• Non ci sono risultati.

Dick, Philip K., Ubik, New York, Doubleday, 1969

N/A
N/A
Protected

Academic year: 2021

Condividi "Dick, Philip K., Ubik, New York, Doubleday, 1969"

Copied!
9
0
0

Testo completo

(1)

Bibliografia

Testi primari: romanzi e racconti

Banks, Iain, The Bridge, London, MacMillan, 1986.

Buzzati, Dino, Il grande ritratto, Milano, Mondadori, 1960.

Carroll, Jonathan, Voice of our Shadow, New York, The Viking Press, 1983.

Dick, Philip K., Ubik, New York, Doubleday, 1969.

Dick, Philip K., Rautavaara’s Case, in «Omni», vol. 3, n° 1, October 1980, poi in Id., I Hope I Shall Arrive Soon, New York, Doubleday, 1985.

Gaiman, Neil, American Gods, New York, William Morrow, 2001.

Gibson, William, Neuromancer, New York, Ace Books, 1984.

Kafka, Franz, Der Jäger Gracchus, in Nachgelassene Schriften und Fragmente 1.

Herausgegeben von Malcolm Pasley, Frankfurt am Main, Fischer, 1993.

King, Stephen, You Know They Got a Hell of a Band, in Nightmares & Dreamscapes, New York, The Viking Press, 1993.

King, Stephen, The New York Times at Special Bargain Rates, in Just After Sunset:

Stories, London, Hodder & Stoughton, 2008.

Martin, George R.R., Nightflyers, in «Analog», Avril 1980, in Id., Nightflyers, Bluejay Books, 1985.

Poe, Edgar A., The Facts in the Case of M. Valdemar, in «Broadway Journal», December 20, 1845, poi in Mabbot, Thomas O. (ed.), The Collected Works of Edgar Allan Poe, Cambridge, Belknap Press of Harvard University Press, 1969- 1978.

Pohl, Frederik, The Tunnel under the World, in «Galaxy Science Fiction», vol. 9 n° 4, January 1955, poi in Id., Alternating Currents, New York, Ballantine Books, 1956.

Rowling, Joanne K., Harry Potter and the Chamber of Secrets, London, Bloomsbury, 1998.

Rowling, Joanne K., Harry Potter and the Half-Blood Prince, London, Bloomsbury, 2005.

Rulfo, Juan, Pedro Páramo, Ciudad de México, Fondo de Cultura Económica, 1955.

(2)

Gallimard, 1931.

Tolkien, John R.R., The Lord of the Rings, London, Allen & Unwin, 1968.

Vinge, Joan D., Fireship, New York, Dell Publishing, 1978.

Willis, Connie, Passage, New York, Bantam Books, 2001.

Testi primari: fumetti

Chiaverotti, Claudio (testi), Dell’Agnol Piero (disegni), Il confine, Dylan Dog, n° 122, Novembre 1996, Sergio Bonelli Editore.

Sclavi, Tiziano (testi), Montanari, Giuseppe e Grassani, Ernesto (disegni), La zona del crepuscolo, Dylan Dog, n° 7, Aprile 1987, Sergio Bonelli Editore.

Sclavi, Tiziano (testi), Montanari, Giuseppe e Grassani, Ernesto (disegni), Ritorno al crepuscolo, Dylan Dog, n° 57, Giugno 1991, Sergio Bonelli Editore.

Testi primari: film e serie tv

Anno, Hideaki, Neon Genesis Evangelion, Giappone, Studio Gainax, 1995-1996.

Bergman, Ingmar, Viskningar och rop [Sussurri e grida], Svezia, Svensk Filmindustri, 1972.

Campillo, Robin, Les Revenants, Francia, Haut et court, 2004.

Eastwood, Clint, Hereafter, USA, Warner Bros. Pictures, 2010.

Gobert, Fabrice, Les Revenants, Stagione 1, 8 episodi, Francia, Canal+, 2012.

Jarmusch, Jim, Dead Man, USA, Miramax Films, 1995.

Oshii, Mamoru, Ghost in the Shell: Innocence, Giappone, I.G - Studio Ghibli, 2004.

Pfister, Wally, Transcendence, USA-Cina, Alcon Entertainment, 2014.

Testi secondari

Ariès P. (1977) L' Homme devant la mort, Paris: Seuil.

Attebery B. (1992) Strategies of fantasy, Bloomington: Indiana University Press.

Auerbach J. (1982) Poe's Other Double: The Reader in the Fiction. Criticism 24: 341- 361.

(3)

Bal M. (1997) Narratology : introduction to the theory of narrative, Toronto:

University of Toronto Press.

Baldick C. (1987) In Frankenstein's shadow : myth, monstrosity, and nineteenth-century writing, Oxford: Clarendon.

Barthes R. (1985) Analyse textuelle d’un conte d’Edgar Poe. L'Aventure sémiologique.

Paris: Seuil, 329-359.

Baxter J. (1970) Science fiction in the cinema: AS Barnes.

Benatar D. (2010) Life, death, & meaning : key philosophical readings on the big questions, Lanham, Md.: Rowman & Littlefield Publishers.

Bennett A. (2012) Afterlife and narrative in contemporary fiction, Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan.

Bertens JW and Fokkema DW. (1997) International postmodernism : theory and literary practice, Amsterdam ; Philadelphia: J. Benjamins.

Berthelot F. (2008) La zone intermédiaire chez Jules Supervielle. In: Boulommié A (ed) Les Vivants et les Morts. Littératures de l’entre-deux-mondes. Paris: Imago.

Bouissac P. (1998) Encyclopedia of semiotics, New York ; Oxford: Oxford University Press.

Bould M. (2002) The Dreadful Credibility of Absurd Things: a tendency in fantasy theory. Historical Materialism 10: 51-88.

Bozzetto R and Huftier A. (2004) Les frontières du fantastique approches de l'impensable en littérature, Valenciennes: Presses universitaires de Valenciennes.

Brooke-Rose C. (1981) A rhetoric of the unreal : studies in narrative and structure, especially of the fantastic, Cambridge Eng. ; New York: Cambridge University Press.

Brooks P. (1984) Reading for the plot : design and intention in narrative, Oxford:

Clarendon.

Budniakiewicz T. (1992) Fundamentals of story logic : introduction to Greimassian semiotics, Amsterdam ; New York: J. Benjamins Pub. Co.

Bukatman S. (1993) Terminal identity : the virtual subject in postmodern science fiction, Durham: Duke University Press.

Buranelli V. (1975) A Note on Poe and Mesmerism. The wizard from Vienna : Franz Anton Mesmer. New York: Coward, McCann & Geoghegan, 256 p., 254 leaves

(4)

Butler C. (2006) Four British Fantasists: Place and Culture in the Children's Fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper:

Rowman & Littlefield.

Carey J. (1989) Technology and Ideology: The Case of the Telegraph. In: Carey J (ed) Communication as Culture: Essays on Media and Society. Boston: Unwin Hyman, 201-230.

Carotenuto A. (1997) Il fascino discreto dell’orrore. Psicologia dell’arte e della letteratura fantastica, Milano: Bompiani.

Casta I. (2007) Nouvelles mythologies de la mort, Paris: Champion.

Cohn D. (1978) Transparent minds : narrative modes for presenting consciousness in fiction, Princeton, N.J.: Princeton University Press.

Courtés J. (1991) Analyse sémiotique du discours de l'énoncé à l'énonciation, Paris:

Hachette.

Csicsery-Ronay Jr. I. (1983) Kafka and Science Fiction. Newsletter of the Kafka Society of America 7: 5-14.

Culler JD. (1981) The pursuit of signs--semiotics, literature, deconstruction, Ithaca, N.Y.: Cornell University Press.

Culler JD. (1982) On deconstruction : theory and criticism after structuralism, Ithaca, N.Y.: Cornell University Press.

Currie M. (1998) Postmodern narrative theory, Basingstoke: Macmillan Press.

Currie M. (2007) About time : narrative, fiction and the philosophy of time, Edinburgh:

Edinburgh University Press.

Darnton R. (1968) Mesmerism and the End of the Enlightenment in France: Harvard University Press.

De Lauretis T, Huyssen A and Woodward KM. (1980) The Technological Imagination:

theories and fictions: Coda Press.

Dolezel Lr. (1998) Heterocosmica : fiction and possible worlds, Baltimore: Johns Hopkins University Press.

Eakin PJ. (1973) Poe's Sense of an Ending. American Literature 45: 1-22.

Enns A. (2006) Mesmerism and the electric age: From Poe to Edison. In: Willis M and Wynne C (eds) Victorian literary mesmerism. Amsterdam & New York:

Rodopi.

Falk DV. (1969) Poe and the Power of Animal Magnetism. Pmla 84: 536-546.

(5)

Fenn RK. (1995) The persistence of purgatory, Cambridge & New York: Cambridge University Press.

Feuer J. (1983) The concept of live television: Ontology as ideology. In: Kaplan EA (ed) Regarding television. Critical Approaches -- An Anthology. Los Angeles:

The American Film Institute, 12-22.

Fischer JM. (2009) Our stories : essays on life, death, and free will, Oxford ; ew York:

Oxford University Press.

Fludernik M. (2009) An introduction to narratology, London & New York: Routledge.

Frank A. (2005) Valdemar's tongue, Poe's telegraphy. Elh 72: 635-662.

Franklin S and Lock MM. (2003) Remaking life & death : toward an anthropology of the biosciences, Sante Fe: James Currey.

Fredric J. (1991) Postmodernism, or, the cultural logic of late capitalism: Duke University Press.

Genette G. (1972) Figures III, Paris: Seuil.

Ginzburg C. (1989) Storia notturna : una decifrazione del sabba, Torino: G. Einaudi.

Goffette J. (2006) Naissance de l'anthropotechnie: de la médecine au modelage de l'humain, Paris: J. Vrin.

Goffette J and Guillaud L. (2011) L' imaginaire médical dans le fantastique et la science-fiction, Paris: Bragelonne.

Greimas AJ. (1970) Du Sens , essais sémiotiques, Paris: Éditions du Seuil.

Guillaud LI, science, verticalité. (2010) Le Retour des morts, Pertuis: Rouge profond.

Hallam EM, Hockey JL and Howarth G. (1999) Beyond the body : death and social identity, London: Routledge.

Hanus M. (2000) La mort aujourd'hui, Paris: Éd. Frison-Roche.

Harris SB. (1996) The Immortality Myth and Technology. In: Slusser G, Westfahl G and Rabkin ES (eds) Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy. Athens, Ga.: University of Georgia Press, 45-68.

Herman D. (2002) Story logic : problems and possibilities of narrative, Lincoln, Neb.:

University of Nebraska Press.

Hovey KA. (1996) Poe's Materialist Metaphysics of Man. In: Carlson EW (ed) A companion to Poe studies. Greenwood Publishing Group, 347-366.

Hume K. (1984) Fantasy and Mimesis: Responses to Reality in Western Fiction.

London: Methuen.

(6)

Hutcheon L. (1988) A poetics of postmodernism : history, theory, fiction, New York ; London: Routledge.

Irwin WR. (1976) The game of the impossible : a rhetoric of fantasy, Urbana:

University of Illinois Press.

Jackson R. (1981) Fantasy, the literature of subversion, London ; New York: Methuen.

Jenkins H. (2009) On the Pleasures of Not Belonging. In: Barzak C and Sherman D (eds) Interfictions 2: An Anthology of Interstitial Writing. Northampton, Massachusetts: Small Beer Press.

Kennedy JG. (1987) Poe, death and the life of writing, New Haven ; London: Yale University Press.

Klapcsik S. (2012) Liminality in fantastic fiction : a poststructuralist approach, Jefferson, N.C.: McFarland & Co.

Kristeva J. (1980) Pouvoirs de l'horreur essai sur l'abjection, Paris: Éditions du Seuil.

Kroker A and Kroker M. (1987) Theses on the Disappearing Body in the Hyper-modern Condition. Body invaders: Panic sex in America: 20-34.

Kucukalic L. (2009) Philip K. Dick : canonical writer of the digital age, London:

Routledge.

Kuznets LR. (1994) When toys come alive : narratives of animation, metamorphosis, and development, New Haven ; London: Yale University Press.

Lacefield K. (2010) The scary screen: media anxiety in The ring: Ashgate Publishing, Ltd.

Larry M. (1991) Storming the reality studio: a casebook of cyberpunk and postmodern science fiction: Duke University Press.

Lavocat F. (2010) La théorie littéraire des mondes possibles, Paris: CNRS Éditions.

Le Goff J. (1981) La Naissance du purgatoire, [Paris]: Gallimard.

Lecouteux C. (1986) Fantômes et revenants au Moyen âge, Paris: Imago.

Leishman D. (2009) Coalescence and the fiction of Iain Banks. Etudes écossaises: 215- 230.

Lind SE. (1947) Poe and Mesmerism. Pmla 62: 1077-1094.

Lock MM. (2002) Twice dead : organ transplants and the reinvention of death, Berkeley ; London: University of California Press.

Luckhurst R. (2002) The invention of telepathy : 1870-1901, Oxford: Oxford University Press.

(7)

Malmgren CD. (1991) Worlds apart : narratology of science fiction, Bloomington:

Indiana University Press.

Mazlish B. (1995) The fourth discontinuity: the co-evolution of humans and machines:

Yale University Press.

McCaffery L. (1991) Storming the reality studio : a casebook of cyberpunk and postmodern science fiction, Durham: Duke University Press.

McHale B. (1987) Postmodernist fiction, New York: Methuen.

McHale B. (1992) Constructing postmodernism, London ; New York: Routledge.

McLuhan M. (1994) Understanding media: The extensions of man, Cambridge, Mass.,:

MIT press.

Mendlesohn F. (2008) Rhetorics of fantasy, Middletown, Conn.: Wesleyan University Press.

Milutis J. (2005) Ether : the nothing that connects everything, Minneapolis: University of Minnesota Press.

Monleon J. (1990) A specter is haunting Europe: A sociohistorical approach to the fantastic, Princeton: Princeton Univeristy Press.

Nelson V. (2001) The secret life of puppets, Cambridge, Mass.: Harvard University Press.

Noys B. (2005) The culture of death, Oxford: Berg.

Olney C. (1958) Edgar Allan Poe—Science-Fiction Pioneer. The Georgia Review 12:

416-421.

Pahl D. (2009) Sounding the Sublime: Poe, Burke, and the (Non)Sense of Language.

Poe Studies 42: 41-60.

Pavel TG. (1986) Fictional worlds, Cambridge, Mass.: Harvard University Press.

Pernick MS. (1988) Back from the Grave: Recurring Controversies over Defining and Diagnosing Death in History. In: Zaner R (ed) Death: Beyond Whole-Brain Criteria. Springer Netherlands, 17-74.

Peters JD. (1999) Speaking into the Air: A History of the Idea of Communication, Chicago, IL, London, UK: Chicago University Press.

Picard M. (1995) La littérature et la mort, Paris: Presses universitaires de France.

Pittin-Hédon MO. (2007) Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin.

The Edinburgh Companion to Contemporary Scottish Literature: 253-261.

(8)

Punter D. (1980) The literature of terror : a history of Gothic fictions from 1765 to the present day, London & New York: Longmans.

Rabkin ES. (1977) The fantastic in literature, Princeton: Princeton University Press.

Richardson B. (2006) Unnatural voices: extreme narration in modern and contemporary fiction, Columbus: Ohio State University Press.

Ronell A. (1989) The telephone book : Technology, Schizophrenia, Electric Speech, Lincoln: University of Nebraska Press.

Rossi U. (2011) The twisted worlds of Philip K. Dick: A reading of twenty ontologically uncertain novels, Jefferson, North Carolina

London: McFarland.

Russell T. (2000) Brain death : philosophical concepts and problems, Aldershot:

Ashgate.

Sandner D. (2004) Fantastic literature: a critical reader: Greenwood Publishing Group.

Schiffer RB. (1978) The concept of death: Tradition and alternative. Journal of Medicine and Philosophy 3: 24-37.

Scholes RE. (1975) Structural fabulation: an essay on fiction of the future, Notre Dame:

University of Notre Dame Press

Sconce J. (2000) Haunted Media: Electronic Presence from Telegraphy to Television, Durham: Duke University Press.

Slusser GE, Westfahl G and Rabkin ES. (1996) Immortal engines : life extension and immortality in science fiction and fantasy, Athens Ga.: University of Georgia Press.

Sobchack V. (1994) The scene of the screen: Envisioning cinematic and electronic

“presence”: na.

Sobchack VC. (1987) Screening space: The American science fiction film: Rutgers University Press.

Stableford B. (2003) Jonathan Carroll. In: Bleiler EF (ed) Supernatural fiction writers:

fantasy and horror. New York: Charles Scribner’s sons : Thomson & Gale, 201- 207.

Stableford B. (2007) The Discovery of Secondary Worlds: Notes on the Aesthetics and Methodology of Heterocosmic Creativity. Heterocosms: Science Fiction in Context and Practice. The Borgo Press.

Stadler GT. (2000) Poe and Queer Studies. Poe Studies/Dark Romanticism 33: 19-22.

(9)

Stern M. (2008) ‘Yes:—no:—I have been sleeping—and now—now—I am dead’:

undeath, the body and medicine. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 39: 347-354.

Sullivan N. (2003) A critical introduction to queer theory, New York: New York University Press.

Tatar M. (1978) Spellbound: Studies on Mesmerism and Literature, Princeton, New Jersey: Princeton University Press.

Taylor MC. (1986) Deconstruction in context: Literature and philosophy: University of Chicago Press Chicago.

Todorov T. (1970) Introduction à la littérature fantastique, Paris: Seuil.

Turner V, Harris JC and Park RJ. (1983) Liminal to liminoid, in play, flow, and ritual:

an essay in comparative symbology. Play, games and sports in cultural contexts.: 123-164.

Umland SJ. (1995) Philip K. Dick : contemporary critical interpretations, Westport, Conn. ; London: Greenwood Press.

Vovelle M. (1983) La Mort et l'Occident de 1300 à nos jours, [Paris]: Gallimard.

Ware T. (1994) The" Salutary Discomfort" in the Case of M. Valdemar. Studies in Short Fiction 31: 471.

Webber M. (1964) The urban place and the non-place urban realm. In: Webber M and Dyckman J (eds) Explorations into urban structure. 79-153.

Winter A. (1998) Mesmerized : powers of mind in Victorian Britain, Chicago ; London:

University of Chicago Press.

Yoke CB and Hassler DM. (1985) Death and the serpent : immortality in science fiction and fantasy, Westport, Conn.: Greenwood Press.

Youngner SJ, Arnold RM and Schapiro R. (1999) The definition of death : contemporary controversies, Baltimore, Md. ; London: Johns Hopkins University Press.

Riferimenti

Documenti correlati

A desktop haptic interface with a large workspace has been employed to induce controlled vibrations on the hand of a healthy user to simulate the effect of hand-tremor disability

Speram us autem in Deo prim um qui superbos d ep rim it, et in iusticia cause nostre quod huius belli eorum causa suscepti aliquando penitebit illos.. V obis

a l’Energie Atomique (CEA) and Institut National de Physique Nucl´ eaire et de Physique des Particules (IN2P3) and Centre National de la Recherche Scientifique (CNRS),

Along these lines, we attribute to research recipients as well as science participants the dimension of complementary participation, whereas amateur scientists and amateur

Mit dem Ruf nach mehr Partizipation, der zugleich Ausdruck einer Legitimationskrise der Experten angesichts immer komplexer werdender wissenschaftlich-technisch zu

Management of genitourinary syndrome of menopause in women with or at high risk for breast cancer: Consensus recommendations from The North American menopause society and

Papa Damaso dichiara solennemente ed un poco perento- riamente nel proprio epitafio la fede nella risurrezione di Cristo e nella potestà del Signore di far risorgere i giusti,