The end of art is peace
Bibliografia
Fonti primarie:
• Adams, Parveen, Out of Sight, out of Body: The Sugimoto/Demand Effect, in Grey Room, n. 22, 2006, pp. 86-104. Consultabile al link:
www.jstor.org/stable/20442714 , accesso del 11/11/2016.
• Blanch, Andrea, Joel-Peter Witkin. The giver, in Muséemagazine, n. 12, 2015. Consultabile al link: http://museemagazine.com/magazine/musee-magazine-issue-no-12, accesso del 12/08/2017.
• Celant, Germano, Fotografia maledetta e non, Milano, Feltrinelli, 2015.
• Celant, Germano, Joel-Peter Witkin, Milano-Rivoli-New York, Edizioni Charta-Castello di Rivoli-Solomon R Guggenheim Museum, 1995 (catal. mostra, New York, Rivoli).
• Celant, Germano, Joel-Peter Witkin. A Retrospective, Zurigo, Scalo Publishers Éditions, 1995.
• Cravens, R.H., Joel-Peter Witkin, in Aperture, n. 133, New York, 1993. Consultabile al link: http://aperture.org/shop/aperture-133-magazine/ , accesso del 17/10/2016.
• D’Amico, Erika, Corpografie. Urti di senso tra Witkin, Mapplethorpe e Serrano, Milano, Costlan Editori, 2006.
• D’amico, Erika, Punctum di morte: il corpo nelle fotografie di Joel Peter Witkin, Robert Mapplethorpe e Andres Serrano, tesi di dottorato in sociologia della comunicazione e scienze dello spettacolo, relatore: Aurelia Macarino, correlatore: Piero Ricci, Urbino, Università degli studi di Urbino Carlo Bo, 2005.
• Faccioli, Davide, Joel-Peter Witkin, Bologna, Photology, 2007 (catal. mostra, Serravezza).
• Parry, Eugenia, Joel-Peter Witkin, Joel-Peter Witkin. Photo Poche, Verona, Actes Sud, 2008.
• Seymour, Tom, Joel-Peter Witkin's best photograph: George W Bush in The Raft of the Medusa, in The Guardian, Thursday 18 February 2016. Consultabile al link:
www.theguardian.com/artanddesign/2016/feb/18/joel-peter-witkins-best-photograph-george-w-bush-the-raft-of-the-medusa-interview, accesso del 14/03/2017.
• Van Deren Coke, Frank, Joel-Peter Witkin. Forty Photographs, San Francisco, San Francisco Museum of Modern Art, 1985 (catal. mostra, San Francisco, Chicago, New York, Brookfield, San Diego).
• Villaseñor, Maria Christina, The Witkin Carnival, in Performing Arts Journal, Vol. 18, No. 2, May 1996, pp. 77 -82. Consultabile al link:
www.jstor.org/stable/3245851, accesso del 13/07/2016.
• Witkin, Peter e Eugenia Parry, Joel Peter Witkin. Photographies de Joel-Peter Witkin, Paris, Delpire Editeur, 2012.
• Witkin, Joel-Peter e Eugenia Parry, The Bone House, Santa Fe, Twin Palms, 1999. • Witkin, Joel-Peter e Pierre Borhan, Disciple and Master, New York, Fotofolio
Inc, 2000.
• Witkin, Joel-Peter, A Revolt against the Mystical, Albuquerque, University of New Mexico, 1976.
• Witkin, Joel-Peter, Harms Way: Lust & Madness, Murder & Mayhem: A Book of Photographs, Santa Fe, Twin Palms Publisher, 1994.
• Witkin, Joel-Peter, Masterpieces of Medical Photography: Selections from the Burns Archive, edited by Joel-Peter Witkin, captions by Stanley B. Burns, Pasadena, Twelvetrees Press, 1987.
• Witkin, Joel-Peter, Sublime Horror, Numinous Pain, in The Georgia Review, vol. 58, n. 3, 2004, pp. 576-584. Consultabile al link: www.jstor.org/stable/41402486, accesso del 12/01/2016.
• Witkin, Joel-Peter, Una rivolta contro l’oscurità, Department of Art, University of New Mexico, 1976, in Celant, Germano (a cura di), Joel-Peter Witkin, Milano-Rivoli-New York, Edizioni Charta-Castello di Rivoli-Solomon R Guggenheim Museum, 1995 (catal. mostra, New York, Rivoli).
Fonti secondarie:
• Alfano Miglietti, Francesca, Nessun tempo, nessun corpo. Arte, Azioni, Reazioni e Conversazioni, Milano, Skira, 2001.
• Altman, Dennis, AIDS and the New Puritanism, London, Pluto Press, 1986. • Anceschi, Alessandra, Intertestualità, transcodifica e intermedialità: strumenti
per un’educazione interartistica, in Encyclopaideia, a. XIX, n. 43, 2015, pp.
85-104. Consultabile al link:
http://www.academia.edu/19685996/Intertestualit%C3%A0_transcodifica_e_int ermedialit%C3%A0_strumenti_per_un_educazione_interartistica_Intertextuality _Transcoding_and_Intermediality_Tools_for_an_Interartistic_Education_, accesso del 25/2/2016.
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• Barilli, Renato, Informale oggetto comportamento. La ricerca artistica negli anni 70, Milano, Feltrinelli, 1979.
• Barthes, Roland, Il piacere del testo, Torino, Giulio Einaudi Editore, 1975 [ed. orig.: Le plaisir du texte, Paris, Seuil, 1973].
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• Benjamin, Walter, Piccola storia della Fotografia, Milano, Skira Editore, 2014 [ed. orig. Kleine Geschichte der Photographie, Die Literarische Welt, a. VII, n. 38, September 18 1931, pp. 3-4; n. 39, September 25 1931, pp. 3-4; n. 40, Oktober 2 1931, pp. 7-8].
• Bertelli, Pino, Della fotografia trasgressiva. Dall’estetica dei “freaks” all’etica della ribellione. Saggio su Diane Arbus, Rimini, Nda Press, 2006.
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• Crimp, Douglas, Pictures, New York, Artists Space, Commettee for the Visual Arts, 1977 (catal. mostra, New York, 1977).
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indispensables à tous, Paris, Disdéri, 1855.
• Domínquez Ortiz, Antonio, Alfonso Emilio Pérez Sánchez e Julián Gállego, Velázquez, Madrid, Museo del Prado, 1990 (catal. mostra, Madrid, 1990).
• Dubois, Philippe L’atto fotografico, Urbino, Ed. Quattro Venti, 1996 [ed. orig.: L'acte photographique et autres essais, Paris, Nathan, 1983].
• Eco, Umberto (a cura di), Storia della bruttezza, Milano, Bompiani, 2013. • Foster, Hal, Rosalind Krauss, Yve-Alain Bois e Benjamin Buchloh, Arte dal
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• Freud, Sigmund e Cesare L. Musatti (a cura di), Il perturbante, Roma, Edizioni Theoria, 1993 [ed. orig.: Das Unheimliche, in Imago, n. 5, 1919].
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• Garland-Thomson, Rosemarie, Staring at the Other, in Disability Studies Quarterly, vol. 25, n. 4, 2005. Consultabile al link: http://dsq-sds.org/article/view/610/787, accesso del 12/07/2017.
• Géricault, Jean Louis André Théodore, Jacques Thuillier e Philippe Grunchec (a cura di), L'opera completa di Géricault, Milano, Rizzoli, 1978.
• Gilardi, Ando, Storia sociale della fotografia, Milano, Mondadori, 1976.
• Giles, Paul, European American Studies and American American Studies, in European Journal of American Culture, a. 19, n.1, 1999.
• Hoban, Phoebe, Basquiat: A quick Killing in Art, London, Penguin, 1998 [ed. consultata: London, Penguin, 2004].
• Hughes, Robert, Careerism and Hype Amidst the Image Haze: American Painters of the ‘80s are Buffeted by Cultural Inflation, in Time, 17 June 1985. Consultabile al link: http://content.time.com/time/magazine/article/0,9171,959210,00.html, accesso del 14/3/2016.
• Hugo, Victor, Notre-Dame de Paris, Paris, 1831.
• Jamerson, Fredric, Postmodernismo: Ovvero la logica culturale del tardo capitalismo, Roma, Fazi Editore, 2007 [ed. orig.: Postmodernism, or, the Cultural Logic of Late Capitalism, London, Verso Books, 1991].
• Jones, Jonathan, Shock horror: why art's so obsessed with the grotesque, in The Guardian, 17 novembre 2014. Consultabile al link:
https://www.theguardian.com/artanddesign/jonathanjonesblog/2014/nov/17/shoc k-horror-grotesque-art-jonathan-payne, accesso del 5/01/2017.
• Krauss, Rosalind e Elio Grazioli (a cura di) L’originalità dell’avanguardia e altri miti modernisti, Roma, Fazi Editore, 2007 [ed. orig.: The Originality of the Avante-Garde and Other Modernist Myths, Cambridge, MIT press, 1985]. • Krauss, Rosalind, A Note on Photography and the Simulacral, in October, vol. 31,
1984, pp. 49-68. Consultabile al link:
http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf, accesso del 18/04/2017.
• Krauss, Rosalind, Photography’s Discursive Spaces: Landscape/View, in Art Journal, vol. 42, n. 4, 1982, pp. 311-319. Consultabile al link:
www.jstor.org/stable/776691, accesso del 23/04/2017.
• Krauss, Rosalind, Reinventare il medium. Cinque saggi sull'arte d'oggi, Milano, Mondadori, 2005 [ed. orig.: Reinventing the Medium, in Critical Inquiry, vol. 25, n. 2, 1999, pp. 289-305].
• Krauss, Rosalind, Reinventing the Medium, in Critical Inquiry, vol. 25, n. 2, 1999, pp. 289-305. Consultabile al link: www.jstor.org/stable/1344204, accesso del 12/07/2017.
• Krauss, Rosalind, Teoria e storia della fotografia, Milano, Mondadori, 1996 [ed. orig.: Bloh Marc e Jean Kempf (a cura di), Le Photographique: pour une théorie des écarts, Paris, Macula, 1990].
• Kufman, Will, American Culture in the 1970s, Edinburgh, Edinburgh University Press, 2009.
• Lady Elizabeth Eastlake, Photography, in London Quarterly Review, April 1857, pp. 442-468. Consultabile al link:
http://www.photokaboom.com/photography/pdfs/Lady_Eastlake.pdf, accesso del 12/03/2017.
• Lebrun, Théodore, Lettre sur Géricault, 1836, in Torneux, Maurice, Particularités intime sur la vie de Géricault, Paris, Bullettin de la Société de l’Historire de l’Art Français, 1912, pp. 56-60. Consultabile al link:
http://digi.ub.uni-heidelberg.de/diglit/bshaf1912/0070, accesso del 30/03/2016. • Longanesi, Leo, Il cadavere e il bello fotografico, in Mormorio, Diego (a cura di),
Gli scrittori e la fotografia, Roma, Ed. Riuniti, 1988.
• Lyotard, Jean-François, La condizione postmoderna. Rapporto sul sapere, Milano, Feltrinelli, 2014 [ed. orig.: La Condition postmoderne: Rapport sur le savoir, Paris, Éditions de Minuit, 1979].
• Marien, Mary Warner, Photography: A Cultural History, Hoboken, New Jersey, Pearson, 2007 [ed. consultata: Hoboken, New Jersey, Pearson, 2015].
• McLuhan, Marshall, Gli strumenti del comunicare, Milano, Il Saggiatore, 1967 [ed. orig.: Understanding Media: The Extensions of Man, Toronto, New American Library of Canada, 1964].
• Meloni, Lucilla, Arte guarda arte. Pratiche di citazione nell’arte contemporanea, Milano, Postmedia Books, 2013.
• Millett-Gallant, Ann, The disabled body in contemporary art, New York, Palgrave Macmillan, 2000.
• Milner, Max, La fantasmagoria. Saggio sull’ottica fantastica, Bologna, Il Mulino, 1989 [ed. orig.: La fantasmagorie. Essai sur l’optique fantastique, Paris, Presses Universitaires de France, 1983].
• Mina, Gabriele (a cura di), Elephant Man, l’eroe della diversità. Dal freak show vittoriano al cinema di Lynch, Genova, Le Mani, 2010.
• Nancy, Jean-Luc e Antonella Moscati (a cura di), Tre saggi sull’immagine, Napoli, Edizioni Cronopio, 2002 [ed. orig.: Image et violence. L’image – Le distinct. La représentation interdite, Paris, Éditions Galilée, 2002].
• Newall, Beaumont, Storia della fotografia, Torino, Einaudi, 1984 [ed. orig.: The History of photography: from 1839 to the present day, New York, Museum of Modern Art, 1949].
• Nietzsche, Friedrich, Umano, Troppo Umano, Milano, Adelphi, 1981 [ed. orig.: Menschliches, Allzumenschliches. Ein Buch für freie Geister, Chemnitz, Ernst Schmeitzner, 1878].
• O’Connor, Flannery, Sally and Robert Fitzgerald (a cura di), Mystery and Manners: Occasional Prose, New York, Farrar, Straus & Giroux, 1957.
• Ottino Della Chiesa, Angela e Giorgio Zampa, L'opera completa di Dürer, Milano, Rizzoli, 1981.
• Oxford Advanced Learner’s Dictionary, Oxford, Oxford University Press, 2017. • Paré, Ambroise, Des monstres et prodigies, édition critique et commentée par Jean
Céard, Genève, Droz, 1971 [ed. orig.: Le Vingtcinquiesme Livre, traitant des Monstres & Prodiges, Paris, 1573].
• Peirce, Charles Sanders, Semiotica, Torino, Giulio Einaudi Editore, 1980 [ed. orig.: A Letter to Lady Welby. Semiotic and Significs, London, 1904].
• Phillips, Lisa, The American Century. Art & Culture 1950 - 2000, New York, Whitney Museum of American Art – W.W. Norton & Company, 1999 (catal. mostra, New York, 1999-2000).
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• Radetic, Djuna, Ricodificare la pittura? Uso reiterato dell'opera d'arte tra tableaux vivants e tecnologie della visione in Cindy Sherman e Sam Taylor-Wood,
in Between, a. II, n. 4, 2012. Consultabile al link:
http://webcache.googleusercontent.com/search?q=cache:SQh8x_g0KBIJ:ojs.uni ca.it/index.php/between/article/download/685/599+&cd=1&hl=it&ct=clnk&gl=i t, accesso del 9/12/2016.
• Rosenkranz, Johann Karl Friedrich, Estetica del brutto, Palermo, Aesthetica Edizioni, 2004 [ed. orig.: Ästhetik des Häßlichen, Königsberg, Bornträger,1853]. • Scharf, Aaron, Arte e fotografia, Torino, Einaudi, 1979 [ed. orig.: Art and
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• Sontag, Susan, Sulla fotografia: realtà e immagine nella nostra società, Torino, Einaudi, 1978 [ed. orig.: On Photography, London, Penguin Books, 1977]. • Steinberg, Leo, The Glorious Company, in Lipman, Jean, Richard Marshall and
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http://www.memelyceum.com/documents/kchu323/wolfe_reading.pdf, accesso del 23/01/2017.
Sitografia:
• http://edelmangallery.com/artists/artists/o-z/joel-peter-witkin.html, accesso del 12/01/2017.
•
http://riccomaresca.com/portfolio-items/bill-traylor/?portfolioCats=126%2C22%2C23, accesso del 6/8/2017.
• http://v1.zonezero.com/exposiciones/fotografos/witkin/jpwdefault.html, accesso del 1/02/2016.
• http://www.artnet.com/artists/joel-peter-witkin/, accesso del 27/12/2016. • http://www.baudoin-lebon.com/fr/artistes/oeuvres/1817/joel-peter-witkin,
accesso del 17/7/2017.
• http://www.burnsarchive.com, accesso del 11/1/2017.
• http://www.coneyisland.com/programs/coney-island-circus-sideshow, accesso del 27/08/2017.
• http://www.ethertongallery.com/html/artist_detail.php?recordID=10, accesso del 28/11/2016.
• http://www.faheykleingallery.com/exhibitions/joel-peter-witkin, accesso del 16/12/2016.
• http://www.faheykleingallery.com/exhibitions/joel-peter-witkin, accesso del15/7/2016.
• http://www.maledettifotografi.it/interviste/joel-peter-witkin/, accesso del 19/05/2017.
• http://www.orderofthegooddeath.com/after-joel-peter-witkin, accesso del 19/08/2016.
• http://www.photoluxfestival.it/it/joel-peter-witkin/, accesso del 12/12/2015. •
http://www.spreafotografia.it/news/6230/primopiano/la-fotografia-maledetta-di-joel-peter-witkin/, accesso del 15/02/2017.
• http://www.widewalls.ch/exhibition/joel-peter-witkin-exhibitions/, accesso del 7/09/2016.
• https://archive.org/details/JPWITKIN, accesso del 14/4/2016.
• https://archive.org/details/JPWITKIN2, accesso del 22/3/2016.
• https://clampart.com/2012/02/joel-peter-witkin-b-1939/, accesso del 13/10/2016. •
https://democrats.senate.gov/1989/09/29/senate-roll-call-vote-00218-21/#.WbaY_IVOI2x, accesso del 2/3/2017.
• https://www.espoarte.net/fotografia/joel-peter-witkin-un-artista-cristiano-in-un%E2%80%99epoca-secolare/, accesso del 18/09/2016.
• https://www.moma.org/artists/6417, accesso del 29/05/2017.
• https://www.nadir.it/recensioni/WITKIN/witkin.htm, accesso del 3/06/2016. •
Videografia e filmografia:
• Artist Talk with Joel-Peter Witkin (2008) Part 1:
https://www.youtube.com/watch?v=P8H8V3OC0WY, accesso del 3/8/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 2:
https://www.youtube.com/watch?v=px4Zxaxc-gw, accesso del 16/3/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 3:
https://www.youtube.com/watch?v=TaSFA4-vfyE, accesso del 16/3/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 4:
https://www.youtube.com/watch?v=dYqiRX0lKB8, accesso del 22/3/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 5:
https://www.youtube.com/watch?v=Qt950lhZlGA, accesso del 22/3/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 6:
https://www.youtube.com/watch?v=M-JulTmTHeU, accesso del 12/8/2017. • Artist Talk with Joel-Peter Witkin (2008) Part 7:
https://www.youtube.com/watch?v=Q7XPzC6-oxk, accesso del 13/8/2017.
• Artist Talk With Joel-Peter Witkin (2008) Part 6b:
https://www.youtube.com/watch?v=M-JulTmTHeU&t=225s, accesso del 25/5/2016.
• Interview with artist Joel-Peter Witkin - Albuquerque, NM, 9 apr 2008:
https://archive.org/details/usaodd_april_9_08, accesso del 7/10/2016.
• Interview with Joel-Peter Witkin:
https://www.youtube.com/watch?v=RZOJ9ZoP7mY, accesso del 27/4/2017. • Jesse Helms discusses the art of Joel-Peter Witkin:
• Joel Peter Witkin, el artista contemporáneo que evoca su obra desde lo monstruoso a lo sublime: https://www.youtube.com/watch?v=K7FK-qBKy5U, accesso del 27/6/2017.
• Joel-Peter Witkin - UNM Art Museum Distinguished Lecture Series:
https://www.youtube.com/watch?v=3dCBlgjDukM, accesso del 9/12/2016. • Joel-Peter Witkin & Jerome Witkin: Twin Visions:
https://www.youtube.com/watch?v=hoDaIIJsafQ, accesso del 5/03/2017.
• Joel-Peter Witkin “Bodies”: https://www.youtube.com/watch?v=D6q00nNhfv0, accesso del 4/07/2016.
• Joel-Peter Witkin “l’image indélébile”:
https://www.youtube.com/watch?v=lapZU__W2H8, accesso del 13/03/2017. • Joel-Peter Witkin Lecture 9-9-16:
https://www.youtube.com/watch?v=TAIX4P2b06g, accesso del 17/1/2016.
• Joel-Peter Witkin on The Raft of George W. Bush:
https://www.youtube.com/watch?v=JARVUmzI1qU, accesso del 18/6/2017.
• Joel-Peter Witkin Question & Answer 9-9-16:
https://www.youtube.com/watch?v=uW0HYaP570I, accesso del 16/3/2017.
• Joel-Peter Witkin, open lecture, 11 Oct 2016:
https://www.youtube.com/watch?v=Dc6nM14Ny94, accesso del 3/1/2017. • Joel-Peter Witkin, Vile Bodies:
https://www.youtube.com/watch?v=_ZJd8EGjy5A, accesso del 10/11/2016. • Peter Witkin: An Objective Eye, Dir. Thomas Anthony Marino, Perf.
Joel-Peter Witkin, Eugenia Parry, Baudoin Lebon, Scalped Productions, 2013, Docu-film.
• Joel-Peter Witkin: https://www.youtube.com/watch?v=Y9uLHhkgYKM, accesso del 17/08/2016
• Joel-Peter Witkin: my Art is about Love:
https://www.youtube.com/watch?v=UNCPXtOMz-Q, accesso del 15/4/2017.
• Ronald Reagan The Movie: And Other Episodes in Political Demonology, Dir. Michael Paul Rogin, film, U.S.A., 1988.
• The Elephant Man, Dir. David Lynch, Perf. John Hurt, Anthony Hopkins, film, U.S.A., 1980.
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ai compagni d’avventura e ai briganti
