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SCALA 1:50_ PIANTA_ASSONOMETRIA_ SEZIONI RELATORE: arch. PIER FEDERICO CALIARI_ CORRELATRICE: arch. SARA GHIRARDINI

TESI DI: FERRARI CLARA - KALIVAS ALESSIA POLITECNICO DI MILANO

SCUOLA DI ARCHITETTURA E SOCIETA' _ A.A 2015/2016

TITOLO TESI: AMOA_archeological musum of Aphaia

despite its small size, dominates over the sea routes between Continental Greece and the Peloponnese, the Ionian and the Aegean Sea.

It’s beauty has the gentleness of the Attic landscape.

This unspeakable harmony, this natural charm of Aegina, its Mediterranean, dry and healthy climate,all the LEGENDSand glories of history enveloping in the mists of time, the glorious ruins of the _General plan of the Island of Aegina

_View from the port of Aegina

TEMPLE OFAPOLLO, the prominent TEMPLE OF APHAIA, its churches and monasteries, the small Mistras of PALIAHORA, its golden beaches and cool bays, the neoclassical mansions and traditional houses.

From ancient times, Aegina has been the ideal place for relaxation and spiritual uplifting, a place of artistic INSPIRATION and CONCENTRATION, asceticism and entertainment.

Their assumptions were reinforced by ANCIENT INSCRIPTIONSthat were found in different locations in the area or in many ancient architectural parts.

The capital city must have been transferred to PALIAHORAaround 9th or 10th century, when the inhabitants were forced to leave the castline that was revaged byPIRATESand seek refuge in the island.

|INTRODUZIONE CONOSCITIVA AI PUNTI DI INTERESSE DELL’ISOLA DI AEGINA

_AEGINA

THE FIRST CAPITAL OF MODERN GREECE

despite its small size, dominates over the sea routes between Continental Greece and the Peloponnese, the Ionian and the Aegean Sea.

It’s beauty has the gentleness of the Attic landscape.

This unspeakable harmony, this natural charm of Aegina, its Mediterranean, dry and healthy climate,all the LEGENDSand glories of history enveloping in the mists of time, the glorious ruins of the _General plan of the Island of Aegina

_View from the port of Aegina

TEMPLE OFAPOLLO, the prominent TEMPLE OF APHAIA, its churches and monasteries, the small Mistras of PALIAHORA, its golden beaches and cool bays, the neoclassical mansions and traditional houses.

From ancient times, Aegina has been the ideal place for relaxation and spiritual uplifting, a place of artistic INSPIRATION and CONCENTRATION, asceticism and entertainment.

_AEGINA THE FIRST CAPITAL OF MODERN GREECE

The archeological site of KOLONAis situated very close to the harbour, on the left of the disembarkation area and reflects the age-long history of the acropolis of ancient Aegina.

VENETIAN sailors named the hill “Kolona” after the columns of the ancient temple of Apollo that served as a SIGN OF ORIENTATION

ADOLF FURTWANGLER and LOLLING began archeological excavations in the 19th century.

Also, between 1921 and 1954 G. Welter began the first systematic excavation in the prehistoric town and temple

_PALIAHORA

On a hill forming a natural fort with an altitude of 355 metres, opposite the monastery of Agios Nektarios liesPALIAHORA, the island’s renowned medieval town and acropolis.

According to historians and archeologists of the first half of the 20th century, ancient OIAorOIIwas once located in the same spot and the Aeginetans worshipped Damia and Auksesia there. _Landscape on Aigina island.In the background Palaiochora.

_PALIAHORA

_TEMPIO DI APOLLO: KOLONNA

The archeological site of KOLONA is situated very close to the harbour, on the left of the disembarkation area and reflects the age-long history of the acropolis of ancient Aegina.

VENETIAN sailors named the hill “Kolona” after the columns of the ancient temple of Apollo that

served as a SIGN OF

ORIENTATION

ADOLF FURTWANGLER and LOLLING began archeological excavations in the 19th century.

Also, between 1921 and 1954 G. Welter began the first systematic excavation in the prehistoric town and temple

Christos Capralos is one of the most famous greek c o n t e m p o r a r y sculpturers, was born in Panaitolio in November 1909 and died in 1993 He studied painting at the School of Fine Arts in Athens and sculpture in the Academies Grande Chaumieres and Colarossi in Paris.

In 1962 Christos Capralos represented Greece at the Venice Biennale, where he exhibited wrought lead and copper works, which he had created with the ancient technique of cast wax.

_Mother’s sculpture of Christos Capralos

The holy TEMPLE OF

TAXIARHESis located in the area called Sfyrihtres, on the northen shoulder of OROS. It was built on the northwest corner of a hypostyle hall of the Hellenistic period (which was originally believed to be the temple of Aphaia)

the temple of Aphaia). It is likely that the Taxiarhes temple, dated according to professor N.

Moutsopoulos to the 14th century,used to be the catholicon of the monastery of AGIOS NIKOLAOS,the ruins

of which still surround the church.

_fragments of the Holy temple of Taxiarhes and plan of the temple of Aphaia.

_THE HOLY TEMPLE OF TAXIARHES.

_Hellanio Oros

viti autofilettanti.

cavi in acciaio inox rimovibili.

cornice in legno.

pannello informativo in Forex (spessore 5mm).

viti autofilettanti.

cavi in acciaio inox rimovibili.

bilanciatore quadrato in piombo

|09

On a hill forming a natural fort with an altitude of 355 metres, opposite the monastery of Agios Nektarios liesPALIAHORA,

the island’s renowned medieval town and acropolis.

According to historians and archeologists of the first half of the 20th century, ancient OIAorOIIwas once located in the same spot and the Aeginetans worshipped Damia and Auksesia there.

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