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Bibliografia

L’opera di Kazuo Ishiguro

Romanzi

A Pale View of Hills, Penguin, Harmondsworth 1982. An Artist of the Floating World, Vintage, New York 1986. The Remains of the Day, Faber and Faber, London 1989. The Unconsoled, Faber and Faber, London 1995.

When We Were Orphans, Faber and Faber, London 2000. Never Let Me Go, Faber and Faber, London 2005.

The Buried Giant, Faber and Faber, London 2015.

Racconti

“A Strange and Sometimes Sadness”, in Kazuo Ishiguro (ed.), Introduction

Seven: Stories by New Writers, Faber and Faber, London 1981, pp. 13-27.

“Waiting for J”, in Kazuo Ishiguro (ed.), Introduction Seven: Stories by New

Writers, Faber and Faber, London 1981, pp. 28-37.

“Getting Poisoned”, in Kazuo Ishiguro (ed.), Introduction Seven: Stories by

New Writers, Faber and Faber, London 1981, pp. 38-51.

“A Family Supper”, Firebird 2, 1982, pp. 121-131.

“The Summer After the War”, Granta, 7, 1983, pp. 119-137. “A Village After Dark”, The New Yorker, 2001, pp. 86-91.

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143

Copioni per cinema e televisione

A Profile of Arthur J. Mason, unpublished manuscript. Broadcast in the UK,

Channel 4, dir. M. Whyte, prod. A. Skinner for Skreba/Spectre, 1984.

“The Gourmet”, Granta, 43, 1993, pp. 89-127. Broadcast in the UK, Channel 4, dir. M. Whyte, prod. A. Skinner for Skreba/Spectre, 1986.

The Saddest Music in the World. Released in UK, dir. Guy Maddin, prod. N.

Finchman for IFC, 2003.

The White Countess. Released in UK, dir. James Ivory, prod. Ismail Merchant

for Merchant Ivory Productions, 2005.

Adattamenti cinematografici

The Remains of the Day, dir. James Ivory, adapted by Ruth Prawer Jhabvala, for

Merchant Ivory Productions, 1993.

Never Let Me Go, dir. Mark Romanek, adapted by Alex Garland, A. DNA

Films, 2010.

Interviste consultate

Kleffel, Rick, “Interview with Kazuo Ishiguro”, Interzone, 2005, n. 198, pp. 62-64.

Shaffer, Brian W. and Wong, Cynthia F. (eds.), Conversations with Kazuo

Ishiguro, University Press of Mississippi, Jackson 2008.

Sim, Wai-chew, “Kazuo Ishiguro” (2010),

https://literature.britishcouncil.org/writer/kazuo-ishiguro [consultato in data 1/11/2015].

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144 Opere su Kazuo Ishiguro

Monografie

Drag, Wojciech, Revisiting Loss: Memory, Trauma and Nostalgia in the Novels

of Kazuo Ishiguro, Cambridge Scholars Publishing, Newcastle Upon Tyne

2014.

Groes, Sebastian and Lewis, Barry (eds.), Kazuo Ishiguro: New Critical Visions

of the Novels, Palgrave Macmillan, London 2011.

Lewis, Barry, Kazuo Ishiguro, Manchester University Press, Manchester 2000. Matthews, Sean and Groes, Sebastian (eds.), Kazuo Ishiguro: Contemporary

Critical Perspectives, Continuum, London 2010.

Teo, Yugin, Kazuo Ishiguro and Memory, Palgrave Macmillan, Hampshire 2014.

Testi secondari su “Never Let Me Go”

Adams, Tim, “For Me, England is a Mythical Place” (2005), The Guardian, https://www.theguardian.com/books/2005/feb/20/fiction.kazuoishiguro [consultato in data 24/9/2016].

Atwood, Margaret, “Brave New World” (2005), The Washington Post, http://www.slate.com/articles/arts/books/2005/04/brave_new_world.html [consultato in data 12/9/2016].

Barnes, Harper, “Ishiguro’s chilling Tale rooted in SF” (2005), STLToday, http://www.stltoday.com/stltoday/emaf.nsf/Popup?/ReadForm&db¼stltoday %5Center [consultato in data 7/9/2016].

Bernstein, Stephen, “Never Let Me Go”, The Review of Contemporary Fiction, 25, 2005, n. 1, p. 139.

Bhabha, Homi, “Unpacking my Library Again”, The Journal of the Midwest

Modern Language Association, 28, 2005, n. 1, pp. 5-18.

Black, Shameem, “Ishiguro’s Inhuman Aesthetics”, Modern Fiction Studies, 55, 2009, n. 4, p. 785-807.

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145

Breadford, Richard, The Novel Now: Contemporary British Fiction, Blackwell Publishing, Oxford 2007.

Britzman, Deborah, “On Being a Slow Reader: Psychoanalytic Reading Problems in Ishiguro’s Never Let Me Go”, Changing English, 13, 2006, n. 3, p. 307-318.

Brizneu, Pia, “‘All Over the Country’: Cloned Spaces in Kazuo Ishiguro’s

Never Let Me Go”, British and American Studies, 17, 2011, pp. 91-100.

Clark, Alex, “Never Let Me Go” (2006), The Guardian,

http://books.guardian.co.uk/reviews/generalfiction/0,,1712898,00.html [consultato in data 7/9/2016].

Davidson, Michael, Concerto for the Left Hand: Disability and the Defamiliar

Body, University of Michigan Press, Ann Arbour 2008.

Deb, Siddhartha, “Lost Corner” (2005), New Statesman,

http://www.newstatesman.com/node/161666 [consultato in data 27/9/2016]. Giles, Jeff, “Like Lambs to Slaughter”, Newsweek, 145, 2005, n. 15, p. 82. Griffin, Gabriele, “Science and the Cultural Imaginary: the Case of Kazuo

Ishiguro’s Never Let Me Go”, Textual Practice, 23, 2009, n. 4, pp. 645-663. Ingersoll, Earl G., “Taking off Into the Realm of Metaphor: Kazuo Ishiguro’s

Never Let Me Go”, Studies in the Humanities, 34, 2007, n. 1, pp. 40-59.

Harrison, M. John, “Clone Alone”, (2005), The Guardian,

https://www.theguardian.com/books/2005/feb/26/bookerprize2005.bookerpr ize [consultato in data 7/9/2016].

Hyvärinen, Matti, “Friendship, Care, and Politics: Kazuo Ishiguro's Never Let

Me Go”, Redescriptions 12, 2008, pp. 202-223.

Ishiguro, Kazuo, “I Remain Fascinated by Memory” (2005), Der Spiegel, http://www.spiegel.de/international/spiegel-interview-with-kazuo-ishiguro-i-remain-fascinated-by-memory-a-378173.html [consultato in data 12/9/2016].

, “Future Imperfect” (2006), The Guardian,

https://www.theguardian.com/books/2006/mar/25/featuresreviews.guardianr eview36 [consultato in data 14/9/2016].

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146

Journet, Debra, “‘How Things Are Supposed To Be’: Rhetoric, Education and Motive in Kazuo Ishiguro’s Never Let Me Go”, British and American

Studies, 18, 2012, pp. 61-68.

Kemp, Peter, “Never Let Me Go by Kazuo Ishiguro” (2005), The Sunday Times, http://www.thesundaytimes.co.uk/sto/culture/books/article131612.ece [consultato in data 12/9/2016].

McDonald, Keith, “Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as a Speculative Memoir”, Biography, 30, 2007, n. 1, pp. 74-83.

Messud, Claire, “Love’s Body” (2005), The Nation,

https://www.thenation.com/article/loves-body/ [consultato in data 19/9/2016].

Mullan, John, “A Life Half Lived” (2005), The Guardian,

https://www.theguardian.com/books/2006/mar/18/kazuoishiguro [consultato in data 12/9/2016].

Pandey, Anjali, “‘Cloning Words’: Euphemism, Neologism and Dysphemism as Literary Devices in Kazuo Ishiguro’s Never Let Me Go”, Changing

English: an International Journal of English Teaching, 18, 2011, n. 4, pp.

383-396.

Petrillo, Stephanie, “Moral Theories and Cloning in Kazuo Ishiguro’s Never Let

Me Go”, Berkeley Undergraduate Journal, 1, 2014, n. 27, pp. 45-62.

Petry, Mike, Narratives of Memory and Identity: The Novels of Kazuo Ishiguro, Peter Lang, Frankfurt am Main 1999.

Puchner, Martin, “When We Were Clones: On Kazuo Ishiguro”, Raritan: A

Quarterly Review, 27, 2008, n. 4, pp. 34-49.

Query, Patrick R., “Never Let Me Go and the Horizons of the Novel”, Critique, 52, 2015, n.2, pp. 155-172.

Sayers, Valerie, “Spare Parts”, Commonweal, 132, 2005, n. 3, pp. 27-28. Seaman, Myra, “Becoming More (than) Human: Affective Posthumanisms, Past

and Future”, Journal of Narrative Theory, 37, 2007, n. 2, pp. 246-275. Snaza, Nathan, “The Failure of Humanizing Education in Kazuo Ishiguro’s

Never Let Me Go”, Literature Interpretation Theory, 26, 2015, n. 3, pp.

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147

Teo, Yugin, “Testimony and the Affirmation of Memory in Kazuo Ishiguro’s

Never Let Me Go”, Studies in Contemporary Fiction, 55, 2014, n. 2, pp.

127-137.

Toker, Leona and Chertoff, Daniel, “Reader Response and the Recycling of Topoi in Kazuo Ishiguro’s Never Let Me Go”, Partial Answers, 6, 2008, n. 1, pp. 163-180.

Whitehead, Anne, “Writing with Care: Kazuo Ishiguro’s Never Let Me Go”,

Contemporary Literature, 52, 2011, n. 1, pp. 54-83.

Willems, Brian, Poverty, Facticity and Clones: On Kazuo Ishiguro’s “Never

Let Me Go”, Atropos Press, New York 2010.

Articoli in rivista e recensioni sulla produzione di Ishiguro

Bentivoglio, Leonetta, “I Notturni di Ishiguro: le mie storie sono canzoni” (2009),

http://ricerca.repubblica.it/repubblica/archivio/repubblica/2009/05/19/nottur ni-di-ishiguro-le-mie-storie.html [consultato in data 4/2/2016].

–, “Kazuo Ishiguro: ‘Racconto l’importanza della memoria con un fantasy’” (2015),

http://www.repubblica.it/cultura/2015/09/05/news/kazuo_ishiguro_racconto _l_importanza_della_memoria_con_un_fantasy_-122352184/ [consultato in data 4/2/2016].

Cheng, Chu-chueh, “Chic clichés: Reinvention of Myths and Stereotypes in Kazuo Ishiguro’s Novels”, EnterText: An Interactive Interdisciplinary

E-Journal for Cultural and Historical Studies and Creative Work, 5,

2005-2006, n. 3, pp. 148-186.

Forsythe, Ruth, “The Cultural Displacement and the Mother-Daughter Relationship in Kazuo Ishiguro’s A Pale View of Hills” (2005), The West

Virginia University Philological Papers,

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https://www.questia.com/library/journal/1G1-149850930/cultural-148

displacement-and-the-mother-daughter-relationship [consultato in data 26/9/2016].

Gorancic, Nasiha, “Kazuo Ishiguro” (2012),

http://newenglishliterature.blogspot.it/2012/02/kazuo-ishiguro.html [consultato in data 2/11/2015].

Jordison, Sam, “Kazuo Ishiguro’s The Unconsoled: Unanswered Questions” (2015), http://www.theguardian.com/books/booksblog/2015/jan/13/kazuo-ishiguro-the-unconsoled-questions [consultato in data 23/11/2015].

Karni, Rebecca, “Made in Translation: Language, ‘Japaneseness’, ‘Englishness’, and Global Culture in Ishiguro, Comparative Literary

Studies, 52, 2015, n. 2, pp. 318-348.

Mason, Gregory, “Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro”, East-West Film Journal, 3, 1989, n. 2, pp. 39-52.

Mazullo, Mark, “Alone: Kazuo Ishiguro and the Problem of Musical Empathy”,

Yale Review, 100, 2012, n. 2, pp. 78-98.

Neagu, Adriana, “International Writing? Kazuo Ishiguro and the Introvert Identities of the Novel”, The Journal of English Association, 59, 2010, n. 226, pp. 269-280.

Paterson, Christina, “Kazuo Ishiguro: The Samurai of Suburbia” (2005), The

Independent, http://www.independent.co.uk/arts- entertainment/books/features/kazuo-ishiguro-the-samurai-of-suburbia-527080.html, [consultato in data 30/8/2016].

Procter, James, “Kazuo Ishiguro: Critical Perspective” (2013), http://literature.britishcouncil.org/kazuo-ishiguro [consultato in data 1/11/2015].

Rich, Nathaniel, “The Book of Sorrow and Forgetting” (2015), http://www.theatlantic.com/magazine/archive/2015/03/the-book-of-sorrow-and-forgetting/384968/ [consultato in data 4/2/2016].

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149 Studi sulla Science Fiction

Monografie

Aldiss, Brian and Wingrove, David, Trillion Year Spree: The History of Science

Fiction, Paladin Books, London 1988.

Amis, Kingsley, New Maps of Hell, Gollancz, London 1961.

Berger, Albert I., The Magic That Works: John W. Campbell and the American

Response to Technology, Borgo Press, San Bernardino 1993.

Booker, Mary Keith, Dystopian Literature: A Theory and A Research Guide, Greenwood Press, Westport 1994.

Booker, M. Keith and Thomas, Anne-Marie, The Science Fiction Handbook, Wiley-Blackwell, Malden 2009.

Bova, Ben, The Craft of Writing Science Fiction that Sells, Writer’s Digest Books, Cincinnati 1994.

James, Edward, Science Fiction in the 20th Century, Oxford University Press,

Oxford 1994.

Ousby, Ian, The Cambridge Guide to Literature in English, Cambridge University Press, Avon 1993.

Palmer, Christopher, Philip K. Dick: Exhilaration and the Terror of the

Postmodern, Liverpool University Press, Liverpool 2003.

Parrinder, Patrick, Science Fiction: Its Criticism and Teaching, Methuen & Co., New York 1980.

Rispoli, Francesca, Universi che cadono a pezzi: la Fantascienza di Philip K.

Dick, Mondadori, Torino 2001.

Roberts, Adam, The History of Science Fiction, Palgrave Macmillan, Hampshire 2006.

Seed, David, A Companion to Science Fiction, Blackwell Publishing, Oxford 2005.

Snow, Percy Charles, The Two Cultures, Cambridge University Press, New York 1998.

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150

Strugatsky, Arkady and Boris, Roadside Picnic and Tale of the Troika, Macmillan, New York 1977.

Saggi in volume e articoli in rivista

Aldiss, Brian and Wingrove, David, “On the Origin of Species: Mary Shelley”, in James E. Gunn and Matthew Candelaria (eds.), Speculations on

Speculation: Theories of Science Fiction, The Scarecrow Press, Maryland

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Annas, Pamela J., “New Worlds, New Words: Androgyny in Feminist Science Fiction”, Science Fiction Studies, 5, 1978, n. 15, pp. 143-156.

Asimov, Isaac, “Foreword 1: The Second Revolution”, in Harlan Ellison (ed.),

Dangerous Visions, Doubleday, New York 1967, pp. XXXIII-XXXIX.

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151

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Studi sulla Clonazione

Monografie

Balistreri, Maurizio, La clonazione umana prima di Dolly: Una fantasia che

diventa realtà?, Mimesis, Milano 2015.

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153

Hayles, N. Katherine, How We Became Posthuman, University of Chicago Press, Chicago 1999.

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Kass, Leon R., Life, Liberty and the Defense of Dignity: The Challenge for

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Ethical Inquiry, National Bioethics Advisory Commission, Washington D.

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Milano 2000.

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Dunn, Kyla, “Cloning Trevor”, The Atlantic Monthly, 289, 2002, n. 6, p. 32. Haldane, John B. S., Daedalus; or, Science and Future (1923),

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, “Biological Engineering: A Preview”, in Hans Jonas (ed.), Philosophical

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Jersey 1974.

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Kirby, David A., “The New Eugenics in Cinema: Genetic Determinism and Gene Therapy in ‘GATTACA’”, Literature and Medicine, 26, 2007, n. 1, p. 84.

Klotzko, Arlene Judith (ed.), The Cloning Sourcebook, Oxford University Press, New York 2001.

Petrillo, Stephanie, “Moral Theories and Cloning in Kazuo Ishiguro’s Never Let

Me Go”, Berkeley Undergraduate Journal, 1, 2014, n. 27, p. 48.

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Sitografia

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155 Studi sull’Etica della cura

Monografie

Baier, Annette, Postures of the Mind: Essays on Mind and Morals, University of Minnesota Press, Minneapolis 1985.

Johnson, Peter, Moral Philosophers and the Novel: A Study of Winch,

Nussbaum and Rorty, Palgrave Macmillan, New York 2004.

Keen, Suzanne, Empathy and the Novel, Oxford University Press, Oxford 2007. Noddings, Nale, Caring. A Feminist Approach to Ethics & Moral Education,

University of California Press, Los Angeles 1986.

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Nussbaum, Martha, Love’s Knowledge: Essays on Philosophy and Literature, Oxford University Press, New York 1990.

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Saggi in volume, articoli in rivista e recensioni

Cooke, Grayson, “Technics and the Human at the Zero-Hour: Margaret Atwood’s Oryx and Crake”, Studies in Canadian Literature, 31, 2006, n. 2, pp. 63-83.

Davidson, Cathy N. and Goldberg, David Theo, “A Manifesto for the Humanities in a Technological Age” (2004), http://www.chronicle.com/article/A-Manifesto-for-the-Humanities/17844 [consultato in data 29/8/2016].

Gilligan, Carol, “In a Different Voice: Women’s Conceptions of Self and of Morality”, in Diana Tietjens Meyers (ed.), Feminist Social Thought: A

Reader, Routledge, New York 1997, pp. 547-583.

Ingersoll, Earl G., “Survival in Margaret Atwood’s Novel Oryx and Crake”,

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156

Meyers, Diana T., “Agency”, in Alison M. Jaggar and Iris M. Young (eds.), A

Companion to Feminist Philosophy, Blackwell Publishers, Oxford 1998, p.

372-382.

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Walker, Margaret U., “Seeing Power in Morality”, in Peggy DesAutels and Joanne Waugh (eds.), Feminists Doing Ethics, Rowman and Littlefield, Lanham 2001, pp. 3-14.

Ulteriori letture

Agamben, Giorgio, Quel che resta di Auschwitz: l’archivio e il testimone, Bollati Boringhieri, Torino 1998, trad. ing. Remnants of Auschwitz: The

Witness and the Archive, Zone Books, New York 2002, pp. 106-107.

Atwood, Margaret, Oryx and Crake, Anchor Books, New York 2003.

Cavarero, Adriana, Relating Narratives: Storytelling and Selfhood, Routledge, New York 2000.

Culler, Jonathan, Structural Poetics: Structuralism, Linguistics, and the Study

of Literature, Cornell University Press, Ithaca 1976.

Derrida, Jacques, The Gift of Death, The University of Chicago Press, Chicago 1996.

Dick, Philip K., Do Androids Dream of Electric Sheep?, Ballantine Books, New York 1968.

Eliot, T.S. (ed.), Selected Essays, Faber and Faber, London 1932.

Howells, Coral Ann, The Cambridge Companion to Margaret Atwood, Cambridge University Press, Cambridge 2006.

Mitchell, David, Cloud Atlas, Random House, New York 2004. Verdonk, Peter, Stylistics, Oxford University Press, Oxford 2002.

Wilson, Angus, East Anglia in Verse and Prose, Secker & Warburg, London 1982.

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