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“Urban Sounds”: an acoustical tour of Parma

A.Capra1, A.Farina1, F.Grani2

1 University of Parma, Parma, Italy, Email: andrea.capra@icloud.com

2 Aalborg University, Copenhagen, Denmark, Email: fg@create.aau.dk

Università degli Studi di Parma

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URBAN SOUNDS

Collaboration between “Industrial Engineering Department -

University of Parma” and “Casa della Musica”

GOALS:

- delivering to posterity an archive of recorded sound fields to document Parma in 2012 with advanced 3D surround recording techniques

- creation of a “musical”

Ambisonics composition for leading the audience through a virtual tour of the town

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RECORDING EQUIPMENT

EIGENMIKETM by mhAcoustics

 Array with 32 ½” capsules of good quality, frequency response up to 20 kHz

 Preamplifiers and A/D converters inside the sphere, with ethernet interface

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 Recorder: Mac Book Pro 13”

 Software: Plogue Bidule

Gain controller: custom Python controller

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THE PLACES

A first set of 30 places:

Airport and Train Station

Two public parks

Several squares

A bridge

An highway

An outdoor market

Indoor public places as:

Swimming pool

Underground parking

School canteen

Italian Opera Theater

Commercial Center

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A panoramic photo was taken in the same position of the microphone, by means of a Sony Bloggie panoramic-mirror camera

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THE VIRTUAL TOUR OF PARMA

PROCESSING OF THE RECORDINGS

The processing technique was developed by the RAI Research Center in Turin and by AIDA, a spinoff of the University of Parma.

We don’t assume any theory for computing the filters: they are derived directly from a set of measurements.

m = 1…M microphones

d = 1…D directions

δ(t) δ(t)

A matrix of measured impulse response coefficients is formed and the matrix has to be numerically inverted

16 virtual microphones

=

3rd Order Ambisonics

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Directivity patterns of the 16 virtual microphones

• The patterns correspond to spherical harmonics of

orders 0, 1, 2 and 3:

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X-Volver VST plugin in Plogue Bidule host

• Realtime convolution of the 32 microphone signals with the matrix of 32x16 FIR filters

32x16 FIR Matrix:

• 2048 samples

• 48kHz – 24bit

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THE MIX

Performed in a threated room equipped with:

Desktop PC

RME Hammerfall audio interface

 Apogee AD-16x digital-to-analog converter

N.2 QSC CX168 amplifiers

N.16 Turbosound Impact 50

MIXING SOFTWARE:

Linux Ubuntu OS

Ardour

 AMB-Plugins, AMBDEC and Zita-Rev by Fons Adriaensen

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The listener is leaded through a well-defined route, starting from

the train station and ending to the airport of the town.

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The composition is accompanied by a “musical” soundscape, created with Bloom by Brian Eno and spatializated in Ambisonic using the software by Fons Adriaensen.

Bloom

Intercative/generative iPad application.

iPad with Bloom

Recording and

Ambisonic spatialization

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THE LISTENING ROOM

Wave Field Synthesis room, named “Sala Bianca”, in “Casa del Suono” museum.

Dimensions: 7.5 x 4.5 x 4.5 meters Number of speakers: 189

Control Software: designed by Fons Adriaensen

The Wave Field System is used for simulating eight “virtual” speakers placed on a regular octagon at a distance of 15 meters from the centre of the room.

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THE LISTENING ROOM

Virtual Sources Mixer

WFS Realtime Monitoring

WFS system VU Meters

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CONCLUSIONS

The goal of the “Urban Sounds” project was dual:

• the creation of an archive of 3D urban soundscapes recorded in Parma

• the realization of an immersive virtual tour of the town performed in a WFS room

The composition, object of this paper, is actually available in “Casa del Suono” museum and the soundscapes archive is at disposal of artists and listeners.

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• the number of the sampled places should be increased, covering other significant locations in Parma, in order to create a vast archive of urban soundscapes;

• the 3D recordings could be accompanied with a panoramic video, not only with a panoramic photo, for a complete immersive experience;

• the 3D recordings could be performed with different microphone probes, such as the 32 capsules cylindrical array actually in development at University of Parma;

• a permanent installation could be placed in the museum, giving to the visitors the choice of the town places in which they would like to be surrounded (the idea is a map of the town on a tablet that is used as a remote control).

FUTURE DEVELOPMENTS

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www.urbansounds.info

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