2018
'2345&36785925:5
2018
Munus Laetitiae
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ABC36D&5
a cura diFrancesco Camia, Lavinio Del Monaco, Michela Nocita
con la collaborazione di!"#$%&'()*+,-.&/%+0%&1,%23$2-4$.&1$"0$+&5%00%,$2+
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Serie Antichistica
Copyright © 2018 Sapienza Università Editrice E+$@@$#,&F#*"&>"/"&G&H&IIJKG&-";$ LLLM,*+(/+.,<$N+,%@$M+( ,*+(/+.,M<$N+,%@$O)%+/";$JM+( P<./+@+"%,&-,Q+<(/"&RN,/$("/+&!";)%+.$@+"%,&%M&JJSTI ISBN 978‑88‑9377‑073‑6 Pubblicato a giugno 2018 Quest’opera è distribuita ."%&#+.,%@$&!/,$(+U,&!";;"%<&VMI *+=)<$&+%&;"*$#+(W&open access. In copertina: Lex sacra *$#&(,;N+"&*+&!$<$&>$/$X"(+&$&?"./+&YN+@,X/++M& Comitato promotore: >$/+$&?,(+@+$&!$#*,##+Z&[/$%.,<."&!$;+$Z&\+$%&?).$&\/,Q"/+Z&[/$%.,<."&\)+@@+Z& F*"#]"&?$&-"..$Z&Y%@"&?+NN"#+<Z&Y#+"&?"&!$<.+"Z&>$/."&>$+)/"Z&^$U+*&_"%%+<Z& '+#U+$&R/#$%*+Z&`"0%&a0"/%("%Z&E+,(/"&b$%%+.,##+M b"#);,&X%$%@+$("&*$#&^+N$/(+;,%("&*+&'.+,%@,&*,##cF%(+.0+(W& '$N+,%@$&d%+U,/<+(W&*+&-";$M
Indice
Prefazione VII
Introduzione 1
Elenco delle pubblicazioni di Maria Letizia Lazzarini 5
A) NUOVIDOCUMENTI
Pindaric reverberations: an unpublished inscription from the Museum of Thebes
N. Papazarkadas 19
Terina: la tessera di Anthropiskos
G. De Sensi Sestito 33
Luoghi di vendita e santuari: a proposito di un incensiere iscritto da Selinunte
A. Brugnone 55
Pseudo-Epicharmean verses in a new inscription from the Necropolis of Cyrene (Tomb S147)
A. Cinalli 77
Una nuova iscrizione greca dalla via Latina
S. Orlandi 93
B) ISTITUZIONIEVITAPOLITICA
Labros stratos
F. Raviola 103
Erodoto e due epigrammi di recente scoperta (BE 2015, nr. 306; SEG 56, 430): la dedica di Creso ad Amphiaraos e la battaglia di Maratona
MUNUS LAETITIAE
VI
I nomi dei Trecento Spartiati alle Termopili
P. Vannicelli 155
!"#$%&'()**"#*+%,-"#.)((/).-0$-%#$-,$%(",)# con la ‘Grande iscrizione’ nell’agorà di Gortina
E. Lippolis, G. Vallarino 167
Epimeletai e imperialismo ateniese dal V al II secolo a.C.
!"#$%&'()#!*+)+)## 205
12$%,"#*3(#()**-$%#)'-4,"0$%#.)((/-2+),,35-%2)#.)-#$"2+-),-6# Una nota ai rendiconti dell’Eretteo (IG I3 474.4)
G. Marginesu 221
Note sull’archiviazione delle leggi nelle poleis ellenistiche
L. Boffo 235
Tagoi, tagai e *tagonatai in Macedonia
B. Helly, M. Mari 261
Le pentekontaetiai di Polibio e altri eccessi dell’intertestualità
J. Thornton 283
The kilikarchia in the Roman province of Cilicia
E. Borgia 295
Gli incensi della Tabula Bantina
E. Lo Cascio 321
C) SOCIETÀEECONOMIA
The cobblers of Kelainai-Apameia Kibotos
A. Bresson 337
Status sociale e giuridico della donna nell’ordinamento greco:
un diritto di funzione
P. Grandinetti 351
Passaggi di proprietà per donazione, vendita, eredità o usurpazione a Hierapolis di Frigia
T. Ritti 357
Dracme e denarii nelle iscrizioni di Elaiussa Sebaste (Cilicia Tracheia)
A. Polosa 389
Nel mondo delle legioni: la bilingue latino-greca di Alcimus 789:;<=>6#?2-%2-#-(()4-++-&)#)#"@@)++-#@"&-(-",-#2)((/A4-++%# di età alto-imperiale
G. Cresci Marrone, E. Culasso Gastaldi 403
A proposito del sepolcro di M. Pompeius Asper e della famiglia del suo pullarius (CIL XIV 2523)
1.
Le istituzioni cittadine della Macedonia pre-romana sono un campo @%,+32"+%#2)4(-#*+3.-#.-#*+%,-"#).#)'-4,"0"#4,)$"B#23%C)#*$%'),+)#$%2+--nuano ad aggiungersi al dossier dei dati noti, costringendo gli specialisti .)(#*)++%,)#"#32"#*"2"#D)**-E-(-+F#)#"(("#$%*+"2+)#,-&)**"#-2#.-*$3**-%2)# .-#-.))#$%2*%(-."+)6#!"#G3)*+-%2)#.)((/)*-*+)25"#)#.)(()#)C)2+3"(-#@325-%-2-#.-#&"4-*+,"+-#$H-"&"+-#IJK=L#-2#"($32)#$-++F#.)(#23$()%#*+%,-$%#.)(# ,)42%M# %44)++%# .-# G3)*+%# $%2+,-E3+%M# -((3*+,"# '",+-$%(",&)2+)# E)2)# ("# '),)22)# &%E-(-+F# .)(# '"2%,"&"# -*+-+35-%2"()# .)(("# N"$).%2-"# "2+-$"# negli studi contemporanei.
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MUNUS LAETITIAE
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)#.-#z)(("#S%#~r,-**"[M#-2#$3-#-#IJK=L#"4-*$%2%#."#)'%2-&-M#",,-$$H-*$%2%# 3(+),-%,&)2+)#-(#C",-)4"+%#'"2%,"&"#.)-#*-*+)&-#.-#."+"5-%2)#.)-#.%$3-menti cittadini nella Macedonia preromana10.
2.
Tutto chiaro e semplice? Non proprio. Negli ultimi anni altri elemen-+-#*%2%#-2+),C)23+-#"#$%&'(-$",)#-(#G3".,%6#„)(("#(-*+"#.-#C)2.-+)#."#N-)5"# 2%+"#02#."(#degd#†#*+"+%#'3EE(-$"+%#2)(#m}}•#32#23%C%#@,"&&)2+%#".# %'),"#.-#N",-"#!-(-&E"i-71i"&"+-#)#.-#!-"2"#…+)'H"2-11
B#(/-&'"4-2"5-%- 2)#.)(#.%$3&)2+%#*3#.3)#$%(%22)M#$H-","#4-F#"#z)+*"*M#2)#,-*3(+"#$%2@),-mata, ma si leggono ora in forma completa i quattro passi della colonna 1#-2#$3-#-#IJK=L#*%2%#$-+"+-#+,"#4(-#)'%2-&-ƒ#'-h#)*"++"&)2+)M#-2#+3++-#)# G3"++,%#-#$"*-M#("#*)G3)25"#.-#()++),)#$H)#*-#()44)#*3(("#'-)+,"M#%42-#C%(+"# *)43-+"#."4(-#*+)**-#.3)#2%&-#SA3'%()&%*#)#c-i"2%,[M#†#uvwxyvuxy6# !)# .3)# ).-+,-$-# .)(("# (-*+"# ("# -2+),',)+"2%# $%&)# $%&)# 4)2-+-C%# '(3,"()# .-# 32# +),&-2)# 02%,"# -42%+%# SIJK•PJI‘PM# ."# ’IJK•PJIJ>[ƒ# N6p6# q"+5%'%3(%*M#-2#32"#*),-)#.-#-2+),C)2+-M#*)42"("#$H)#(/-.)2+-$"#*)G3)25"#.-# ()++),)#.)C)#()44),*-#"2$H)#2)(#.%$3&)2+%#."#1*C)*+",-%#Sz)(("7~r,-**"[M# &"#-2#)2+,"&E-#-#$"*-#C-#C).)#.3)#'",%()#*)'","+)B#IJK‘P#XI‘P#SXI‘P# b#J“I‘P[M#$%*{#,-E".)2.%#-2#)2+,"&E-#-#$"*-#(/"++)*+"5-%2)#.)-#IJK=L#dm.
”#%''%,+32%#,-'%,+",)#'),#-2+),%#-#'"**-#,-()C"2+-#.)-#.3)#.%$3&)2+-# (mi rifaccio al recentissimo
corpus#.)(()#-*$,-5-%2-#.)(("#p"**"#N"$).%-$@,6# q"+5%'%3(%*# deegM# jM# d•gM# n‚mƒ# j.6# m}ddM# •gƒ# )# %,"# -2# Œ%32",%'%3(%3# 7# z"*$H-.-*#7#q"+5%'%3(%*#m}d•#Sb#A\N#m6#\"+%#N"i).%2-"[M#jM#d‚}#(ad#2,6#eoM#*3# cui infra[ƒ#kH,r*%*+%&%3#deefM#m‚7me6#…3(()#+),2)#.-#archontes e la loro diffusione cfr. Mari c.d.s. La corrispondenza tagoi / archontes#'3Ž#C"(),)#"2$H)#"(#(-C)((%#.)(# *-42-0$"+%#'-h#4)2),-$%#S^&"4-*+,"+-_[B#*%*+)23+"#."#q)((rM#$%&)#"EE-"&%#C-*+%M#'),# il tagos#.-#p),)"#Sdee•M#mg7mf[M#-2#~)**"4(-"#)**"#†#@%,*)#."#"&&)++),)#-2#32#",E-+,"+%# *3# G3)*+-%2-# @%2.-",-)# ."# zH",i".%2M# -2# $3-# IJKO># †# -2# %''%*-5-%2)# "# •V;–I—>M# ^',-C"+%#$-++".-2%_#S…AŒ#noM#meoM#((6#d}7dd[M#&)2+,)#†#*-$3,"#(/)G3-C"()25"#IJKJL# b#XYZJL#S^&"4-*+,"+3,)_[#-2#.3)#.)$,)+-#.-#$%2$)**-%2)#.-#$-++".-2"25"#."#N%'*-%2# SŒ",$-"7˜"&™2#7#q)((r#7#~5-"@"(-"*#m}}‚M#go7d}oM#2,6#nM#((6#‚7dmƒ#2,6#gM#((6#o7‚M#)#$@,6# -(#$%&&)2+%#"#'6#‚m[6
10 Sulla questione generale cfr. Mari c.d.s. Nel documento di Mieza, come detto, i tagoi
Sš[#$%&'"-%2%#*%(%#2)(()#@%,&3()#.-#."+"5-%2)#'-h#.)++"4(-"+)M#-2*-)&)#"((/epistates e "(#*"$),.%+)#.-#1*$()'-%M#$H)#*%2%#-2C)$)#-#*%(-#)'%2-&-#2)(()#@%,&3()#'-h#*-2+)+-$H)# (supraM#2+6#m[ƒ#2)(("#(-*+"#."#z)(("#%#~r,-**"#-#*%(-#)'%2-&-#*%2%#-#tagoi#Sš[6 11# !-(-&E"i-71i"&"+-#7#…+)'H"2-#m}}o#S'3EE(-$"+%#'),Ž#2)(#m}}•[6 12# „-#q"+5%'%3(%*#*-#C)."2%M#*3#32%#%#*3#)2+,"&E-#-#.%$3&)2+-M#pA#m}}gM#m•mƒ#j.6# m}ddM#•n7•g#S$%2#…AŒ#gdM#•nm[ƒ#)#."#3(+-&%#-2#A\N#m6#\"+%#N"i).%2-"M#,-*'6#2,,6# eo#SN-)5"[#)#nm•#S.%C)#†#,-E".-+"#(/"++,-E35-%2)#.)(#+)*+%#.-#1*C)*+",-%#"(#+),,-+%,-%# .-#~r,-**"[M#$%2#-(#$%&&)2+%#,)("+-C%6
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due documenti nell’intero corpus#.)(()#-*$,-5-%2-#."(("#p"**"#N"$).%2-"14.
N"#†#*%',"++3++%#-(#*-42-0$"+%#.-#IJK‘P#XI‘P#"#,-*3(+",)#'%$%#'),-spicuo, nel contesto di formule di datazione che, almeno per i letto-,-#$%2+)&'%,"2)-M#.%C)C"2%#-2C)$)#)**),(%15. Sono una spia di queste
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Tagoi, tagai e *tagonatai in Macedonia mgf
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o6# !/"(+),2"+-C"#.-#C).),)#2)-#tagoi di Mieza un collegio composto da tre magistrati, uno dei quali con funzione di epistates19, applica ai ta-goi l’interpretazione del ruolo dell’epistates che lo stesso
Hatzopou-los ha proposto nel caso dei collegi di archontesB#-2#)2+,"&E-#-#$"*-# "C,)&&%#32#$%(()4-%#.)(#G3"()#(/epistates#†#-(#^',)*-.)2+)_6#¼3)*+"# ()++3,"M#'),ŽM#2%2#,-*%(C)#("#.-@0$%(+F#.-#-2+),',)+",)#XI‘P#2)(#+)*+%# .-#1*C)*+",-%#S-2#$3-#%(+,)+3++%#-#tagoi#¥š¦#*%2%#$%&)#.)++%#E)2#$-2-G3)[M#)#2)#$,)"#32/"(+,"#'),#-(#+)*+%#.-#N-)5"M#.%C)#$%&)#.)++%#(/32-$"# '%**-E-()# ()++3,"# |-2$(3*-C"/# .-# XI‘P# -&'%2)# .-# $%&',)2.),)# +,"# -#
tagoi non solo l’epistates, ma anche il sacerdote di Asclepio, per un
totale di quattro magistrati.
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MUNUS LAETITIAE mfm Ð+,)# 32)# +,".3$+-%2M# &"-*# 32)# "'',%µ-&"+-%2# S*"2*# .%3+)# 4,%**-†,)[# pour onato6#c%3*#*%&&)*#+,†*#.]&32-*#'%3,#*),,),#.)#',†*#()#$%2+)23# À3,-.-G3)#.)#+)(*#+),&)*#&r$]2-)2*_o}6#Ì6#s3,E"$H#†#+%,2"+%#*3#G3)*+%# +),&-2)#-2#32%#*+3.-%#'-h#,)$)2+)M#$%,,)44)2.%2)#("#.)02-5-%2)B#)4(-# ',)@),-*$)#.",)#$%&)#)G3-C"()2+)#.-#o-na-to#^$)#G3-#)*+#3+-()_M#"''32+%# ^'%3,#]C-+),#()#+),&)#./3*3@,3-+_od. k-+%#"2$%,"#32"#C%(+"#()#'",%()#.-#!)À)32)omB ^„"2*# 2%*# +)µ+)*M# ()# damo#"''","Ø+#$%&&)#32)#)2+-+]#".&-2-*+,"+-C)# (%$"()#F#C%$"+-%2#"4,-$%()B#a)#j(#'%**†.)#.)*#+),,)*M#.%2+#32)#'",+-)#)*+# &%,$)(])#)+#"@@)$+])#)2#3*3@,3-+#F#.)*#E]2]0$-"-,)*#-2.-C-.3)(*#SÎ[M#&"-*# .%2+#32)#'",+-)#,)*+"-+#"**3,]&)2+#-2.-C-*)#)+#$%&&32"3+"-,)6#b)#k)++)# '",+-)# -2.-C-*)# .)C"-+# Ð+,)# )(()7&Ð&)# (/%EÀ)+# ./32)# )µ'(%-+"+-%2# $%(()$-+-C)ƒ# %2# ')3+# -&"4-2),# "C)$# C,"-*)&E("2$)# G3/r# ]+"-)2+# )&'(%r]*# ()*# |)*$("C)*#.3#VÊ<=>/#SÎ[M#()*#|EÐ+)*#.)#*%&&)#.3#VÊ<=>/#SÎ[M#()*#32*#)+# ()*#"3+,)*#]+"2+#',%',-]+]#$%(()$+-C)ƒ#*3,#()*#'"$"4)*#$%&&32"3µM#E%3-C-),*#)+#'%,$H),*#opidamijo#SÎ[#]()C"-)2+#()#E]+"-(#$%(()$+-@6#c)#!)#VÊ<=># "C"-+# )2# ,)C)23# .)*# ',%.3-+*# .)# $3(+3,)# )+# ./]()C"4)M# G3-# .)C"-)2+# (3-# '),&)++,)B#./32)#'",+M#./"**3,),#("#*3E*-*+"2$)#.3#'),*%22)(#$%&&32"(ƒ# ./"3+,)#'",+M#.)#*)#',%$3,),#'",#+,%$#()#&"+],-)(#G3-#(3-#]+"-+#2]$)**"-,)ƒ# )202M#.)#*"+-*@"-,)#F#*)*#%E(-4"+-%2*#0*$"()*#)2C),*#()#z"("-*M#)+#F#*)*#%E(--4"+-%2*#,)(-4-)3*)*#SÎ[#)2C),*#()*#*"2$+3"-,)*6#Ù#k)#,)C)23#',%C)2"-+# (3-7&Ð&)#*"2*#.%3+)B#./32)#'",+M#.)#,).)C"2$)*#)2#2"+3,)#C),*])*#'",#()*# E]2]0$-"-,)*#.)*#+),,)*#.-*+,-E3])*ƒ#./"3+,)#'",+M#.)#(/)µ'(%-+"+-%2#$%(()$-+-C)#.)*#+),,)*#-2.-C-*)*6#d)#…%3*#("#*3,C)-(("2$)#*"2*#.%3+)#%3#()#$%2+,Ú()# ./32#@%2$+-%22"-,)#,)',]*)2+"2+#()#z"("-*M#()#VÊ<=>#'","Ø+#"C%-,#]+]#4],]# '",#32#$%((†4)#./)µ'(%-+"2+*#"4,-$%()*#SÎ[_6#
Questa descrizione del ruolo e delle funzioni esercitate dal damos#†# *+"+"#,-',)*"#."#.-C),*-#*')$-"(-*+-#.-#)$%2%&-"#&-$)2)"oo.
j(#G3".,%#.)-#,)4-&-#.)(("#+),,"#$H)#*-#'3Ž#,-$%*+,3-,)#"#'",+-,)#."(-()#+"C%()++)#&-$)2))#†#"#&-%#"CC-*%#&%(+%#*-&-()#"#G3)((%#$H)#("*$-"2%# +,"*'",-,)#()#-*$,-5-%2-#+)**"()#*3(("#.-*+,-E35-%2)#.)(()#+),,)6#N-#,-@),-*$%# "((/%,4"2-55"5-%2)#.)(()#+),,)#$-C-$H)#$H)#)&),4)#."(("#*),-)#.)(()#-*$,--zioni catastali di Larisa e alla condizione delle tagai#+)**"()#G3"()#*)&E,"# %,"#"$$),+"+"#*3(("#E"*)#.)-#.3)#.)$,)+-#.-#!",-*"#*3(("#C)2.-+"#.-#+),,)#
30# !)À)32)#degnM#meo#2+6#m‚6 31# s3,E"$H#m}d}M#mf6 32# !)À)32)#deg•M#dnd7dnm6 33# k@,6#4(-#*+3.-#$-+"+-#supraM#2+6#m‚6
Tagoi, tagai e *tagonatai in Macedonia mfo
'3EE(-$H)#"++,-E3-+)#"-#$"C"(-),-on. Tutte queste iscrizioni risalgono agli
3(+-&-#.3)#.)$)22-#.)(#jjj#*)$%(%#"6k6M#)#*%2%#.32G3)#"((/-2$-,$"#$%2+)&-'%,"2))#.)(()#.3)#-*$,-5-%2-#&"$).%2-#.-#N-)5"#)#.-#~r,-**"6#„"#G3)*+-# +)*+-# )&),4)# $H)# -# $-++".-2-# H"22%# ,-$)C3+%# ."(("# $-++F# (%++-# .-# +),,"M# -2# un caso detti kleroi, nell’altro hippoteia, e che questi lotti sono attri-E3-+-#in possessione ai cittadini caratterizzati dalla loro appartenenza a una tagaM#2)(("#G3"()#.)C%2%#)**),)#-*$,-++-#"(#+-+%(%#.-#^'%**)**%,-_#S=§# žIIa<UP=;M#."#:Ia=<J;[#.-#"'')55"&)2+-#(%,%#"++,-E3-+-M#*3-#G3"(-#)**-# '"4"2%#32#$"2%2)#.)++%#VU:=ŠIJIU;YLJ6#
La taga#†#.32G3)#32"#32-+F#$-C-$"M#32"#32-+F#*%$-"()#$H)#$,)"#32"# $%&32-+F#).#†#G3"(-0$"+"#."#32/"''",+)2)25"#|4)2+-(-5-"/B#†#$%*{#2)(#$"*%# della taga#.)4(-#14"+H%i()"."-M#4-F#2%+"#"#p"$$H-(-.)o•. Dai due decreti
in questione emerge che la taga#2%2#†#32/32-+F#+),,-+%,-"()M#&"#$-C-$"M# 2)((/"&E-+%#.)(("#G3"()#("#.-*+,-E35-%2)#.)(("#+),,"#€#-2#kleroi e in hip- poteia#€M#$%2$,)+"&)2+)#.)*$,-++"#-2#32#$"+"*+%M#$%*+-+3-*$)#32#)()&)2-+%#@%2."&)2+"()M#"2$H)#*)#2%2#32-$%#S2%2#E-*%42"#-2@"++-#.-&)2+-$",)# -(#$","++),)#&-(-+",)#.-#G3)*+"#%,4"2-55"5-%2)M#$H)#.%C)C"#"C),)#"2$H)# ,-*C%(+-#,)(-4-%*-#*3-#G3"(-#'),#-(#&%&)2+%#2%2#*"''-"&%M#'),ŽM#',"+-$"-&)2+)#23(("[6# j2#32%#*+3.-%#"2$%,"#-2).-+%#*3-#2%&-#4)2+-(-5-#H%#'"**"+%#-2#,"**)42"# i nomi di questo tipo in Tessagliaog#)#&%*+,"+%#$H)#-#'-h#$%2%*$-3+-#S'),#
-(#@"++%#$H)#$-#*%2%#+,"*&)**-#."4(-#*+%,-$-#"2+-$H-B#…i%'"."-M#1()3"."-M# N)2%2-."-[#H"22%#02-+%#'),#%$$3(+",)#-(#4,"2#23&),%#.-#G3)*+)#32-+F# *%$-"(-M# $H)# "(&)2%# 2)(# $"*%# .-# !",-*"# *-# '3Ž# $"($%(",)B# og}M# %**-"# o}# 32-+F#'),#+,-EhM#.-*+,-E3-+)#-2#32#+%+"()#.-#dm#+,-Eh6#…"''-"&%#"2$H)#$H)# questi nomi gentilizi (questi nomi di tagai[#'%**%2%#.)*-42",)#(3%4H-#%# 32-+F#+),,-+%,-"(-M#$%&)#'),#)*)&'-%#2)(("#@%,&3("#=§#žP#´¢99;aVJ;>6
Sappiamo, inoltre, che i principes#.-#G3)*+)#32-+F#4)2+-(-5-)#S…i%'"-."-M# 1()3"."-[# '%,+"C"2%# -(# +-+%(%# .-# »JŠ;9Uº>M# $%&)# '),# )*)&'-%# 2)(# $"*%#.-#…$%'"*#.-#k,"22%2M#)#$H)#"C)C"2%#@"&"#.-#)**),)#-&&)2*"&)2+)# ,-$$H-6#N"#$,).%#.-#"C),#&%*+,"+%#$H)#+"()#,-$$H)55"#2%2#),"#@%2."+"#€# $%&)#4(-#*+%,-$-#*%*+)24%2%#."#"(&)2%#32#*)$%(%#€#*3((/)*-*+)25"#.-#4,"2.-# ',%',-)+F#@%2.-",-)of6#¼3)*+)#2%2#)*-*+)C"2%#2)(("#,)"(+FM#'%-$H]#*)&E,"# 34# q)((r#7#~5-"@"(-"*#m}do6# 35# p"$$Hr(6M#Epin.#dnB#$@,6#q)((r#7#~5-"@"(-"*#m}doM#d•o7d•nM#d‚•M#mom7moo6# 36# ¼3)*+%# *+3.-%# S!"# ~H)**"(-)# .)*# Q*-†$()*# %E*$3,*RB# 32# )**"-# ./-2+),',]+"+-%2#
H-*+%,-G3)[# *",F# '3EE(-$"+%# -2# 32# C%(3&)# &-*$)(("2)%# -2# %2%,)# .)(("# $%(()4"# zH"2%3("#„"i%,%2-"6
MUNUS LAETITIAE
mfn
%,&"-#32#."+%#"$G3-*-+%#$H)#-#+),,-+%,-#.)(()#$-++F#),"2%#-2#4,"2.-**-&"# parte catastati, almeno a partire dalla riforma di Aleuas ‘il Rosso’ poco ',-&"#.)(("#02)#.)(#•j#*)$%(%#"6k6M#)#$H)#("#',%',-)+F#.-#G3)(()#+),,)M#$%&)# quella delle terre comuni non catastate utilizzate per la boutrophia o la
hippotrophiao‚M#),"#'3EE(-$"#)#"++,-E3-+"#"(()#+,-Ehoe6#k,).%M#+3++"C-"M#$H)#
G3)*+%#*-*+)&"#.-#.-*+,-E35-%2)#)#.-#,)4-*+,"5-%2)#"#$"+"*+%#.)(()#+),,)#*-"# $%2#%42-#',%E"E-(-+F#.-#%,-4-2)#'-h#"2+-$"#)#$H)#("#,-@%,&"#.-#1()3"*#*-"# $%2*-*+-+"#)**)25-"(&)2+)#2)(#@%2.",)#+"()#.-*+,-E35-%2)#*3#',-2$-'-#",-+-&)+-$-#".)43"+-#"#*+"E-(-,)#"2$H)#(/%,4"2-55"5-%2)#&-(-+",)#.)(("#$-++FM#$H)# ("#,-@%,&"#%'(-+-$"#$%*+,-24)C"#"#,-.)02-,)#2)(("#*3"#+%+"(-+F40. ~%,2"2.%#"(#+),&-2)#’IJK•PJIJ>M#)**%#"#&-%#'",),)#*-#,-+,%C"#"$- $"2+%#".#"(+,-#+),&-2-#$H)#-(#+)**"(%#%#-(#&"$).%2)#*)&E,"2%#"C),#),).--+"+%#."(#&-$)2)%6#z)2*%M#-2#'",+-$%(",)M#"(("#'",%("#=ÛJ;M#%44)++%#.-#32"# 4(%**"#.-#A*-$H-%#$H)#2)#@"#(/)G3-C"()2+)#.-#Ñ¢9JL41 #)#$H)#.)C/)**),)#"++,-- E3-+"#"(#+)**"(%#'),#-(#$","++),-*+-$%#C%$"(-*&%#-ou-B#)G3-C"()2+)#.)(#("$%-2)#œ»JLM#)**"#*-#,-+,%C"#-2#&-$)2)%#2)(("#@%,&"#owakoM#$3-#*-#'%+,)EE)# "++,-E3-,)#-(#*-42-0$"+%#.-#^$%(3-#$H)#43-."#("#$%&32-+F#.-#C-(("44-%_nm. k%*{M#$%&)#H%#&%*+,"+%#2)(#$"*%#.-#+),&-2-#G3"(-#ÜJ<;Uº>M#¤P¢Y;Uº>M# %# Ý¢99Uº>M# G3)-# 2%&-# $H)# .)*-42"C"2%# ^$%(%,%# $H)# *%2%# %,-4-2",-# .-# ÜJ<LJ;M#.-#¤P‹Y;=P#%#.-#Ý‹99=>_#*%2%#.-C)2+"+-M#".#1+,"µM#"#!",-*"M# "#k,"22%2M#.)-#0()+-$-M#-2.-$"+%,-#.-#32-+F#*%$-"(-#"#(%,%#C%(+"#*3..-C-*)#
38 Torno su questo punto nella comunicazione sull’ippodromo di Larisa che ho
',)*)2+"+%#"(#$%2C)42%#Les hippodromes et les concours hippiques dans la Grèce
antiqueM#+)23+%#".#1+)2)#2)(#@)EE,"-%#m}dg6#
39# k@,6# -(# +)*+%# .)((/apophasis S4-3.-5-%# ",E-+,"()# $H)# *)43)# "# 32# +)2+"+-C%# .-#
$%2$-(-"5-%2)[# ."# zH",i".%2# "# ',%'%*-+%# .-# 32# $%2D-++%# +,"# .3)# ',-C"+-# $H)# ,-C)2.-$"2%#("#',%',-)+F#.-#(%++-#.-#+),,"M#.-$H-","+-#."4(-#",E-+,-#',%',-)+F#.)(#:=;P‰P# I‘P# Ñ¢9‘P# .-# zH",i".%2# ^*)$%2.%# $%*+3&)_# SUÞPJ;# I=©# :=;P=©# I‘P# Ñ¢9‘P# :JIß# ¥Iß# PO<;¦ <J[B# -(# +)*+%M# '3EE(-$"+%# -2# 32"# *).)# .-@0$-(&)2+)# "$$)**-E-()# S~5-"@"(-"*#deemM#dd•7dmm[M#†#."#&)#@%,2-+%M#$%2#32#E,)C)#$%&&)2+%M#-2#pA#dee•M# oon#S$@,6#"2$H)#supraM#2+6#e[6 40# k@,6#q)((r#dee•M#-2#'",+-$%(",)#deo7mdeM#*3(#,"''%,+%#+,"#@"2+),-"#)#$"C"((),-"M#("# 4),",$H-"#+,"#()#32-+FM#4(-#"*')++-#&-(-+",-#)#+),,-+%,-"(-#.)(("#,-@%,&"#.-#1()3"*6 41# N)#2)#%$$3'%#2)((%#*+3.-%#*3-#4)2+-(-5-M#.-#$3-#"(("#2+6#og6#c)(()#).-5-%2-#.-#A*-$H-%# S$@,6#!"++)#7#q"2*)2#de•o7m}}eM#s.v.[#-(#+),&-2)#†#."+%#2)(("#@%,&"#=“JàM#@%,*)#'),# -2D3)25"#.)(("#-.)2+-$"#@%,&"#)*$("&"+-C"#$H)M#2)-#…)++"2+"M#†#-2#,)"(+F#("#+,"*$,-5-%2)# .-#32"#$%,,-*')++-C"#@%,&"#*)&-+-$"#S$@,6#kH"2+,"-2)#deeeM#s.v.[6#z,)@),-*$%#("#,)*"# =ÛJ;#'),#$%2@,%2+%#$%2#(/"++-C%#=á—M#^C-(("44-%_M#."((%#*+)**%#+)&"#’ow7ƒ#+3++"C-"M#("# @%,&"#=“Jà#,)*+"#"$$)++"E-()M#*3(#&%.)((%#.)(#("$%2)#œ»JL6
42 Maurizio Del Freo ci fa comunque notare (per litt.M# (34(-%# m}dg[M# $H)# ("# @%,&"#
O-wa-ko# †# "++)*+"+"# *%(%# $%&)# "2+,%'%2-&%M# $H)M# $%&)# &%(+-# "(+,-# "2+,%'%2-&-#
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Tagoi, tagai e *tagonatai in Macedonia mf•
in tagaiM#*3(("#E"*)#.)(()#G3"(-#†#*+"+"#@%2."+"#("#,-'",+-5-%2)#.)-#kleroi e degli hippoteia#"++,-E3-+-#"-#$-++".-2-no6#k%2#G3)*+%#()**-$%M#+%$$H-"&%#
il fondo della cultura e delle forme di organizzazione ereditate dalle $%&32-+F#$H)#-2#)'%$"#&-$)2)"M#$%&)#*)&E,"#%,&"-#E)2#.-&%*+,"+%M# %$$3'",%2%#-#+),,-+%,-#.)(("#Œ,)$-"#*)++)2+,-%2"()M#~)**"4(-"#)#p"**"#N"-cedonia446#12$%,"#32"#C%(+"M#'),#-2+),',)+",)#G3)*+)#),).-+F#'%**-"&%#
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