B. FRIEL, Translation, in Selected Plays, Faber and Faber, London 1984, pp. 377-451;

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BIBLIOGRAFIA

Edizioni delle opere consultate:

D. EDGAR, The Prisoner’s Dilemma, Nick Hern Books, London 2001;

B. FRIEL, Translation, in Selected Plays, Faber and Faber, London 1984, pp. 377-451;

D. GREIG, The American Pilot, Faber and Faber, London 2005. (Edizione usata per la traduzione);

D. GREIG, Airport,

copione nella versione trascritta per la tournèe in Spagna dell’ottobre 1996;

D. GREIG, Plays 1: Europe, The Architect, The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, Methuen

Drama, London 2002;

T. KUSHNER, Homebody/Kabul, Nick Hern Books, London 2002;

Testi critici consultati:

P. BILLINGHAM, At the Sharp End: Uncovering the Work of Five

Contemporary Dramatists, Methuen Drama, London 2007;

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LI

M. CARLSON, Theories of the Theatre. A Historical and Critical Survey from the Greek to the Present, Cornell University Press, New York 1984 [Teorie del teatro. Panorama storico e critico, Il Mulino, Bologna 1988, trad. it. L. GANDINI];

M. CARLSON, Speaking in Tongues: Language at Play in the Theatre, The University of Michigan Press, Ann Arbor 2006;

U. ECO, ‘Guerra diffusa’, L’Espresso, 12 settembre 2002, pp. 44-50;

D. EDGAR (a cura di), State of Play, Faber and Faber, London 1996;

B. KERSHAW (a cura di), The Cambridge Companion to British Theatre, vol. 3 (since 1895), Cambridge University Press, Cambridge 2004;

F. C. McGRATH, Brian Friel's (Post)Colonial Drama: Language, Illusion, and Politics, Syracuse University Press, Syracuse 1999;

C. MOLINARI, Bertolt Brecht, Laterza, Bari 1996;

V. POGGI – M. ROSE (a cura di), A Theatre that Matters: Twentieth- Century Scottish Drama and Theatre, Unicopli, Milano 2000;

D. REBELLATO, ‘And I Will Reach Out My Hand With A Kind Of

Infinite Slowness And Say The Perfect Thing: The Utopian Theatre of

Suspect Culture’, in Contemporary Theatre Review, Routledge, vol. 13, n.1,

2003, pp. 61-80, http://eprints.rhul.ac.uk/170/ 24/11/09;

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LII

J. REINELT, ‘Performing Europe: Identity Formation for a “New” Europe, in Theatre Journal, The Johns Hopkins University Press, vol. 53, n.3, 2001, pp. 365-387;

I. SHUTTLEWORTH (a cura di), Theatre Record, vol. XXV, n.9, 2005, pp.

587-589;

I. SHUTTLEWORTH (a cura di), Theatre Record, vol. XXVI, n.7, 2006, pp. 366-367;

A. SIERZ, In-Yer-Face Theatre: British Drama Today, Faber and Faber, London 2001;

S. SONCINI, ‘«A Job for the Go-Between»: Dramatising Translation in Brian Friel and David Edgar’, in S. Coelsch-Foisner – H. Klein (a cura di), Drama Translation and Theatre Practice, Peter Lang, Frankfurt am Main 2004, pp.;

S. SONCINI, ‘New Order, New Borders: Post-Cold War Europe on the British Stage’, in R. Littlejohns and S. Soncini, Myths of Europe, Rodopi, Amsterdam 2007, pp. 247-261;

S. SONCINI, ‘The Translation Turn in Contemporary War Plays: Tony

Kushner’s Homebody/Kabul’, in F. Ciompi (a cura di), One of Us. Studi

inglesi e conradiani offerti a Mario Curreli, ETS, Pisa 2009, pp. 367-384;

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LIII

G. STEINER, After Babel, Oxford University Press, Oxford 1975;

R. STEVENSON – G. WALLACE (a cura di), Scottish Theatre since the Seventies, Edinburgh University Press, Edinburg 1996;

C. SVICH, ‘Physical Poetry’, in PAJ: A Journal of Performance and Art, MIT Press, 86, vol. 29, n.2, May 2007, pp. 51-58;

P. SZONDI, Teoria del dramma moderno, 1880-1950, Einaudi, Torino 1962;

F. TONELLO, ‘War of Images, Images of War’, in C. Dente – S. Soncini (a cura di) Conflict Zones: Actions Languages Mediations, ETS, Pisa 2004, pp.103-113.

Siti internet e recensioni online:

D. FINKLE (Theatremania, 22 novembre 2006):

http://www.theatermania.com/new-york/reviews/11-2006/the-american- pilot_9503.html

C. ISHERWOOD (New York Times, 22 novembre 2006):

http://theater.nytimes.com/2006/11/22/theater/reviews/22pilo.html

M. MURRAY (Talking Broadway, 2006):

http://talkinbroadway.com/ob/11_21_06.html

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LIV

E. SOMMER (Curtain Up, 2006):

http://www.curtainup.com/americanpilot.html

Allestimento di The American Pilot ad opera della Manhattan Theatre Company: http://www.manhattantheatreclub.com/2006-

2007_season/American-Pilot/index.htm

In-yer-face theatre: http://www.inyerface-theatre.com/main.html

Suspect Culture: http://www.suspectculture.com/

Theatre Review: The New Zealand Performing Arts Review and Directory:

http://www.theatreview.org.nz/

Dizionari

OED - Oxford English Dictionary, Second Edition, CD-ROM, Versione 3.1;

Merriam-Webster Online, http://www.merriam-webster.com/;

Grande Dizionario di Inglese F.Picchi Online, Hoepli, http://dizionari.hoepli.it/Default.aspx;

B. FRIEL, Translation, in Selected Plays, Faber and Faber, London 1984, pp. 377-451;

BIBLIOGRAFIA

Edizioni delle opere consultate:

D. EDGAR, The Prisoner’s Dilemma, Nick Hern Books, London 2001;

B. FRIEL, Translation, in Selected Plays, Faber and Faber, London 1984, pp. 377-451;

D. GREIG, Airport,

D. GREIG, Plays 1: Europe, The Architect, The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, Methuen

Drama, London 2002;

T. KUSHNER, Homebody/Kabul, Nick Hern Books, London 2002;

Testi critici consultati:

P. BILLINGHAM, At the Sharp End: Uncovering the Work of Five

Contemporary Dramatists, Methuen Drama, London 2007;

M. CARLSON, Theories of the Theatre. A Historical and Critical Survey from the Greek to the Present, Cornell University Press, New York 1984 [Teorie del teatro. Panorama storico e critico, Il Mulino, Bologna 1988, trad. it. L. GANDINI];

M. CARLSON, Speaking in Tongues: Language at Play in the Theatre, The University of Michigan Press, Ann Arbor 2006;

U. ECO, ‘Guerra diffusa’, L’Espresso, 12 settembre 2002, pp. 44-50;

D. EDGAR (a cura di), State of Play, Faber and Faber, London 1996;

B. KERSHAW (a cura di), The Cambridge Companion to British Theatre, vol. 3 (since 1895), Cambridge University Press, Cambridge 2004;

F. C. McGRATH, Brian Friel's (Post)Colonial Drama: Language, Illusion, and Politics, Syracuse University Press, Syracuse 1999;

C. MOLINARI, Bertolt Brecht, Laterza, Bari 1996;

V. POGGI – M. ROSE (a cura di), A Theatre that Matters: Twentieth- Century Scottish Drama and Theatre, Unicopli, Milano 2000;

D. REBELLATO, ‘And I Will Reach Out My Hand With A Kind Of

Infinite Slowness And Say The Perfect Thing: The Utopian Theatre of

Suspect Culture’, in Contemporary Theatre Review, Routledge, vol. 13, n.1,

2003, pp. 61-80, http://eprints.rhul.ac.uk/170/ 24/11/09;

J. REINELT, ‘Performing Europe: Identity Formation for a “New” Europe, in Theatre Journal, The Johns Hopkins University Press, vol. 53, n.3, 2001, pp. 365-387;

I. SHUTTLEWORTH (a cura di), Theatre Record, vol. XXV, n.9, 2005, pp.

587-589;

I. SHUTTLEWORTH (a cura di), Theatre Record, vol. XXVI, n.7, 2006, pp. 366-367;

A. SIERZ, In-Yer-Face Theatre: British Drama Today, Faber and Faber, London 2001;

S. SONCINI, ‘«A Job for the Go-Between»: Dramatising Translation in Brian Friel and David Edgar’, in S. Coelsch-Foisner – H. Klein (a cura di), Drama Translation and Theatre Practice, Peter Lang, Frankfurt am Main 2004, pp.;

S. SONCINI, ‘New Order, New Borders: Post-Cold War Europe on the British Stage’, in R. Littlejohns and S. Soncini, Myths of Europe, Rodopi, Amsterdam 2007, pp. 247-261;

S. SONCINI, ‘The Translation Turn in Contemporary War Plays: Tony

Kushner’s Homebody/Kabul’, in F. Ciompi (a cura di), One of Us. Studi

inglesi e conradiani offerti a Mario Curreli, ETS, Pisa 2009, pp. 367-384;

G. STEINER, After Babel, Oxford University Press, Oxford 1975;

R. STEVENSON – G. WALLACE (a cura di), Scottish Theatre since the Seventies, Edinburgh University Press, Edinburg 1996;

C. SVICH, ‘Physical Poetry’, in PAJ: A Journal of Performance and Art, MIT Press, 86, vol. 29, n.2, May 2007, pp. 51-58;

P. SZONDI, Teoria del dramma moderno, 1880-1950, Einaudi, Torino 1962;

F. TONELLO, ‘War of Images, Images of War’, in C. Dente – S. Soncini (a cura di) Conflict Zones: Actions Languages Mediations, ETS, Pisa 2004, pp.103-113.

Siti internet e recensioni online:

D. FINKLE (Theatremania, 22 novembre 2006):

http://www.theatermania.com/new-york/reviews/11-2006/the-american- pilot_9503.html

C. ISHERWOOD (New York Times, 22 novembre 2006):

http://theater.nytimes.com/2006/11/22/theater/reviews/22pilo.html

M. MURRAY (Talking Broadway, 2006):

http://talkinbroadway.com/ob/11_21_06.html

E. SOMMER (Curtain Up, 2006):

http://www.curtainup.com/americanpilot.html

Allestimento di The American Pilot ad opera della Manhattan Theatre Company: http://www.manhattantheatreclub.com/2006-

2007_season/American-Pilot/index.htm

In-yer-face theatre: http://www.inyerface-theatre.com/main.html

Suspect Culture: http://www.suspectculture.com/

Theatre Review: The New Zealand Performing Arts Review and Directory:

http://www.theatreview.org.nz/

Dizionari

OED - Oxford English Dictionary, Second Edition, CD-ROM, Versione 3.1;

Merriam-Webster Online, http://www.merriam-webster.com/;

Grande Dizionario di Inglese F.Picchi Online, Hoepli, http://dizionari.hoepli.it/Default.aspx;

Il Ragazzini 2007, Zanichelli;

Oxford Paravia, CD-ROM (2002), versione 1.0.1.2;

Vocabolario Treccani della Lingua Italiana, CD-ROM (1997) e versione

online: http://www.treccani.it/Portale/homePage.html.