFRQRWWRFKLHVHUXSHVWULHXQYLOODJJLRJURWWDOH ,OFDVDOHLQL]LGHO;9,VHFRORFKHFRQVHUYDXQDSRUWDG¶LQJUHVVRXQDSLD]]DFRQ DOFHQWURODFKLHVDGLVDQ3LHWUROHFDVHFKHUDFFKLXGRQRO¶DQWLFRVSD]LRLQXQDIRUPD TXDGUDQJRODUHXQLQVHGLDPHQWRJURWWDOHFLQTXHFHQWHVFRHLOFDVWHOOR

L’area della Gravina e del centro storico rientrano nell’area protetta del Parco Naturale $WWUH]]DWR GL 3DODJLDQHOOR JHVWLWR GDO &RPXQH GL 3DODJLDQHOOR VRWWR OD VWUHWWD VRUYH-glianza del Museo del Territorio.

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Il Museo del Territorio è presente su internet con il sito http://www.Museodelterritorio. LWHFRQODSDJLQD)DFHERRN0XVHRGHO7HUULWRULR3DODJLDQHOOR

*OLDELWDQWLGL3DODJLDQHOORJUD]LHDOOHFRQWLQXHDWWLYLWjGHO0XVHRFRQFRQYHJQL HYHQWLVWRULFLPRVWUHYLVLWHJXLGDWHHWFVRQRFRQVDSHYROLFKHOHSUHVHQ]HUHJL-strate nel 2011 sono una risorsa sia culturale che economica da valorizzare.

L’ATTIVITÀ DEL MUSEO DEL TERRITORIO DI PALAGIANELLO NELLA SALVAGUARDIA E NELLA VALORIZZAZIONE DEL VIVERE IN GROTTA IN PUGLIA

D. Caragnano1_/&DUXFFL2

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30 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

*UDQ&DQDULDLVWKH&DQDU\LVODQGWKDWKROGVWKHJUHDWHVWQXPEHUDQGGLYHUVLW\RIHOH-PHQWVIURPSUH+LVSDQLFKHULWDJHZLWKWKHDGGHGYDOXHRIKDYLQJDWURJORG\WLFFXOWXUH assumed in a continuous way until the present day. It is on this island where the lithic FXOWXUHRIWKDWWLPHDOVROHGWRWKHPDVVLYHXVHRIWKHH[FDYDWHGFDYHVIRUGZHOOLQJRU shelter purposes. 'XHWRVXFKFRQWLQXLW\LQRUGHUWRXQGHUVWDQGWKHGHYHORSPHQWRIWKHXVHDQGWHFKQLTXH RIWKHLVODQG¶VFDYHDUFKLWHFWXUHZHPXVWKDYHDQRYHUYLHZIURPLWVRULJLQVWRWKHSUH- VHQW,QWKHVSHFL¿FFDVHRIWKHFDYHKRXVHVLWJRHVWKURXJKWKHSUHFRORQLDOGHYHORS-PHQWIURPWKHWKFHQWXU\%&WRWKHWKFHQWXU\$'WKH+LVSDQLFUHDGMXVWPHQWDQG LWVGHFDGHQFHDQGWKHSHDNRIWKHODWHVWGHFDGHV 7KHUHDSSUDLVDORIFDYHKRXVHVEHQH¿WVKDVVWLUUHGXSWKHJOREDOLQWHUHVW,QWHJUDWHGLQ WKH&DQDU\FXOWXUHWKHUHLVDZKROHLGHRORJ\DURXQGWKHVHLFRQV 7KHSUHVHQWERRPDQGWKHFRQVHTXHQWODFNRIUHJXODWLRQLQYLHZRIWKHPDVVLYHLQFUHDVH of interventions ask for study and meditation since there is no developing plan for this heritage. The aim of this piece of work is the analysis of that loss of ethno-cultural values and its generalization in Gran Canaria’s landscape.

Fig.1 Reference model of traditional troglodyte settlements in Acusa Seca

DEVELOPMENT OF CAVE-HOUSES IN GRAN CANARIA: LANDSCAPE DISTORSION IN THE LAST DECADES

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Gran Canaria es la isla del Archipiélago Canario que recoge el mayor número y diversi-GDGGHSDWULPRQLRSUHKLVSiQLFRFRQHOYDORUDxDGLGRGHWHQHUXQDFXOWXUDWURJORGtWLFD DVXPLGDGHPDQHUDFRQWLQXDKDVWDQXHVWURVGtDV(VHQHVWDLVODGRQGHDGHPiVODFXOWXUD OtWLFDGHODpSRFDSHUPLWLyHOXVRPDVLYRGHFXHYDVH[FDYDGDVSDUDYDULRVXVRVHQWUH ellos el de vivienda o refugio.

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ADAPTACIÓN EN LA EVOLUCIÓN DE LA CASA-CUEVA EN GRAN CANARIA: DESVIRTUACIÓN DEL MODELO TRADICIONAL EN LAS ÚLTIMAS DÉCADAS

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32 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

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Gli appuntamenti nei luoghi di studio dei ricercatori si sono moltiplicati dando ottimi ri-sultati per il coinvolgimento nelle attività degli Enti locali e delle Associazioni culturali GLEDVHGHOOH8QLYHUVLWjGHLGLYHUVLSDHVL)UDTXHVWHXOWLPHqGDULFRUGDUHSHULOODYRUR VYROWRVXOFDPSRLO'L6,$)DFROWjGL,QJHJQHULD8QL0HGLUHWWRGDO3URI0DULR0DQ-JDQDURSHUO¶DFFRJOLHQ]DRVSLWDOHLO&DSSDGRFLD9RFDWLRQDO&ROOHJHOGL0XVWDIDSDúD Le attività hanno avuto una notevole partecipazione e coinvolgimento dei giovani allievi HULFHUFDWRULFRQRWWLPLULVXOWDWLSHUODULFFKH]]DGHLORURFRQWULEXWLHSDUWHFLSD]LRQH ,QSDUWLFRODUHO¶DWWLYLWjGHO'DGVSKDSURPRVVRHDWWLYDWRWLURFLQLHVWDJHD6DXPXU9DO GH/RLUH)UDQFLDD2uD6DQWRULQL*UHFLDD2UWDKLVDU7XUNLDHD0DVVDIUD,WDOLD , WLURFLQL KDQQR YLVWR OD SDUWHFLSD]LRQH GLUHWWD FRQ L SDUWQHU LQ SDUWLFRODUH 0HKHPHW $OSHUSHU2UWDKLVDUH5REHUWR&DSUDUDSHUO¶$UFKHRJUXSSR³(-DFRYHOOL´

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Le attività svolte dai partners sono presentate in una mostra itinerante e dal relativo ca-WDORJRLODYRULVXLOXRJKLGHLZRUNVKRSVLVWLWX]LRQDOLVRQRUDFFROWLLQXQYLGHRHSUHVHQWL LQ DOFXQH VH]LRQL GHO VLWR ZZZUXSHVWULDQPHGHX JOL DWWL GHL FRQYHJQL SURPRVVL H OH DWWLYLWjGLULFHUFDGHLSDUWQHUVRQRVWDWLUDFFROWLHSXEEOLFDWLDFXUDGHLSDUWQHUSURPRWRUL in particolare dall’Archeogruppo “E. Jacovelli” e dal DAdsp - UniFi.

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 CRHIMA CULTURAL RUPESTRIAN HERITAGE IN THE CIRCUM-MEDITERRANEAN AREA

Although there is generally little or no understanding of cave (troglodytic) dwellings in )UDQFHZHDUHJRLQJWRGHPRQVWUDWHLQWKLVSDSHUWKDWDVLJQL¿FDQWSURSRUWLRQRIWKLV W\SHRIKDELWDWKDVFRQWLQXHGWRSOD\DQLPSRUWDQWUROHXQWLOUHODWLYHO\UHFHQWO\LQKLVWRU\ 7KHORFDWLRQRIWKHVHWURJORG\WLFVLWHVZKHQSHUPLWWHGE\WKHLUHQYLURPHQWJHRORJLFDO geographical location) reveals a certain continuity since humanity’s distant past. The VLWHVDOVREHDUZLWQHVVWRKXPDQDFWLYLWLHVLQWKHVHDUHDVTXDUU\LQJRIWKHFDYLWLHVZLWK WKHH[WUDFWHGVWRQHXVHGDVDFRQVWXFWLRQPDWHULDOIRUPDQRUKRXVHVDVZHOODVVKHOWHUV (cave dwellings) and refuges for the populations during times of war.

This study focussing on the social and anthropological history of rural societies in trog-ORG\WLFVLWHVZLOOEHOLPLWHGWRWKH&HQWUHGHOD)UDQFHUHJLRQ9DOGX/RLUDQG9DOOpHGH la Loire.

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ANTHROPISATION OF NATURAL CAVITIES IN VAL DE LOIRE

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ANTHROPISATION DES CAVITÉS NATURELLES DANS LE VAL DE LOIRE

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