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BIBLIOGRAFIA

Testi primari

CATULLO, Poesie, a cura di F. Della Corte, Fondazione Lorenzo Valla -

Arnoldo Mondadori Editore, Milano 2006.

D.DABYDEEN, A Harlot’s Progress, Vintage, London, 2000.

W. SHAKESPEARE, The Tempest, trad. it. di A. Serpieri, Marsilio, Venezia, 2006.

Testi critici

F. ANTAL, Hogarth and His Plate in European Art, Routledge&Kegan Paul, London, 1962.

A. ASSMANN – U. FREVERT, Geschichtsvergessenheit

Geschichtsvergessenheit: Vom Umgang mit deutschen Vergangenheit nach 1945, Deutsche Verlagsanstalt, Stuttgart, 1999.

A. ASSMANN, Erinnerungräume. Formen und Wandlungen des kulturellen Gedächtnisses, München, C. H. Beck; trad. it. 2002, Ricordare. Forme e mutamenti della memoria culturale, Bologna, il Mulino.

F.BIRBALSINGH, “Interview with David Dabydeen, 1991”, in K.GRANT (ed.),

The Art of David Dabydeen, Peepal Tree, Leeds, 1997, pp. 177-98.

J.BRODSKY, On Derek Walcott, in «New York Review of Books», November

10, 1983, pp. 39-41.

A. M. CIMITILE, Emergenze. Il fantasma della schiavitù da Coleridge a D'Aguiar, Liguori Editore, Napoli, 2005.

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212

S. CONSONNI, Linee, intrichi, intrighi. Sull’estetica di William Hogarth, ECIG, Genova, 2003.

F. CAVAGNOLI, Il proprio e l’estraneo nella traduzione letteraria di lingua inglese, Polimetrica, Milano, 2010.

D. DABYDEEN, Hogarth’s Blacks: Images of Blacks in Eighteenth Century

English Art, Dangaroo Press, Coventry, 1985.

ID., Hogarth, Walpole and Commercial Britain, Hansib Publishing, London, 1987.

ID., From Care to Cambridge, in K.H. PETERSEN –A. RUTHERFORD (eds.),

Displaced Persons, Dangaroo Press, Sydney, 1988, pp. 137-141.

ID., “On Not Being Milton: Nigger Talk in England Today”, in L.BURKE –T.

CROWLEY – A. GIRVIN (ed.) The Routledge Language and Curltural Theory

Reader, Routledge, London, 2000, pp. 302- 316.

D. C. DANCE (ed.), Fifty Caribbean Writers: A Bio-Bibliographical Critical

Sourcebook, Westwood, Connecticut: Greenwood Press, 1986.

F. DARROCH, Memory and Myth: Postcolonial Religion in Contemporary

Guyanese Fiction and Poetry, Rodopi, Amsterdam and New York, 2009.

K. DAVEY, English Imaginaries: Six Studies in Anglo-British Modernity,

Lawrence & Wishart, London, 1999.

L. ECKSTEIN,Re-membering the Black Atlantic: On the Poetics and Politics

of Literary Memory, Rodopi B. V., Amsterdam – New York (Printed in The Netherlands), 2006.

ID., "Getting Back to the Idea of Art as Art: An Interview with David

Dabydeen”, in «World Literature Written in English», (39:1), 2001, pp. 27-36. L. ECKSTEIN ET AL., “Literary Missions and Global Ethic”, in G.STILZ (ed.),

Colonies, Missions, Cultures in the English-Speaking World: General and Comparative Studies, Stauffenurg Verlag, Tübingen, 2001, pp. 435-57.

U.ECO, Dire quasi la stessa cosa, Bompiani, Milano, 2003.

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213

M. GHOSH-SCHELLHORN, Transitional Identity and Its Indentured Emplacement, in M. CLIFF, D. DABYDEEN,O. PALMER ADISA, A. HORNUNG, E.

RUHE, Postcolonialism and autobiography, Rodopi B. V., Amsterdam – Atlanta

G.A., 1998, pp. 167-190.

P. GILROY, The Black Atlantic: Modernity and Double Consciousness,

Harvard UP, Cambridge MA, 1993.

D. HALL, In Miserable Slavery: Thomas Thistlewood in Jamaica, 1750-86,

Macmillan, London, 1989.

K. MC INTRYRE, “A Different Kind of Book”: Literary Decolonization in

David Dabydeen’s “The Intended”, in «ARIEL» (27:2), 1996, pp. 151-75. L. M.JENKINS, "On Not Being Tony Harrison: Tradition and the Individual Talent of David Dabydeen" in «ARIEL: A Review of International English Literature», (32:2), 2001 Apr, pp. 69-88.

B. KANAGANAYAKAM, Configurations of Exile: South Asian Writers and

Their World, TSAR, Toronto, 1995.

C. KING, West Indian Literature, MACMILLAN EDUCATION LTD (2nd

edition), London, 1995.

ID., The Internationalization of English Literature. The Oxford English Literary History, Oxford University Press, Vol. 13, Oxford, 2004.

R. KING, “Ignatious Sancho and Portraits of Black Élite,” in R. KING, S. SANDHU,J. WALVIN,J. GIRDHAM, Ignatius Sancho: An African Man of Letters,

NPG, London, 1997, pp. 15-43.

J.KRISTEVA, Powers of Horror. An Essay on Abjection, Columbia University Press, New York, 1982.

R. LACHMANN, Memory and Literature: Intertextuality in Russian Modernism, tr. Roy Sellers & Anthony Wall, U of Minnesota P, Minneapolis & London, 1997.

A. LORDE, “The Master’s Tool Will Never Dismantle the Master’s House”,

Sister Outsider, The Crossing Press, Freedom, CA, 1984.

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214

S. MARK, "David Dabydeen Talks to Mark Stein", in «Wasafiri: Journal of

Caribbean, African, Asian and Associated Literatures and Film», (29), 1999 Spring, pp. 27-29.

D. NIDA, Principles of Correspondence, in L. VENUTI (a cura di) The Translation Studies Reader, Routledge, NY, 2004. 153-167.

P. NORA, "General Introduction: Between Memory and History," in The

Realms of Memory, ed. Pierre Nora, vol.1, Columbia University Press, New York, 1996, pp. 1-20.

B. OSIMO, Manuale del traduttore, HOEPLI, Milano, 2004.

C. PAGNOULLE, A Harlot’ s Progress: Memories in Knots and Stays, in K. KARRAN – L. MACEDO, No Land No Mother: Essays on the Works of David

Dabydeen, Peepal Tree Press, Leeds, 2007, pp. 181-203.

T. PARKS, Tradurre l’inglese, trad. it. di Maria Teresa Falanga, Bompiani, Milano, 1997.

B. PARRY, David Dabydeen’s The Intended, in «Kunapipi» 12,3 (1991), pp.85-90.

R. PAULSON, Hogarth: His Life, Art, and Times, Yale University Press, (2 vol.), New Haven, 1974.

M. PRINCE, The History of Mary Prince, ed. Moira Fergusson, Pandora, London, 1997.

V. RAMRAJ, West Indian Writing in Canada, in B. KING (a cura di), West

Indian Literature, MACMILLAN EDUCATION LTD (2nd edition), London,

1995, pp.102-114.

P.RICOEUR, La memoria, la storia, l’oblio, trad. it. di D. Iannotta, Raffaello Cortina Editore, Milano, 2003.

P. ROSSI, Il passato, la memoria, l’oblio. Otto saggi di storia delle idee, Il Mulino, Bologna, 1991.

M.SCHAPIRO, Parole e immagini. La lettera e il simbolo nell’illustrazione di un testo, Pratiche Editrice s.r.l., Parma, 1985.

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C.SEGRE, "intertestualità e interdiscorsività nel romanzo e nella poesia", in

Teatro e romanzo. Due tipi di comunicazione letteraria, Torino, Einaudi, 1984, pp. 103-118.

S. SHESGREEN, Engravings by Hogarth 101 Prints. Paperback, New York,

1973.

M.STEIN, David Dabydeen Talks to Mark Stein, in «Wasafiri: Journal of Caribbean, African, Asian and Associated Literatures and Film», (29) 1999, pp. 27-9.

M. ŠUVAKOVIĆ, Epistemology of Art. Platforms, Protocols and Practice, TKH, Belgrado, 2008.

P.VECCHI GALLI, Sussidiario di letteratura italiana, Archetipolibri, Bologna,

2007.

A.WARD, “Words are all I have left of my eyes”: Blinded by the Past in J.M.W. Turner’s Slavers Throwing Overboard the Dead and Dying and David Dabydeen’s “Turner”, in «Journal of Commonwealth Literature», Nottingham (2007), vol. 42 (1), pp. 47-58.

H.WEINRICH, Lethe. Kunst und Kritik des Vergessens, C.H. Beck, München,

1997; trad. it., Lete. Arte e critica dell’oblio, Il Mulino, Bologna, 1999.

Sitografia

http://www.contemporarywriters.com http://literature.britishcouncil.org/david-dabydeen http://www.peepaltreepress.com/author_display.asp?au_id=92 http://www.telegraph.co.uk/culture/3620759/ http://www.independent.co.uk/arts-entertainment/books/reviews/ http://www2.warwick.ac.uk/fac/arts/ccs/staff/dabydeen/

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216 http://signifyinguyana.typepad.com/signifyin_guyana/2008/12/a- guyanacaribbeanfocused-review-of-david-dabydeens-molly-and-the-muslim-stick.html http://archiviostorico.corriere.it/1992/novembre/14/connection_Alan_Clark_thatc heriano_filo_co_0_92111412316.shtml http://www.el-ghibli.provincia.bologna.it/id_1-issue_01_05-section_6-index_pos_1.html

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